Kat Eye Studio

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Two Things at Once

ReflectionDo you ever feel like you are trying to be two things at once? I certainly do. I am an engineer. A photographer. A mother. A wife. A friend. A teacher. A blogger. A corporate worker. A small business owner. Shall I list them all? No wonder I needed to focus on balance this last month.

The focus on balance led me to this book: One Person/Multiple Careers: A New Model for Work/Life Success by Marci Alboher. As I finished it over the weekend I had to sit for a while and think about what I took away from the book. It had many strategies for managing a “slash” life like mine. Filled with stories of people who have dual careers such as computer programmer/theater director and lawyer/minister, it gave real life examples of people who have made multiple careers work. Marci covered the difficulties and pitfalls, but the rewards too. It allows a new answer to the age-old question, “What do you do?” It validated that I am not alone on this crazy path.

In fact, it’s led to me to reflect that for my entire adult life I’ve been some form of this more-than-one-thing-at-a-time path. After graduating with my bachelors in electrical engineering, I worked full time as I pursued my master’s degree in the evenings. After gaining that degree and a new job, I relocated to Oregon and started a hobby of scrapbooking. (I pursued scrapbooking with a passion equal to a job, completing book after book.) The scrapbooking led me to become a Stampin’ Up! demonstrator soon after my son was born. If that’s not crazy I don’t know what is: Working at my engineering job, new mom, oh, and let’s do this side business too! To be fair, I didn’t really pursue Stampin’ Up! as a business, but when I started to teach stamping and scrapbooking, I realized how much I loved teaching. I was hooked. It got to the point I loved the teaching more than the stamping, I only stopped that to move to Italy. Is it any wonder that I found something else to fill the void? Travel, photography, blogging – all led to this new passion and desire to teach in a new realm.

The funny part: It’s starting to all make sense. I used to feel like someday I would have to choose between “being” the engineer or the photographer, but now, I don’t feel that way so much. I will probably always default to pursuing multiple things at once. I think that is who I am. It’s just how my energy flows. So it’s no longer about choosing one answer to the “what do you do” question for me, it’s about balancing the different parts to a cohesive, satisfying and not-too-overwhelming whole. It’s about letting myself embrace the idea of the “slash,” that it’s ok to be more than one thing at a time. That I am more than one thing, and I always will be. We all are.

In my “About” page you’ll see the fruits of all of this contemplation – I identified myself as a Photographer/Teacher/Engineer/Mother. I could add about five more slashes on there, but those get to the heart of who I am right now.

How would you answer the question, “What do you do?”

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Exploring with a Camera: Opposing Lines

Watch your Steps, Chicago, Illinois

Watch your Steps

Lately I’ve been noticing lines in my photographs. Not just any lines, but lines that run in opposition to each other. In Today’s Exploring with a Camera, we are going to explore Opposing Lines. You can join in the exploration over the next two weeks, by adding your images to the link tool at the end of this post.

Lines are a fantastic tool to move the viewer’s eye through a photograph. When there is a dominant line, the eye wants to follow it through. We can use this to great effect in our compositions, drawing the eye to a specific point or subject by setting up leading lines. I’ve touched on this topic before, in Exploring with a Camera: Linear Perspective.

What happens when there is more than one line? If the lines converge to a point, there is a flow to the photograph, leading the viewer’s eye to the convergence point. If the lines are in opposition, however, there is a dynamic tension that is set up in the image. Your eye moves from one place, only to move back in the other direction. This tension is fascinating to me, and is what I’ve been exploring with Opposing Lines in my photographs.

The dynamic of opposing lines in an image first caught my eye with this image, from Old Colorado City, Colorado. The perspective in the mural leads you in one direction, from left to right in the photograph. The direction of the bricks, however, leads you in the opposite direction: right to left. This dynamic of opposing lines was set up by the angle of the shot. If it had been straight on, the bricks would have been straight and would have served as a backdrop rather than a key element as an opposing line.

Frontier Town Mural, Old Colorado City, Colorado

Mural Lines

In the image below, the lines of the brick wall and the lines of the shadows from a nearby tree are in opposition. How does your eye move through this photo? The perspective, again created by standing at an angle to the brick wall, creates the opposing lines. The lines make an otherwise simple image more interesting. The lead-in image, of the stairway and shadow, provides a similar dynamic of opposing lines using shadows.

Lines of Brick and Shadow, Corvallis, Oregon

Lines of Brick and Shadow

I loved the lines created by the architecture in Chicago, and this image of reflected buildings sets up an interesting opposing-line dynamic. Without the reflection, the image would be a simple repeating grid of windows. With the reflection, there is a strong diagonal created by the buildings along the lines of the side of the windows. That diagonal is opposed by the thicker lines of the bottom of the windows. I find the opposing lines in the image more interesting than a standard view of buildings against sky.

