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September 7, 2012 by Kat

Exploring with a Camera: Allowing Space

Welcome to September’s Exploring to a Camera! Today is one of the rare times when Photo-Heart Connection and Exploring with a Camera overlap, due to my crazy September schedule. You can link in to both today!

This month I am exploring space in my photographs. I’m looking at when and where allowing space in the composition creates a more compelling image.

Hot Air Balloons

The balloons at the recent Northwest Art & Air festival were a perfect subject for allowing space. There is an expansive feel of the balloons floating through space. Expansive, peaceful and calm are the feelings that often come from the photographs where I allow space.

How do you allow space? Is space only created by a big open sky? Definitely not! Let’s explore…


What is Space?

Almost every photograph has some element of “space.” Any time you have separation between objects within the frame, there is space. The space I’m talking about today is a little bit different than the emptiness you find between objects, I’m considering “space” as a visual element on its own. My definition of “space” is a single, continuous visual element in a photograph that fills more than half of the frame but is not the subject.

The wall in this image from Korkula, Croatia shows the kind of space I am talking about. The subject is the set of chairs creating an inviting place to rest in the alleyway. The wall is more than half of the frame. The emptiness of the wall both leads the viewer toward the chairs, and increases the sense of intimacy of the little scene.

This example shows that space is not just emptiness. Space as a visual element can have color, texture and variation. There area few ways that I’ve found allowing space is effective in my photographs.


Backdrop

The space in a photograph can serve as a backdrop for the subject. This is a very common way I use space. The example of the bicycle below shows the space as a backdrop. The brick wall has both color and texture, but provides a visual element that is behind and secondary to the bicycle. It is the canvas for the bicycle as a piece of art.

In this next image, the space of the wall serves as both background for the scene and backdrop for the shadow. The space in the photo allows the subject to be the shadow rather than the actual decorative tree. If more of the tree were in the frame, it would draw your eye.


Frame

Allowing space to fill an area entirely around the subject creates an effective frame. The textured yellow wall frames the decorative house numbers in this image, changing the strong color from a distraction to an element that highlights the subject by its contrast.

The blurred background in this image frames the detail of the flowers. Visual space does not have to be a physical surface or emptiness, it can be created through a shallow depth of field which blends different elements into one continuous element. The out of focus field of the background makes the tiny details of the plant more noticeable and dramatic.


Balance

Allowing space in the frame can balance busy elements. In this scene of the food cart, the blank wall allows space that balances the busy detail of the cart in front of the doorway.

The green door in the image below provides the space to balance out the other graphic elements of square, circle and line. Again, notice that the green is not continuous. It has variation and texture, but creates space in the photograph.


Contrast

Allowing space provides a contrast that helps the viewer focus right in on the subject. Along with acting as a balancing element, background or frame, the element creating the space often creates contrast too. The concrete wall in this image serves as both frame and contrast for the window. The color and detail of the window, with its reflection and plant in the windowsill, are emphasized by the lack of color and continuous texture of the wall.

The shape and color contrast of the leaf against the pebbly ground is one of the things that make this image effective. While the wet ground has lots of texture and variation, visually it serves as a background for the red leaf.


Allowing Space

So, how do you allow space? I must admit, I rarely think of allowing space explicitly as I’m framing a photograph. Space often finds it’s way into my photographs when I need to eliminate a distracting element (see Exploring with a Camera: Process of Elimination), or as a byproduct of combining other elements. The lonely bicycle in Bologna is a good example of unintentional creation of space. I wanted to capture both the interesting timeworn pillar and the lonely bicycle. The resulting photograph allows the space created by the empty wall. Effective, but not intentional.

In the image of this fun stoplight near our home in Italy, the space in the image comes from the need to avoid the distractions of the background. Any other perspective than looking into the sky would capture an ugly scene of roads, fences and apartment buildings.

Even though allowing space is not foremost in my compositional toolbox, I have used space to create a feel in a photograph, such as this one from Lake Garda in northern Italy. The space created by the water, along with the framing of the pier as a small, off-center element, provides a stronger feeling. What is your reaction to it?

Space can also create an interesting composition out of a relatively simple scene. The snow-covered spring flowers are interesting on their own, but I think the off-center composition, with the inclusion of the snowy space, makes the scene more interesting.


