Kat Eye Studio

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Exploring with a Camera: Creative Lights

Holiday time = long, dark nights + lots of lights, at least in the northern hemisphere. It’s the perfect time to explore! We’re continuing the recent “lights” theme of Exploring with a Camera with Creative Lights. I’m hoping that at least one, if not all, of these creative techniques will be new to you and will keep you exploring the lights at night for the remainder of the holiday season.

Let’s jump right in!

Layered Lights

Take a look at the lead in photograph, it’s a little bit unusual. It’s a composite of two images, one in-focus and one out-of-focus, creating a neat effect I am calling “Layered Lights.” I discovered this technique on my own last year, when I was looking for new ways to capture the lights in Monza. Seeing the out-of-focus and in-focus images side by side on the computer, I wondered what it would look like to combine them. Layered Lights was the result!

You will need a photo editing software that allows you to blend layers to do this, I use Photoshop Elements (PSE). I’ll show you how to created Layered Lights using this example image from Madrid, Spain. I think it looks great when you have a bit of architecture and lights, since the architecture grounds the image in a dreamy version of reality.

First, open the out-of-focus photo. That becomes your base image. Here’s the out of focus photo I used:

Next, open the in-focus photo and pull it into a layer above the out of focus photo. Here’s my in focus photo:

Now, play with blending modes and opacity of the top layer. Soft light and Overlay blending modes work particularly well. Unless you used a tripod when you captured the images, you may also have to transform (rotate, enlarge, reduce) your in-focus image to overlay the lights and the other elements in the correct locations on the out-of-focus image. It takes a bit of playing around, and I’ve discovered I like the in-focus photo slightly offset from the out-of-focus photo for a dreamier effect.

In the case of this photo example, the out-of-focus lights were also too bright – I couldn’t easily see the in-focus lights when I blended the layers, so I reduce the opacity of the out-of-focus layer and added a 50% grey layer underneath to get the final image:

Here’s what the layers look like in PSE:

Here’s a second example, of a really tall Christmas tree in the Madrid pedestrian zone, and the resulting layers in PSE:

Fun, huh? There are so many different ways you can play with this type of image blending… add more photos or layers, change the underlying layer, change the processing with other effects. Endless possibilities! If you don’t have your own images to try this with, feel free to download the out-of-focus and in-focus images I’ve shared above (right click and then “Save as…”) to play around with this technique. Just be sure to give photo credit and link back here if you share anywhere!

Zoom Lights

Can you tell what this is?

It looks like some really cool fireworks, or I had one friend tell me it looked like something out of the movie Tron. 🙂 This was captured by zooming (changing my focal distance) during a long exposure. Here are the actual lights I photographed:

To get this effect, you will need a zoom on your camera and the ability to set a long shutter speed. I found a shutter speed of 1 second worked very well. Set up your shot by starting zoomed in, fitting the lights just inside the frame. As you press the shutter, start zooming out (making the lights smaller) and keep the zoom moving through the exposure. The more you move the zoom during the exposure, the longer the lines of light will be. If you are shooting handheld, you will see some wiggle in the lines of lights. With practice and steadiness, you can minimize the wiggle or you can always use a tripod to get absolutely straight lines.

One tip to keep obvious “joggles” at the start or end of the lines, start your zooming motion just before you press the shutter and keep it going smoothly until after the shutter closes.

Have fun experimenting! As I’ve shared before, I find it especially interesting to capture people, I think it gives a cool time travel effect.

Hologram Lights

A couple of years ago we won a prize for the “worst white elephant gift” at a holiday party. The prize was well worth it, it was two pairs of these cool holiday hologram glasses, modeled here by my son.

What’s so cool about these? They change any point light source into a holographic image when you look through them. OR, when you photograph through them! The glasses shown in this example are the “Christmas Star” version, and here’s what our tree looks like, when photographed through the film of the glasses:

I love it! Someone could probably tell me how to do this with post processing, but all I did was hold the film of glasses right up to the lens, and shoot. So simple! You have to move the glasses around a little bit to get the best coverage of the lens since the opening in the glasses is smaller than the lens, but the paper around the edges gives a nice vignetting effect. If you are shooting up closer, I’ve found you need to focus on the lights to get the hologram effect, as I did here:

If you focus on another object, as I did with this ornament, the lights become blurry and you lose the hologram effect.

This doesn’t only work for Christmas lights, it will work for any point light source. Car headlights, streetlights, etc. become point light sources when viewed from far enough away. Lots of exploration fun! A quick google search for “Holographic Christmas Glasses” yielded a number of options. Here’s a link to a set of glasses with different hologram images on Amazon. I think I may have to get the set myself to play around some more, since they are so inexpensive and so very fun.

Also consider other films you can photograph through, for interesting effects. I can imagine that the thin, colored cellophane that gift baskets come in would give cool effects too!

