Kat Eye Studio

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My Day in the Sun

This image holds such a warm memory for me. As I shared the other day, I woke up before dawn this morning and watched the sunrise. I loved how the sun spilled over the edge of the mountains and clouds, and was happy to be able to capture the moment. It was such a warm morning, I sat out on the balcony in the sun and wrote my answers for Diana Mulder‘s interview series “Women Who Create Beautiful Things” which is posted on her site today. You can read about how I ended up in Italy, found my passion for photography, and what’s coming next for me.

It was a great experience to do this interview! I was nervous at first to put myself out there in this new way, but answering the questions helped me look at my story from a new perspective. Since I have enjoyed Diana’s art and her blog for nearly a year, I felt as if I was talking directly to her as I wrote.

Diana and I met during Kellie Rae Robert’s Flying Lessons course last summer, and connected to each other’s art immediately. Early on, she had looked at the photographs on my blog and asked me if she could paint this image of my son Brandon on the Oregon Coast.

I had forgotten about it until Diana sent me the list of questions for the interview, and attached her mixed media version of this image. I love what she did with it! She created a wonderful interpretation with the addition of the red and brighter colors. I also love that this painting links our art together, gives us a connection we wouldn’t have had otherwise. This is how artists inspire each other!

I hope you visit Diana’s blog to read the interview, and then stay a while to look around at her wonderful art! 

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Lessons from Abroad: Put Ideas on the Table

Lessons from Abroad: Put Ideas on the Table

[This post is part four in a five part series. See the previous posts here: one, two, three.]

We’ve covered the first lessons from my experience abroad on finding your passion and purpose: Change up your schedule, Find a regular practice, and Get out of your comfort zone. This time I’m going to share a fun and easy lesson: Put Ideas on the Table.

As you begin to see the world of possibility opening up when you get out of your comfort zone, and you begin to receive all sorts of inspiration during your regular practice, you will find that you have a lot of new ideas. You need to put them someplace safe, where they won’t get trampled on. A place where they can be examined but not immediately decided or discarded. That place is “on the table.”

Let me explain what this means by telling you a story….

Early in our time in Italy, the move had definitely inspired my family to look at the world in a different way. As with any change, we were really examining our lives, both individually and as a family, and looking at what might come next. We had this opportunity, this little break from “reality” as I put it, which allowed us to dream up all kinds of crazy scenarios. The problem was, when my husband or I would bring up an idea, it was very easy for the other one of us to feel threatened and quickly point out all of the flaws – how it wouldn’t work for all sorts of reasons.

So during one of these conversations, where I had thrown out an idea and my husband was confused because it conflicted with an idea we had discussed several days earlier, I said, “I’m just putting these ideas on the table. Every so often, I want to pick one up, look at it from different angles, and then put it back on the table. We don’t have to decide right now.”

This concept, of putting ideas on the table, became a huge key for us to be able to really discuss ideas without the emotional attachments or reactions that can crush them too early or drive poor decisions. Let’s examine why…

It takes the idea from being a living piece of you, “your idea”, and makes it a thing, “the idea.” You can imagine it there as physical thing, sitting on a table, like a coffee cup in a store. You can imagine a discussion about it is the same as picking the cup up, looking at it from different angles. Then, you can just set the idea down and leave it there. No decisions or agreements have to be made from the discussion, just like nothing has to be done after you’ve looked at the cup. You’re just browsing. If the conversation starts to get emotional or personal, you can say, “Hey, ideas on the table here!” just to get the perspective back.

Not only does it reduce the emotional attachments we feel to our ideas, it also allows for several radically different and conflicting ideas to be held at the same time. Most of us probably like alignment in our lives. We have plans and like to know where we are going. When an idea that is diametrically opposed to our current direction comes up, it is easy to dismiss it without a second thought because of the disruption it would cause. But if the idea is placed on the table, it can coexist with numerous other ideas that have no relation to each other. You don’t have to think about them all at the same time or choose between them, you look at the ideas one at a time, and then put them back.

Over time, as you periodically examine the ideas, picking them up off of the table every so often, you will find that the ideas sort of magically whittle themselves down. Some of the ideas get dusty, sitting there. Some fall off the table and you never even notice, you just subconsciously discarded them. You might pick them up later, look at them, and think, “Yeah, done with that idea.” Eventually you end up with a few ideas that start to have actions formed around them. The discussion naturally transitions from evaluating the idea to acting on the idea. You may still not be fully committed to it, but you feel these ideas are worthy of more in depth investigation. Just because you choose to pursue one idea doesn’t mean the table has to be cleared off and all of the other ideas thrown away, they can stay there for the future.

