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September 2, 2011 by Kat

Message from your Heart

Your heart has a message for you. It says, “Stop running around. Do something you love.”

You can link in this weekend with the Mortal Muses on negative space. If you are looking for peaceful images that give you space to breathe, check these out. There is something so calming about negative space in photos.
This stoplight is real, the heart is not a figment of my imagination created in Photoshop. It could be found a few blocks from our apartment in Italy. We lived near a hospital, and one of the intersections near the research buildings had this stoplight. Very cool, huh? I tried photographing it numerous ways, but it turns out negative space, stoplight and sky, was the way to go.
I hope you’ll heed this message over the weekend. Stop with the “to do” list for a little while and do something you love. Your heart will thank you!
_________________________
What’s going on around The Kat Eye View of the World…

The current Exploring with a Camera theme is Process of Elimination. Check out the post and explore with me.
Do you want to deepen the connection between your heart and soul and your photography? Registration for the fall series of the Find Your Eye e-course is open! Visit here for more info.
The Kat Eye Newsletter comes out this weekend. New subscribers this week will receive a catch up post with the Night Photography Camera Companion. You are not too late if you sign up before Sunday.

June 19, 2011 by Kat

Looking Around

This is my cat, Stevie, and the view I see of him on my lap and the living room from my “spot” on the couch. This picture is a fun little memory to take home with me in Italy, of all of the times I sat in this spot and journaled or read books, with a purring cat on my lap. It’s funny, Stevie will only sit on my lap if I’m in this spot, with a comforter on and my legs up on footstool. Sometimes, after a vacation when he’s very needy, I have to go sit there with the comforter on (even if it’s hot, and I have a gazillion things to do) because he just wants to be petted but won’t allow it anywhere else. Picky cat! I love him though, and am glad we brought him with us to Italy, even with all of the hassles of paperwork and transport.

So while I’m looking around my apartment and my neighborhood for the last few times, how about looking around some more at the links from fellow participants in the swap? I’m so excited about how many people are participating, and I really want to encourage new connections. I had wanted to do a Scavenger Hunt amongst the links, with prizes and everything, but have run out of time with all that I need to do to get ready to move.

I thought maybe you could help me! Can you visit a link or two and then come back and comment here with what you found at your links? Maybe you found someone participating across the world, or who has an art form you haven’t seen before. Maybe you found someone who loves the same medium you do. Let’s look around together and find something new! Share the link and what you discovered in the comments below.

Links added since the last blog update:

Shaking the TreeLife’s Rich PatternStudio K8 and MeShutterLuvsmall mattersstudio mod
All the links!How to Feather an Empty Nest Learning as I GoPaloma ChaffinchFiberworksAshley Sisk’s Ramblings and PhotosJenny ShihLife @ RuffHavenkharliebugHere and NowLiving in a Still LifeBastelmaniaDonna Did ItLeft in Front of RightThe Red TinAltered Muse ArtDreams and WhispersMaddy’s Stitching CornerSimply Life PhotographsPointy PixKristin DudishNatasha MayThe Vintage ArtistDigital Experiments by CarolynWJC’s Digital DesignsCreating my Lifeicandyi wanna be me when i grow upGiddy-Up Let’s RideThe Creative IdentityElizabeth GLZJofabi PhotoA New Day, A Different WayA Rural JournalAlchemy of ArteyechaiPicturing the YearSuperdewaHounds in HeavenBleuOiseau PhotographyAquarel RiversThe Wright StuffThe Mrs.Urban Muserdeustchemexicana{Furi Kuri}TravelsA Little Blue Skycarola bARTzSame Day: Thirty Years ApartCamperCottage 960Nomadic NotebookWell of CreationsCindyLew’s StudioOm2ArtHysong DesignsThe Weekend Photo WarriorTina’s TreeThe Studio 56Kristen WalkernaperieRosie GreyThis Life through the LensNot Everyone Has FilmSloane Solanto: A Colorful LifeRavenous RaesassyangelacMy Midlife CreativitiesMakieDollTracy Swartz, Whimsical Gourd ArtOne Thousand PaintingsOne Little PromiseAmber Leigh JacobsMarie Z. JohansonThe Queen of CreativityExpressive WorldRandom Thoughts Do or “Di”Lyrical JourneyKaren Koch, Life Needs ArtMy Sweet Prairiedye~ing to be yoursKnottyneedlemy heart artODDImaginationCrafty CreativityJenna Kannas InspirationsGoing a Little CoastalStarry Blue SkyQuilting, Calle and other thingsMatthew and LarissasightspecificStudio MailboxArtimagicaPoetic MappingSimple MansionBy JenPaper BirdMusings of a HennaphileShe Dreams of the SeaThe Little Things…Tangerine Megamaze, surprise & delightlove PEASStraightlinezKristen Laudick PhotographyGrandma’s Recipe BoxHeartwork PhotographyDixon HillJust me and my ArtMia Makes…Cosrard & PenpenI miei due bambiniSpecial Moments in TimeSuch stuff as dreams are made onPasandoDarlene Cunnup PhotographyPeach CogloOne Woman, ReinventedCreative ExplorerBren’s Bright CornerJillsy Girl StudioBahamaDawnToday is a GiftMy Consuming PassionsMarie OteroShelley ShockleyBrain Angles – Invisible InkMosey AlongApril Cole’s StudioJo Murray – ArtWith Renewed EyesZentangles & StuffmichellereneFleeting MomentsJournaling through PhotosStefanie ReneeAlison BehnGramma’s Little CornerThe WhimzymeincaMoon’s Musings

May 31, 2011 by Kat

A Summer of Change

Ah, summer. Long days of sunlight and warmth with nothing to do but lounge around in the hammock and read a book, right?