Reflecting Chicago, Chicago, Illinois

Reflecting Chicago

Opposing lines aren’t just found on the outside of buildings, in this image from the Art Institute of Chicago, the reflection of the beam creates an opposing line. There is not as much tension in this image as those discussed previously, since the reflection serves to connect the two beams into a zig-zag. This leads your eye through from beam to beam. The opposing lines of the window panes makes a stronger dynamic, leading your eye back up to the top of the image after you zig-zag down.

Down and Up Again, Chicago, Illinois

Down and Up Again

Shadows, reflections and angled perspectives are all great ways to create opposing lines in your images. What other ways can you find to set up this dynamic? Take a look at your archives and go out exploring to find opposing lines. You can link up below, through 17 November. I can’t wait to see what you find!



FYI - Links will be moderated. Please use a permalink, ensure that your linked image is on topic, and include a link back to this site in your post through the Exploring with a Camera button (available here) or a text link. Thanks!

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Chicago & Me

Chicago & Me
We danced a little dance
of lines and curves.
Looking up, up up,
I forgot to look down,
and saw inside instead.
Saw that life
is play
and art
and travel
and friends.
Life is joy
in the moment,
seized.
A camera,
an orange umbrella
are all I need
to be happy.
City of lines and curves,
of light reflected back,
I see Me.
Forgive the random poetry, I’m reading a book of poetry right now and was inspired by the snippets of ideas strung together. These photos were taken at the Cloud Gate sculpture, aka “The Bean,” in Millenium park in Chicago. It was quite empty as I walked past on my way to the Art Institute, and I couldn’t resist a few self portraits with my orange umbrella. The moment just made me happy.

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A New Day, A New Outlook

A new day has dawned, and my outlook has changed from fearful to ready to take on the world. Thank you all for the support and encouragement provided on yesterday’s post! It’s good to know that I am not alone, when those attacks of fear come along. So much wisdom and encouragement was shared yesterday, and I know it was meant for more than just me. The comments were filled with messages that we can all take to heart.

Here are just a few:

Diana said… I agree that fearlessness has to keep being relearned. (for me, too) Taking small steps takes energy and letting fear take over halts any progress forward.

Cheryl said… Fear does paralyze and then we begin to fade. Fortunately, we can reverse the fading and renew ourselves. New chapters in life mean new challenges and that is a wonderful process.

Gina said… Yep, you hit a chord here….being fearful is something we all have to fight. It does get easier as you age because you realize you want to make the most of the time left. Better to take the risk than live with regret. 

Gilly said… I think we all feel fear a lot of the time and about a lot of things, and we have this idea that there are all these successful, competent people out there who never feel that way. It isn’t true, of course, but often the scariest thing is simply to allow ourselves to be who we really are.

There are so many more too! You can read all of the comments here. I am so lucky to have such wonderful friends online!

Today though, a break from crab pots! Even I, with my current love for them, can’t do three days in a row. I also found inspiration in this view of a fishing boat in Newport, capturing the reflected light, color and lines of the nautical world. While the paint was fresh and clean, the boat couldn’t hide the evidence of the effects of the sea. Textures abound. That’s my eye!

Do you know your eye? Find Your Eye registration is now open for the September-October series, if you want to find out. I think opening registration today has influenced my outlook for the better as well – I’m so excited to do this again! I am having so much fun with the current series going on right now.

Learning for today: Excitement and fun are great ways to overcome fear too.

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Exploring with a Camera: Reflections in Glass (2nd edition)

[Author’s Note: Through the summer months Exploring with a Camera will be “Second Edition” postings of previous explorations with some new images. You will find a new link up at the end of this post to share your photos, and your photos are also welcome in the Flickr pool for the opportunity to be featured here on the blog. I hope that you will join in!]

I’m so excited for today’s exploration! The “Exploring with a Camera” series is about seeing things around you in a different way. To get good photographs, you first have to see, like I discussed in this post. Today we’re looking at capturing images with Reflections in Glass.

Reflections in glass are so cool because the image you see is not a direct image of a subject. What’s behind and around the glass changes the images, and the reflection itself often softens and distorts the subject.

Below is an example from our recent stay in Lucerne, Switzerland [2010]. In this image, the only “direct” image you are seeing is straight through the walkway. The rest of the arches and store windows are reflections. See the people on the right? They are really on the left, not directly visible to the camera, but in the reflection they have a “ghost image” quality. It’s like an optical illusion, but it’s just looking down a corridor lined with glass.

To get this image I moved around and took photos from several different angles and at different times with varying amounts of people. When I took this specific shot, I didn’t even notice the people visible in the reflection on the right because I was focusing on the “direct” part of the image being free of people.