This concept works with for you alone as well as with family and friends – any time a new idea comes to you. Here are some thoughts on how to use this to find your passion and purpose:

  • First, be clear that you are putting the idea “on the table.” This might mean discussing the concept of “on the table” with your partner or just writing it down in your journal that you are approaching the evaluation of the idea this way. This frees up the emotional attachment, the fear of putting the idea out there only to be crushed. If you are going to use this with other people, I recommend starting it with ideas that are not the about your core – your passion and purpose – to make sure the other person really gets it and will play along. You might need to nurture those core ideas on your personal table for a while so they don’t get crushed too early by others who aren’t playing along.
  • Once the idea is “on the table,” feel free to examine it or not as often as you like. It will be there any time you want to come back to it. If you feel yourself obsessing about it, leave it for a while. If you find you are dismissing ideas before you get a chance to get them on the table, consciously acknowledge the idea and then just leave it there.
  • Use a physical tool, like sticky notes or a journal to represent the ideas if you want to “keep” them somewhere in the real world along with on the virtual table. I have an idea notebook, where I scribble ideas as they come to me, just to put them somewhere and move them out of my mind. Sometimes, I come back to these ideas naturally, examine them and start to do something with them. Other times, I will only examine them when I flip through the notebook. But they aren’t lost, immediately dismissed to be never thought again.
  • If you find yourself starting down the path of action with an idea, either dismissing it or putting it into use, just do a quick check if that is really aligned with your true intention or if you are caught up in the “action trap” where you feel you have to decide in that moment. If your gut check says, yes, it’s time to move on this idea – then move.

The entire concept of “putting ideas on the table” has been a huge benefit for me, my family and anyone I’ve shared it with. Without this, an idea that needs time to grow and mature to be accepted can be killed too early. Or we can commit ourselves too early to ideas that don’t seem so good upon later reflection. The “table” is a safe place to keep them, examine them, and eventually sort them out – moving toward your passion and purpose all the while.

(Photo is from Dubrovnik, Croatia)

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Abstraction

In my time here in Italy, as I’ve explored art history and art museums so much, I’ve learned to really notice what art calls to me in some way. I’ve discovered it changes over time, as I change and grow. On this trip to Paris I found myself drawn again and again to abstract art. Art that explores color, form and composition separate from representation of real life. Especially bright, luminous colors. Vassily Kandinsky, Paul Rothko, Sonia Delaunay and Robert Delaunay (pictured here, in the Musee National d’Arte Moderne) were the artists whose works captured me repeatedly.

What does this mean for my art, my view of the world? What does the appeal of color and form and abstraction tell me? I don’t know now, but I do know it will show up in some way. All of these explorations become fodder for my own creative endeavors, and the art that calls to me gives me the hint of the direction I will be heading. It should be interesting to see where I go next.

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Just Me and Monet

Imagine visiting Musee L’Orangerie in Paris, and seeing these larger than life canvases of Monet’s water lilies. Then imagine, for a moment the ebb and flow of people visiting leaves the room empty. Nothing but the natural light filtering down, and the brushtrokes created by a master of light and color all around. Beauty and peace. That happened to me more than once on Sunday morning, as I visited this wonderful place. Just me and Monet.

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Be Delighted

Sometimes, when you are following your heart and your creative inspiration, when you just play around, you get to be delighted. Happy surprises appear out of nowhere. This image is one for me. I found this free action for Photoshop (works in Elements too – yay!) through a post on a Flickr group yesterday. I went to run it on another photo I had open, but somehow chose the photo incorrectly and got this one. Happy accident! I loved the result, it made the photo of the carnival lights in Geneva much more abstract and interesting.

Here’s the original:

When we get creative, when we play, we have a lot of opportunity for happy accidents. These are what happen when we give up the idea of Serious Creativity with all of the pressure of creating something perfect, something that others will love, something marketable even, and just have fun.

Yesterday my son decided it was an “art day” and (to my neat-freak husband’s horror) proceeded to pull out all of his art and craft supplies (and some of mine) and spread them out on the dining room table. I found some artists chalks amidst the wreckage and had fun playing with colors and getting my hands dirty. I call the result “The Color Comet.” Here’s another recent happy outcome, a painting I did a few weeks ago when I just felt like putting paint to canvas and playing around. Not trying to be an Artist with a capital A, just enjoying the process of creating. I like the colors and the message, it sits on my desk and reminds me everyday to believe in myself. I share these little pieces, not because they are fantastic art, but because they are not fantastic art. They are just the result of creative play. The process of playing around delighted me, so the end result delights me too, if only for the memory of the fun I had. Pastels on my fingers, paint brush in my hand.