Um, no. Not for me this summer.

As most of you probably know, my time in Italy is coming to an end. Our apartment will be packed up in a few weeks, as my son finishes his school year. Shortly after, we’ll say goodbye to friends, neighbors and colleagues, and fly back to Oregon on July 1st. A new adventure awaits, in an old, familiar place.

With all that going on, you might find me absent here and there from the blog over the next couple of months. Since blogging has become a habit, I’ll probably be on more often than not, but I’m giving myself the freedom to let things slide a little more than usual. (This is hard for me, I must admit.)

In addition, for the summer months Exploring with a Camera will run with re-posts of earlier themes. I’ve selected posts from last year, before many of you had joined in, and will run them as “second editions” with some new example photos along with the additions of the link up and Flickr pool for sharing. If you’ve done the prompts before, this will be a great opportunity to share what you captured the last time around, or cement the ideas further by using the concepts again.

Thanks a bunch for hanging in with me as I move through this transition.

May 27, 2011 by Kat

Turning the Camera on Myself

I’m over at Mortal Muses today, kicking off a week of musing on self-portraits with this image of me in my little creative space in our apartment here in Italy. We’ve been talking about a self portrait prompt amongst the muses for quite some time, and I must admit I had been dreading it. I don’t like pictures of myself. I see all of my flaws, the things I want to change. I’ve never quite figured out the self-portrait craze that seems to be going on in photography right now.

The dread was reduced when I finally got the idea to capture a picture of me in this place, our apartment in Italy, which we are leaving so soon. This little space you see me in is where my creative journey has unfolded. Where I dream, plan, and capture all of my ideas as they emerge. This is me, right now, right here. In the process of doing this prompt, I discovered something interesting – I actually like this photo of myself. I still see all of my physical flaws, but it’s as if they diminish in importance because there is more context. This is a self-portrait of more than the outer shell, it shows what’s going on inside too. There are a thousand details in this photo I could point out, each representing some aspect of me that goes beyond what you see on the outside. I like that.

So often, with portraits, it’s all about keeping the focus on the physical person and trying to remove a distracting background. Sometimes though, the context found in that background is as important to the portrait as the person itself. Context can make a portrait something more. I learned this when I saw the work of photographer Jason Bell, at an exhibit in the National Portrait Gallery in London. The portraits were for his project, An Englishman in New York, and his work struck me for how he captured the setting as much as the person in the image. These portraits are about each person in their place, and they tell a larger story than just a great head shot alone.

I’m heading out today for another week of vacation, this time to Scotland. It’s our last week-long vacation here in Europe before we move back to the US on July 1. You’ll see a few scheduled posts from me over the next week but I’ll be back, live and in person, on June 6. Have a great week!

May 9, 2011 by Kat

Time to Relax

I’m musing on relaxation today over at Mortal Muses, hop on over there to see the crazy photo where I actually took my camera into the bathtub to capture the shot I had in my head. Oh, the things photographers will do to get a shot! I had to think ahead and move carefully so as not to get my camera wet, but I got the image I wanted. I am quite proud of it.

I took these photos a while ago because I wanted to remember this lovely, large bathtub we have in our apartment in Italy. I’ve been totally spoiled by this tub and will miss it terribly when we move home. I’ve found there is nothing better than a soak in the tub to relax me if I’m stressed or to warm me up on a cold winter’s day. I’m scheming to someday figure out how to have one put in to our house in Oregon. 🙂

A last note: Don’t forget that you can still enter the giveaway today. Tomorrow morning I’ll announce the two winners.

Happy Monday everyone!

April 21, 2011 by Kat

Exploring with a Camera: Rimmed with Light

Earlier this year, as I visited art museums in Madrid, I found myself drawn to paintings with two features: Interesting skies and rim light. When that happens, it’s usually only a matter of time before these elements start showing up in my photography. We’ve already covered the sky as an Exploring with a Camera topic in Capture the Sky, so today we’re going to complete my Madrid fascination and talk about subjects Rimmed with Light.