So, what do you think, are you ready to go exploring Creative Lights? I’m excited already to see what you link in. I love how I can throw this information out there and get even more creative interpretations coming back from all of you. You can link in below or share in the Flickr pool. Happy light hunting!



FYI - Links will be moderated. Please use a permalink, ensure that your linked image is on topic, and include a link back to this site in your post through the Exploring with a Camera button (available on the sidebar here) or a text link. Thanks!

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Magical Lights

I must admit, as we’ve gone through Exploring with a Camera: Holiday Lights, I’ve found myself desparately missing Italy and Europe. This has been the hardest period since we’ve moved home from Italy in July, and it’s caught me by surprise.

You see, holiday time is magical in Europe. The city centers come alive with light displays, like this one on Via Dante in Milan last year. Remember my lead-in photo in the Holiday Lights post? It was from the same street, a year earlier. I find myself wondering what the lights look like this year.

And the markets, oh, the holiday markets! Every town, small or large, has a holiday market with interesting goods and special foods to sell. They are always hustling, bustling places in the pedestrian zones. Regardless of the weather, the vendors and the shoppers can be found there.

Each city has their own unique lights, it’s a point of pride. Here’s ceiling of the Galleria Vittorio Emmanuele in Milan, where last year the crest of Milan could be found. The city’s lights seem to be saying, “Here we are, we are Milan.” I wonder if they have a dedicated light designer working year round to create their special displays. I would not be surprised! The more we explored, the more interesting and unique lights we found.

I so miss the holiday lights. I miss the pedestrian zones and the piazzas, the places where the town is alive. I miss the store displays. I miss the holiday markets. I miss the magic.

Thank you to those of you who have shared your Holiday Lights in the link up. They’ve been a bright spot in my otherwise wistful holiday season. You can still link up today! And tomorrow, a new Exploring with a Camera begins. I’ll share a few creative ways to explore lights any time of year, beyond what you’ve seen here and in other places. Don’t miss it!


Today's Many Muses Musing prompt is MAGIC. Tomorrow's prompt is BELIEVE. Come on over and join in!

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Next step in the Dream

Ah, scooters. How do I love thee. I love the cute styling, how they look all parked in a row or against some wonderful European backdrop. I love the freedom they exude, as they zoom along the streets. I love to capture them as part of a scene. They scream “Italy” and “Europe” to me. I never had any desire to ride a motorcycle, but after living in Italy for two years, scooters captured my heart.

I wrote a few months ago about my scooter dream and how I signed up for Motorcycle Basic Rider Training through Team Oregon in July to help me along in my dream. The purpose of this course is to teach basic skills to make a motorcyclist safer on the road, and by 2015 anyone in Oregon who wants to ride a motorcycle will be required to take it. By the end of the course, if you pass, you have met all of the requirements to get your license and the class completion card waives any further testing.

The training was this weekend. It started with a classroom session on Thursday night for two and a half hours, followed by Saturday and Sunday classes which each had four hours on the riding range in the morning and then 2 to 3 hours in class in the afternoon. It included a skills test on the motorcycle and a written test that you had to pass.

Let me be honest – this was the most physically and mentally demanding thing I’ve done in a long time. (It took all of my energy this weekend, hence no blog posts!) Riding a motorcycle takes an enormous amount of skill and concentration, especially if you’re new to it. You have to do different things with both hands and feet at the same time. You have to pay attention to the world around you so much more than in a car, because the hazards are so much greater and you are less visible. You have to learn to trust the machine below you and how to react quickly and safely.

I am not the most physically coordinated of people. I was always last picked in gym class, being small and slow. I was the one who would go out for a sport and work super hard, practicing a ton, just to become mediocre. The athletic stars would come in with no practice and exceed my skills by a long shot. But what I have learned through all of that, is that I have the determination and persistence to learn just about anything when I set my mind to it. I’m not completely uncoordinated, it just takes me more time to get it and more practice to master it than some others. I kept that in mind as I struggled with the controls and getting the sequence right. My past experience has shown me that I could do it, if I really tried.

I have to say, that this course was amazing. It took me (and others) who had never driven a motorcycle before, didn’t even know the controls, to riding a motorcycle and passing a skills test in two days of range riding. That is just incredible. By the end, I was swerving around obstacles and taking corners at 15-20 miles per hour (24-32 km/hr), weaving through offset cones at low speed without putting my foot down, able to take sharp corners. Oh yeah, and all of this – in the rain! The second day of class it rained the whole time on the range, soaking us but showing us that we could do this in the rain as much as the sun.

And guess what – I passed! I am so excited. I am so proud. This gives me a bigger feeling of accomplishment than I ever, ever expected. I overcame my fears. I learned something that was hard for me but my persistence and determination paid off. And the good news, driving a scooter is much easier than a motorcycle! No clutch to worry about, no foot controls, yet I know how to do those too now.