Here is another example, of my son looking out of a train window. The reflection draws your eye to his profile. Look at it for a while and you start to see the symmetric shape between the two profiles. You’ll also notice that the key areas of his face in the reflection – eyes, nose, lips – are clearly visible while the other parts are modified by what is seen out the window.

If there is something immediately behind the glass, you can get really cool effects in your reflections. The security door immediately behind the glass in this photo enabled me to get an uninterrupted scene of the reflected street in Lucerne but with a really unique texture.

A reflection can completely change a setting. Without the reflection of me and my family, the image below would be just another doorway to a modern building. Nothing of note that I would routinely photograph. With the reflection, it becomes a family portrait with a sense of place – you can see the wording above the door is in Spanish (we were in Barcelona) and the funky tube things draped across the top show part of the science museum we were entering. Notice how everything in the photograph seems to draw your eye to the center, where the reflection is. Also notice also the cool “double” effect with our reflections because the entrance had two sets of glass doors.

Here is another reflection of an entrance, a self-portrait of me at our apartment building in Italy. I love the sense of place that is achieved by what is reflected in the background, along with the tiny little suggestion of what is behind the door. Not a huge fan of my pictures of myself (who is?), I also like how the reflection softens my image so that I don’t focus on all of the things I immediately see as “flaws” in a regular photograph. Maybe I’m able to better see the real me, as others see me, because it’s a reflection.

And, just a reminder, glass is just not windows and doors! Here is a wine bottle, but in it there is a reflection of me and my family along with the buildings across the street in Nice, France. The subject here is the bottle, but the reflection adds interest.

Tips for getting your own images of reflections in glass:

1. Look for indirect light on both sides of the reflection. In reviewing pictures for this topic I realized that the most interesting reflections have indirect light as the main light source – either in shade or cloudy day or evening light. When there is a direct or strong light source on either side of the glass you will not get the kind of reflections I’m showing here.

2. Look in and Look out. Keep you eye out for reflections on both sides of the glass, whether you are indoors or outdoors. When you see the reflection, also notice what you see through the reflection. That can make or break the image! It’s easy to focus so much on the reflection that you don’t see something distracting on the other side.

3. Change your perspective. If you see a cool reflection, move around and photograph it from different perspectives and compositions. Because of the way you can often see what’s on both side of the glass, you may find a more interesting composition, or even a different reflection, if you move a few steps to the left or right than where you first noticed the reflection.

4. Look for reflections in all kinds of glass – not just windows. When you start to see these, you will notice that glass is everywhere, in all shapes and sizes and colors.

Update: The lead-in image in this post is from my latest trip to Venice. I had a prime spot at the front of the Vaporetto and loved getting a few of these reflection images. If you didn’t recognize this as the view from the Accademia bridge alone, I have the text right there to help you! Since this original post, I have been on the lookout for interesting reflections. You can get great contrasts and interesting compositions this way.

Have fun seeing all of the reflections in glass around you in a whole new way. Share your recent or past explorations on this topic, link up below or join the Flickr group to share.

FYI – Links will be moderated. Please use a permalink, ensure that your linked image is on topic, and include a link back to this site in your post through the Exploring with a Camera button (available here) or a text link. Thanks!
PS – Visit Mortal Muses today, I’m musing on Summer Fun and giving away two spots in my Find Your Eye: Starting the Journey class!

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Looking Closer

A small reflection of the Ponte Vecchio (old bridge) in Florence, reflected in a window of the Museum of the History of Science. At first glance, you might only see the window, the buildings and the river. You have to look closer to see the reflection of the bridge.

I haven’t shown you many pictures of our weekend in Florence, I’ve suddenly and completely been distracted by the flowers in the park. I must admit, I’m distracted by not only flowers, but a lot of other projects such as getting my newsletter launched, prepping for my next series of Find Your Eye courses, and putting the finishing touches on the Liberate Your Art postcard swap so I can announce the details. I can’t forget the time I spend on other things going on in my life, like planning out our move back to the US (plane reservations are made, final apartment walkthrough scheduled), and visiting Greece next week. Oh yeah, and the occasional soccer game with my son or with my nose buried in a book.

Sometimes I wonder where my “free” time goes, but then I look at the list – just a partial list – and I know. My time goes into things I love to do. The results of those things are not always as immediate and visible as promptly edited photos showing up on the blog, but they are real just the same. So while I don’t have a lot of photos from Florence to show you, I’m reminded today that sometimes I need to look beyond the visible and obvious marks of accomplishment. Sometimes I need to look a bit closer, maybe change my angle and see my time in reflection this way, to find that sense of achievement I seem to crave. And take a deep breath, because then it seems like a lot more than I thought at first glance.

How about you, do you like to be able to call something done, to check things off of the list? How do you personally count something as an accomplishment if it’s not clearly visible?

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