Isn’t it cool how this simple idea of allowing space can create an interesting image? As someone who often fills the frame, this exploration is a good reminder that sometimes “less is more.” I like the feeling of the images where I’ve allowed space. I’m going to have to use this effective concept more often.

Now it’s your turn to share. Take a look at where and how you allow space in your images, and then go out and capture some new photographs with these ideas in mind. I can’t wait to see what you find when you allow space!


Filed Under: Exploring with a Camera, The Kat Eye View of the World Tagged With: allowing space, balloon, Exploring with a Camera, negative space, sky, space

August 24, 2012 by Kat

The Replicator

We close out Exploring with a Camera: Repetition today. It’s been a fun one! It’s been interesting to see how repetition can be both obvious and subtle. After this exploration, I will be more aware of the subtle repetitions that can really a tie a composition together. How about you?

To finish up our study of repetition, I picked this image from San Francisco. There are two repeating elements in this, both the poster repeated and the repetition of the horizontal lines across the frame. Even with the repetition, there is great contrast in this image too: Triadic color contrast of the purple and green, the vertical lines of the pipes breaking the horizontal lines, and the weeds adding a bit of nature in the urban environment. The combination of repetition and contrast makes an interesting image to me. It wasn’t until after I had chosen the photo that I realized the title on the poster, The Replicator, fits perfectly with the theme of repetition. I love it when that happens!

Today is the last day you can link in and share your study of repetition. You are invited to join us! Take a few moments of your time and visit those who have linked in as well, there are some wonderful examples here. It is always good to see multiple points of view!


Have a great weekend! I'll be off looking for repetition myself, in the form of hot air balloons at the Northwest Art & Air Festival.

PS - Don't forget to enter the giveaway I have going on right now. You have until the end of the day on Monday, 27 August to enter.

Filed Under: The Kat Eye View of the World Tagged With: California, Exploring with a Camera, green, purple, repetition, San Francisco, sign, triadic color

August 10, 2012 by Kat

Exploring with a Camera: Repetition

Welcome to August’s Exploring with a Camera! This month I’m playing around with Repetition. I’m defining repetition as using repeated elements throughout the frame to tie a composition together. You’ll note the use of “elements” here… Effective repetition is not just about repeating objects, but any design element like object, shape, color, line, form, light and even information, that helps create a cohesive whole in our photographs.

vintage bicycle, schwinn

Repetition of Object and Shape

While repetition plays into some past Exploring with a Camera topics, such as Repeating Patterns, Linear Perspective and Group of Three, it is a broader concept than any of these past topics. Let’s explore different ways to use repetition to create interesting photographs.


Repetition of Object

It is easy to focus in on repetition of the physical objects in our photographs, so I’ll start here. The bicycle photograph above, captured on my recent trip to Montana, is a good example of repetition of object. The bicycle is repeated three times, each time with an almost identical shape. It’s also in a very linear composition, with the repetition at regular intervals receding toward the wall.

Contrast this with another image that is primarily repetition of object, below. In this image, the newspaper boxes are the repeated object, yet they are all different sizes and shapes.

newspaper boxes, brick wall

The object, peppers, is repeated in the image below, but there is not much else repeating. Color, shape, and orientation of the peppers is all different. This image emphasizes variety over sameness.

With these lucky cats, the effect of repeating the object is much different than the peppers. This image emphasizes sameness over variety. Shape, color and orientation are all repeated, while there is variation only in the size of the objects.


Repetition of Shape

Repetition of object and shape are often intermixed, as in the bicycle example above, but they don’t have to be. In this image, the oval shape is repeated multiple times by different objects: Mirror, bowl, lamp shade and lamp base. I love how the repeated shape works together to make this image feel complete.

Even when there are multiple elements repeating, there is usually a dominant element forming a primary repetition. In the image below, the object of the bicycle is repeated but I see the repetition as primarily of shape due to the framing. All of the circles created by the layered wheels, hubs and chainrings tie this image together.


Repetition of Color

Since color, especially bright color, catches our eye it can be an effective element to repeat. You can pull completely unrelated elements together within the frame through the repetition of color. In this scooter scene found in Sicily, the red ties the scooter, the niche and the potted flowers together into a cohesive whole. It creates a stronger visual relationship between disparate elements than proximity alone.