Today, I will go down to the Department of Motor Vehicles with my class completion card and get the motorcycle endorsement added to my license. Here is one thing I know though – I am nowhere near riding on the road yet. I have a lot of practice to do, and skills to continue building, before I be-bop around town on a scooter. I have a little 50cc Honda Metropolitan scooter purchased from a friend to practice on though, and some great basic skills to help me progress.

Maybe you can’t teach an old dog new tricks, but an old Kat? If she really wants to learn it, she can.

(Linking in to Creative Exchange and Creative Every Day today. Here’s a story where following my heart photographically has led to something wholly new and unexpected in my life. Isn’t that amazing?)

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How are you Hard-Wired?

Each of us is hard-wired a certain way. And that hard-wiring insinuates itself into our work. That’s not a bad thing. Actually, it’s what the world expects from you. We want our artists to take the mundane materials of our lives, run it through their imaginations, and surprise us. If you are by nature a loner, a crusader, an outsider, a jester, a romantic, a melancholic, or any one of a dozen personalities, that quality will shine through in your work.
— Twyla Tharp in The Creative Habit

I ran across this quote while reading over the weekend and said a huge “YES!” It’s always amazing to me when I read the work of these famous, creative people and it basically restates what I’ve come to believe through my own experiences. This quote from Twyla Tharp in her book The Creative Habit: Learn It and Use It for Life so completely expresses the idea behind my Find Your Eye classes: We all have a unique vision to share with the world, and it comes through in our work. We just have to look for it.
In my photography, I find that I typically like the scenes that show both details and context. Not the grand sweeping vistas so much or super close-up details, although you will see those on occasion. This one, a new one in my market/wheels series, is from Milan. A little scene of a market in the Brera district, the same market as my Orange Power shot but a different perspective capturing different details. Kind of typical of my work, don’t you think? Not just in this series, but in the selection of composition, subject, camera settings. How are you hard-wired in your art? Do you know? If you’re a photographer, I can help you find out in the Find Your Eye series of classes, and I’m so excited about that! Registration is open now if you’re interested.
I’m barely into reading The Creative Habit and it’s fantastic so far. It’s been great to get my back into my own creative habits of journaling, reading and blogging in the mornings since the move. Together, these habits are my personal recipe to keeping me grounded, aware and creatively charged. I look forward to reading more of Twyla’s wisdom in the coming days. You can expect me to share the bits and pieces I find interesting here! 

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Orange Power

Imagine my joy: On Saturday, while wandering the streets of Milan for a last time, I found another image for my market/wheels series. And not only that, but the scooter is my “power color” – Orange! What luck!  I find orange to be an energetic color, full of life. For some reason, when I use the color orange, in my art, on my blog or in my clothes, it gives me courage. Courage to be different, to stand out, to be myself. Courage to share the “Kat Eye View.” This discovery has sort of happened organically over the last year, and now I love anything orange. So I couldn’t help but enjoy this scene immensely. Thank you, Italy, for another wonderful gift.

How about you? Do you have a power color? How did it come about? I would love to hear your story too!

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Summertime in the ‘Hood

I’ve always love the number of bicycles you see here in Italy. I love seeing old ladies in their skirts on bicycles, with the basket full of groceries. I love seeing people riding in the rain, holding their umbrellas. I see people riding while talking on cell phones every day. Bicycles are a normal form of transport here. Just another way to get around the busy streets.

And, on summer time weekends, wow. Bicycles galore. I captured this last summer in Milan, on a summer Saturday when the bicycles were out in force. We see a lot of bicycles by our house on the weekend, since we live right near Parco di Monza. Without much green space in the greater Milan area, a day spent biking and picniking in Parco di Monza is a nice treat. The park is packed on summer weekends, the paths clogged with bicycles and strollers and rented carrozellas (a multi-person pedal-powered cart sort of vehicle/bicycle that a family can fit in – I’m not sure what they are called in English).

This weekend we are going to visit a few haunts a last time. Brave the crowds and rent a carrozella in Parco di Monza, pick up some of the chicken strips that Brandon loves at the Saturday market, head into Milan to climb the Duomo and explore the countryside by Lake Como. One last look around, close to our home for the last two years, before the movers come on Wednesday to pack up our household goods.

And next weekend, our last weekend as residents of Italy, what will we do? Visit Venice. I can’t leave Italy without a last trip to my beloved Venetian lagoon. There are two places on earth so far that never fail to inspire me photographically: Venice and the Oregon Coast. (Well, maybe I should add Parco di Monza too, given how often I share photos of the park here.) It’s amazing how completely different these places are and yet they are so inspiring to me. Thankfully, I’m headed back to one of my photographic loves as I move. I have no doubt I will find more places too.

How about you, do you have a favorite place? One that never fails to inspire you in your art?

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