If a subject is rimmed with light, you get an effect of glowing edges of light outlining your subject. Rim lighting is a form of backlighting, but with the light source off to the side. In my recent study I’ve found it takes some specific conditions to capture rim light:

Directional light. If there is even light, you won’t have the strong light/dark contrast needed for rim light. You need directional light in order to get a strong contrast in light and shadow. The directional light doesn’t have to be direct sunlight, it can be a lamp or a window in an otherwise unlit room.
Angle of light source, subject and camera is important. To get rim light, the light source should be behind the subject but off at an angle. Low light works best, such as the sun in morning and evening, but is not always required. If the light is directly behind the subject, you will get a silhouette. If the light source is behind and only slightly off to the side of the subject, you can get rim light but you are at risk of lens flare (which you may or may not want). If the light is completely to the side of the subject, you get sidelight and will not have the “rim” effect.
Contrasting Background. What’s behind your subject matters, you need some contrast to really get the rim light to show brilliantly. The darker the background, the better the rim light will show up. A background in shadow works very well, as does converting images to black and white to highlight the get the tonal values and avoid color distractions.
Exposure. The exposure you choose will effect how the rim light shows up and can significantly change the focal point of the image. For dramatic contrast with focus on the rim light, expose for the rim light with subject underexposed. To bring out more detail in the subject, overexpose the rim light.

I created this small diagram to clarify the requirements visually. The angle of light/subject/camera in this diagram is not scientifically determined (just to warn any of you engineers out there) it’s just to give an idea to help you visualize the scenario that gives you rim light. This is a top view:

But, a picture is worth a thousand words, right? Let’s look at some images…

This image of Stevie, my cat, is exposed to show the details highlighted by the rim light. I had all of the elements I needed to capture an image rimmed with light: sunlight coming through a window on the right, and a background in shadow. I put myself on the same level as the subject, and moved around left to right to experiment with the background that would give the best contrast while not losing the rim light. You can see how the light coming in the window curtains behind dramatically drops off and creates a dark background to contrast with the rim light. Converting this image to black and white helps keep the focus on the light and dark contrast and not the brightly colored blanket under Stevie.

This was one time that Stevie actually cooperated and sat still long enough for me to capture multiple images and study the lighting situation. Below are a couple of images straight out of the camera to show you the effect of exposure. In the first image, the exposure is set for the rim light, and Stevie’s face is very underexposed. There is not enough rim light to highlight the full outline of his head, and he gets lost in the background.

1/64, f/4, 80mm, ISO400

In this next image, the exposure is set to get more detail in Stevie’s face. I like this one with the detail better but the color of the blanket reflecting in his face is distracting to me. In my editing I would convert this to black and white to resolve that problem.

1/15, f/4, 80mm, ISO400

In studying rim light, it is good to move yourself around relative to the subject in order to see when the rim light appears/disappears and how it contrasts with the background. It is hard to do this type of study with moving subjects, so I’ve found statues can be a great way to learn.

I loved how the sculpture below, in the garden of the Rodin museum in Paris, is outlined with light. The hedge and trees behind created a good contrasting background that allows the rim light to stand out. It helps that the subject is a dark color, to further create contrast with the rim light. In this image, there is not only rim light created by the sunlight on the right, there is also sidelight in the reflected light coming from the pavement on the left. This light is more diffuse and serves to highlight the details in the statue subtly, without competing with the outline created by the rim light.

Another Rodin sculpture, the image below is indoors at the same museum. This was shot by looking toward a corner of a room. There is a window on the right wall, facing the direction of sunlight, and a window on the left wall, in the shade. Even though the sun is not shining directly on this statue through the window, you can see the effect of the directional light in creating rim light on the right, while the light is more diffused from the left and highlights more detail. The background is not dark, but there enough contrast for the rim light. Converting to black and white helped remove some color distraction of the background wall paneling.

One final sculpture image shows that the light does not always need to be low in the sky, it just needs to be directional and at an angle. For the image below, it was near noon and the sun was high in the sky, but since the buildings blocked most of the direct light, only one shaft fell on the statue in the Loggia in Florence and created the rim light.

Shafts of sunlight are great for creating rim light. This self portrait I captured in Venice is a good example of how a shaft of light can be used, along with the contrast of the other areas in shadow, to capture some rim light.

Hair, fur, etc. all seem to be great subjects for using rim light, since so many individual details can be highlighted by the light. They can also be difficult to capture, since subjects with hair and fur are usually in motion! This image of my son is from early in the morning in Florence looking at the Baptistry doors, next to the Duomo. I loved how the individual hairs on his head were outlined along with the features of his face.You might notice the flare, I was looking a bit more into the sun than was desired. Moving slightly to the right might have eliminated the flare, while still keeping the rim light. I will never know for sure though, because my son wasn’t interested in keeping still that long for me to study him in this light. Again, I converted this image to black and white to highlight the light/dark tones and avoid color distractions from my son’s clothing.

Having all of the elements required to capture rim light can be challenging, especially with moving subjects. It is completely worth the challenges, however, when you see the end result of a subject beautifully outlined with light. I’m still on my quest for images with rim light, and now that I’ve learned a bit more about how to capture them it will be easier to see when the conditions are right.

How about you? Have you been able to capture subjects rimmed with light? Look through your archive or go out seeking the rim light, and share your images here with us. You can link in below or add your images to the Flickr pool, or both. If you have any other tips for capturing subjects outlined in light, share those too! I look forward to learning from you.

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