Repetition of the color blue ties this port scene from Greece together.

The same happens with this image of a row of potted plants in Korkula. The repetition is made stronger by the repeated color along with object.


Repetition of Line

Lines are easily used as elements of repetition, often because our man-made world is made up of regular and repeating lines. In this image, repetition is created not only by the lines of the pillars, but the lines of the shadows and even the lines of the black deposits on the inside of the pillars repeat the outline of the pillar itself.

Repetition of lines can be used to support the primary elements in a photograph. Even though the lines of this staircase are primarily diagonal, the repetition of the lines in the railing and steps work together to echo the diagonal lines.

Here is another example of lines, where the regular repetition of the trees creates lines that echo the converging lines of the path. You can begin to see how Repetition and Linear Perspective are related: Repeat an element regularly into the distance, and you are working with linear perspective.

Parco di Monza, linear perspective, path, tree, morning


Repetition of Message

Repetition of message is used in the real world to get important ideas across. This image from San Francisco takes advantage of that, capturing the repeated messages of “danger” and “no parking” along with the repeating elements of object and shape.

You can convey messages in your photographs as well, by repeating elements that all lead to the same conclusion. The image below shouts “LONDON” through the repeating elements of phonebooth, flag and signs.


Repetition of Light

Light is everything in our photographs, and variations in light can become an element on their own for repetition. The warm light of the candles is repeated on the faces of the girls and reflected in the painting, pulling the scene together to tell a story.


Combining Elements

In many of the examples above, you find more than one of the elements repeating. Whenever you combine multiple elements in the repetition, you create emphasis. In this example of the flower pots, there is repetition of not only object, but color, shape, texture and line. This creates a very harmonious image, and the repetition not only ties the elements together but almost becomes the subject of the image itself.


Wow! Did you realize there were so many ways to use repetition to create a cohesive photograph? I didn’t realize it myself, until I started to explore this topic over the last few weeks. It’s been fun to discover how I use repetition in my archive, and to look for opportunities to use repetition as I create new photographs.

Now it’s your turn! Take a look at your archives and then go out and explore the world with repetition in mind. What do you find? Share it with us here!


Filed Under: Exploring with a Camera, The Kat Eye View of the World Tagged With: bicycle, Exploring with a Camera, Montana, repetition

July 27, 2012 by Kat

A Favorite Sign

Today we wrap up July’s Exploring with a Camera: Signs. It’s been quite fun to investigate how signs crop up in my photographs and to see yours too.

I’ll leave this exploration with a favorite sign of mine, from Venice. All over the island of Venice are printed signs saying “Per San Marco” or “Per Rialto.” Since Venice is such a warren of walkways, bridges and canals, it is very easy to get lost. Often we found ourselves wandering and the only way to figure out where we were was to go back to Piazza San Marco or the Rialto bridge and start again, so these signs became a lifeline. My favorite sign image is this hand-painted sign, found off the beaten path in a back alley. There were none of the “official” signs around, so someone took matters into their own hands and created this one. They were probably tired of the tourists asking for directions. 🙂

You can still link in today with your sign images. I’d love to see how you use signs in your photography! Do share.


Filed Under: The Kat Eye View of the World Tagged With: brick, Exploring with a Camera, graffiti, Italy, sign, Venice, wall

July 20, 2012 by Kat

Sign-Inspired Art

We’re one week into this month’s Exploring with a Camera! Are you seeing signs everywhere? We are fed a constant stream of information through them, and yet we may not consciously notice them until we really start to look.

One of my favorite types of signs are the little icons of people doing various things. Every culture, maybe even every city, throughout Europe seems to have their own take on how to warn people with these little icons. This one is from the subway system in Lisbon, Portugal, warning you to not get caught in the doors. He’s a bit stiff, don’t you think?

The best part of this little icon is the art it inspired! In Lisbon, all of the subway stations have a different artistic theme. The Martin Moriz station had marble knights lining the walls, as if they were waiting for someone to say, “Charge!” But tucked at one end of the station, almost as if it was an inside joke to see if anyone would notice, one of the knights was peeking out of the wall in the same manner as the warning icon. I caught a glimpse of it out the window as we flew past one day, and had to go back and this bit of humorous art.

Sign-inspired art. I love it.