So if you have time this week… wait, let me rephrase that… Make time this week to play creatively. Find a fun new action, pull out the paints or the pastels, go through your art and craft supplies and see what your fingers itch to hold. Don’t have a plan, just have fun. Be delighted in the result. Come back and share your happy accidents!

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The Power of Photography

On our recent travels I’ve had the opportunity to see a number of photography exhibits. Some of these were planned visits, others I just happened upon, but they all show the power of photography in different ways. I love uncovering and discovering all of the different ways that photography can impact us, deepening our experience in the world around us.

In my visit to the Rosengart Collection in Lucerne, I had the opportunity to see the photos David Douglas Duncan took of Picasso. Duncan, a photojournalist, became friends with Picasso and captured some extraordinary images of ordinary moments in Picasso’s life. The thing that struck me was the humor and zest for life that Picasso had, it just comes through in the images of him in his home, interacting with his family and his art. How powerful is that, to capture the artist that created the art, and to get a glimpse of the personality? It makes my understanding of Picasso and his work so much deeper. I don’t have any pictures of the exhibit, but you can see many images of Picasso by Duncan on the web here.

As we explored the Swiss countryside around Gruyere, we stopped at the Musee Gruerien folk museum, where they just happened to have an exhibit of the photography of Emmanuel Gavillet, a modern Swiss photographer. The subject was Gastlosen – the Swiss “Rocky Mountains.” All black and white, shot with an 8×10″ film camera, the images were beautiful in their capture of contrast and texture. The display also showed some elements of the 8×10″ camera, which were helpful to explain aperture and film to Brandon, who is fascinated by the workings of my camera and the idea of “film” is completely foreign to him. The images, printed large and on the wall, were powerful. They were images full of quiet grace, showing the timelessness of nature. A reminder that photographs are at their best when viewed large, they are truly art.

The city of Lausanne has one of the first museums in Europe dedicated to photography, the Musee de L’Elysee. The current exhibit is reGeneration2, an exhibition of 80 young photographers (in art school) from 30 countries in North America, Asia and Europe. I was struck by the sheer variety of it all… from people to architecture, from candid moments to studio, from black and white to color, from film photographs to digital collage, even shape (see round photos, in image shown above). Some of the photography I loved, some I didn’t like, but it all reaffirmed my belief that we all have a unique vision to show the world. Art is personal, so for every person that doesn’t like our art, there is someone who will. We need to keep showing our personal vision, developing our own style. Regain the irrepressible confidence of youth, the belief that you can do anything, that these photographers show.

While wandering the waterfront in Geneva, we ran into a photography exhibit called “Chernobyl: 25 Years After the Catastrophe.” Powerful images from Guillame Briquet, showing the area surrounding Chernobyl today. He captured the decay of the human creations and the rebirth of nature left to itself, even in the wake of such a damaging event. What a contrast, against the backdrop of the festive carnival also happening along the lakefront. The most striking images for me were the ones that showed the evidence of lives interrupted. Just left behind. And the saddest part? It was too late for most of the people in the town of Pripyat to survive, since they were evacuated a full day after the accident because of the extreme radiation to which they were exposed.
This exhibit showed the power of photography to teach us about history, to remind us of events of the past and the longer term ramifications. To teach us about what the human ego can do, when left unchecked. Photography has the power to keep the world honest.

Finally, last weekend back in my home area of Milan, Italy I found the exhibit of Alberto Bortoluzzi‘s 24+1 Cinema Chairs Project. What a delightful find this was! Finding an old movie theater chair in the dump, Bortoluzzi was struck by the disappearance of these chairs for their cushy, higher tech cousins. He began wondering about the stories that old movie theater chairs might tell, and started to find and document these chairs. He then contacted filmmakers for their memories of the cinema and the result is a powerful essay on the history of film, through the images of these chairs and the words of the people who helped create the films. A first for me, I actually made a beeline to the bookstore and purchased the book of the project so that I could enjoy the images and stories at my leisure. Bortolozzi’s work shows the power of photography, when paired with stories, to capture something greater than the image itself. To create something wonderful and new.

Photography is amazing, isn’t it? We need to move it from the computer screen and onto the wall. We need to experience it larger than life, as a part of our physical environment. If you can, take the opportunity to go see an exhibit in person soon, and share what you learn! As for me, I think I’m going to figure out how to view some of my photos, live and in person.

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