What kind of signs are you finding? Have you noticed how much they already show up in your photographs? Share your own sign-inspired art and visit the art that’s been shared so far. Lots of fun!


Filed Under: The Kat Eye View of the World Tagged With: art, Exploring with a Camera, Lisbon, Portugal, sign, station, subway

July 13, 2012 by Kat

Exploring with a Camera: Signs

It’s time for July’s Exploring with a Camera – Yay! This month we are going to explore Signs. Not signs as in symbols or messages from the universe, but signs as in those things printed on placards, streets, building walls, etc. that give us information. Have you ever noticed all of the signs around you? They are everywhere. I started paying close attention to signs a few weeks ago and have been amazed at the variety and of types and uses of signs. There is much here for us to mine photographically!

A building wall in Astoria, Oregon


Types and Uses of Signs

To prep for this topic, I started observing and categorizing the types and uses of the signs around me and that I’ve captured in the past.

Signs are used to inform…

Hot Dog Stand in rural Oregon

to educate…

A little bit of history about Astoria, Oregon

to direct…

Rainy day in Portland, Oregon

to warn…

Greenwich, England

to advertise…

Milan, Italy

to identify or specify a location…

Madrid, Spain

Do you start to see what I mean? I bet you can add even more to this list. Signs don’t have to have words either. Symbols often work just as well for their intended purpose.

Restaurant Sign in Madrid, Spain

Train Station Warning in Bacharach, Germany


Relative to Place

Signs are one of the “aspects of place” we talk about in my class, A Sense of Place. The language, imagery and surroundings of a sign all give you an idea of where the photo was taken. The signs can be the main subject or part of the background, but either way they are great indicator of place, providing the viewer clues to the location.

Lausanne, Switzerland

Chinatown in San Francisco, California

Signs can also highlight cultural differences. Instead of the bright green, reflective street signs we have in the US on every street corner to make things easy for navigation, the Italian street signs are often small marble placards on the side of a building. Impossible to use for navigation in a vehicle, but they look much more beautiful. A definite clue to cultural differences between Italy and the US.

Varenna, Italy


Modified Signs

A sign is created and placed with a specific purpose, but the age-old tradition of modifying signs to give them a different meaning is wonderful for photographers. The best modified signs are often more subtle than the typical spray-paint graffiti. These signs make you look twice!

All around Europe you will see these stickers on “Do Not Enter” signs. I especially loved this one, where the guy is “carrying” papers tucked under his arm along with the bar.

Bologna, Italy

On a family bike ride recently, I came across this modified sign telling visitors to GO AWAY. My husband and son continued to ride ahead, eventually noticing I was gone and wondering what happened to me. “Just a funny sign I had to photograph,” I explained to their worried faces when I caught up, “Sorry!” To my surprise, they hadn’t even seen the sign that stopped me.

Rural Oregon


Artistic License

We can create some wonderful images with signs, changing the sign’s intended meaning as we frame the photograph. I often like to capture one or two words of the sign with some other context to create a new story.

By framing this image with only the word “ART” and the open door and stairway visible behind, I intended the message, “The door is always open to art.” I think the sign actually said, “Art Studio.” Capturing the full sign would have eliminated this message.

The “Dream More” was added by some creative person to the exit sign of a parking lot. By framing it without the giant “Exit” to the right of the arrow, I focus in on the message of the added text.

One of the most fun ways to use signs is to capture humor or irony. The viewer has to look at the whole and then digest the contradictions within the frame to get the message. Of course, you as the photographer have to see it first, to create the image!

Yellowstone National Park, Montana

Chinatown in San Francisco, California

We can also create new messages during our post processing, combining images or words from various signs. These words both came from an old Levi Strauss ad on the side of a building, but by capturing them individually and combining them in my post-processing I create a new message.


Are you starting to see the photographic possibilities with signs? Chances are, you already have photographed many signs in different contexts, without even thinking about it.

We’d all love to see how you use signs! Go out on a photowalk or look through your archive and then come back and share with us your use of signs. I can’t wait to see what you’ve got!


Filed Under: Exploring with a Camera, The Kat Eye View of the World Tagged With: Astoria, Bologna, Exploring with a Camera, Italy, Madrid, Montana, Oregon, sign, Spain, Yellowstone

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