Kat Eye Studio

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Into the Light

We continue our Exploring with a Camera topic of Chiaroscuro this week, with a look at walking into the light. You can get some great strong light/dark contrast when you are indoors and look out into the light. In this situation, instead of having the subject illuminated against a dark background, the subject is dark against a light background.

This image was taken at the Victoria & Albert Museum in London. After a while I was overwhelmed by the museum’s vast and varied collection, so I began wandering the museum looking more at the architecture than the artifacts. I stopped at an overlook above the main doors and photographed the movement of people in and out. There was an ebb and flow to the motion. It made me wonder where all of these people are coming from, and going to. I wondered where this woman was headed with such purpose. The strong light/dark contrast, the focus and her isolation from other elements highlights her as the subject.

How is your exploration of chiaroscuro going? Have you found examples in your archives? Have you experimented yet? Share your results with us here! The link up is open until November 30, so you have plenty of time to explore.


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Medieval Connection

Today I’m continuing on with my stories of connection, this time from the medieval town of Shrewsbury. If you look at a map of England, Shrewsbury might seem a bit out of the way place for a stop between Yorkshire and London. However when your primary purpose for a trip is to meet people, then it all starts to make sense. I had someone to meet, so I was headed that way. And that someone was Gilly Walker.

Gilly and I have been in contact online for several years. I first ran into her on Flickr while I was in Italy, then we shared comments on blogs and for a short time we were both Mortal Muses together. I’ve always loved her photography, her thoughts and philosophy, and – bonus – she teaches photography too. We seemed to have much in common, so she was on my list of connections this trip to England. She’s recently moved north, not far from Liverpool, so we had a bit of a struggle to figure out the best way to meet. Should she come to London? Should we meet in the middle? Finally she just invited me to come stay at her house, and then we could visit Shrewsbury the next day. Perfect! She apologized that it was a two hour train ride, but I assured her, after traveling 12 hours to get to England, a two hour train ride was no problem. That’s why I was there!

So from Hebden Bridge it was off to Hooton, to stay the night with Gilly and her husband, and then on to Shrewsbury the next day together. All of the images in this post are from our day in Shrewsbury.

I have to admit, on the surface it seems a bit strange to visit and stay with someone you’ve never met face-to-face. Here Gilly was inviting me into her home, and I was staying there, without knowing more about each other than our photography and writing. But I’ve always found that when you meet and develop a relationship with someone online, one that is built over time and around a common interest, that relationship is real and your gut feel about a person is accurate. So while we were both a bit nervous to meet in person, I had a feeling it would go just fine. And it did! Better than fine, we talked non-stop and had a lovely visit.

I knew Gilly was knowledgeable about photography, but I hadn’t realized the depth of her study until I visited her home. Staying in her home office, I got to peruse her bookshelves which had an amazing array of books on photography and creativity. I was in heaven. She had many of the same books I had, but also many, many more I had never even heard about. It was exciting to hear about her creative journey and what has influenced her along the way. I wanted to know which books were her favorites, and why. (Since I knew you all would want to know too, I asked her to write a guest post sharing a few. Come back tomorrow to read her recommendations!)

The next morning we were off to Shrewsbury, known for its medieval architecture. The day started off partly sunny, transitioned to mostly cloudy and then the rains settled in. It was interesting to wander the tight alleyways and see the mix of timber-frame and brick buildings side by side. It is always shocking as an American to see buildings that have existed for such a long time. It’s hard to fathom. Our idea of “antique” is on a different scale. The mix of the modern and historic gave this city a wonderful visual feel.

I’ve found that when you spend some time with another photographer, you get to know more about them through what catches their eye. Their work makes more sense to you, because you see how their heart and soul comes through. Ask anyone who’s gone on a photowalk with me and they will tell you: If there is a scooter sighting I will stop, with enthusiasm, to capture it. For Gilly, she has a series called “Fallen Things” and she stopped often to capture things fallen on the ground. I couldn’t help but capture one or two as well, and here’s my homage to Gilly’s Fallen Things series.

As I write this I start to wonder, if you spend time learning about another photographer’s point of view, does that affect you too? Did the time with Gilly get me started with looking down on the ground? Did that influence my current mobile photography series, As They Fell? Probably. As I talked about yesterday, the time spend with another in creative connection influences us in ways we don’t always realize. Everything we see and everyone we connect with becomes input that informs our output. Choosing our connections is as important as choosing our input.

For me, Gilly is a great source of inspiration. I am grateful to have have this connection with her. Thank you, Gilly, for a lovely day!

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Creative Connections

A month has slipped by since my England trip and I’ve barely written a word about it. I’ve barely looked at the images. I’ve moved on to one thing or another, my recent obsession taking up my brain space and creativity. And I need to spend some time on the trip to England, because it was a marker of sorts. A milestone with teaching my first in-person workshops, but a trip of creative connections too.

In fact, the creative connections are the reason I went in the first place. I had met so many lovely people in the UK, online and in person, that I felt drawn back. I wanted to renew these connections and deepen the friendships. The only way to do that is with time. So I plan to share a few stories here, of the people I connected with and the places we visited together. The things I learned from each of them.

First up, the Hebden Bridge crew: Fiona Pattison, Hannah Nunn and Rhiannon Connelly. I met all of these lovely ladies at the Do What You Love Retreat in May 2011. Fiona and Hannah both live in Hebden Bridge, and Rhiannon came to visit from Holland via Scotland. I spent most of my time in Hebden Bridge with them in some combination, and we took a walk together in the woods one morning of my visit. All of the photos in this post are from that lovely walk in the hills around Hebden Bridge.

Fiona was my host in Hebden Bridge, sharing her flat with me and my workshop. While I met Fiona at the retreat, I started working directly with her last fall on Public Relations. I was thinking she could help me get the word out on Kat Eye Studio, but it turned out she does so much more – business coaching and mentoring. Through our working together we have become great friends, so it was wonderful to deepen the connection in person, talking non-stop over a bottle of wine (or two!), great dinners and walks in the woods. She has so much wisdom and enthusiasm for living a creative life. She has a special gift; her art is helping creative people develop businesses that thrive. I have been lucky to be on the receiving end of her talents.

Hannah is an amazing artist, bringing beautiful light to the world. She creates handmade lamps with simple yet gorgeous flower motifs that cast beautiful and subtle light. She loves lighting of all kinds, so her shop, Radiance, showcases beautiful lights from different designers. Walking into her shop you just smile from the warmth of the lights. Or maybe it’s the warmth of Hannah! Being around her seems to bring a smile to my face and a sense of calm to my soul. It was so much fun to see more of her lamps in person and spend time with her. I’ve been dying for one of her lamps since I saw them at the retreat, even looked more than once online, so I was excited to finally buy one directly from her shop to have sent home. Now I have two beautiful pieces of Hannah’s art, bringing cheerful light to my house through the gray Oregon days. Is there anything better than having art you love, made by a friend, gracing your home? I don’t think so.

Last, but certainly not least, is my lovely friend and fellow photographer Rhiannon. I was so excited when she said she’d be able to make it down to Yorkshire for my visit. Her life is a bit crazy, splitting time between her permanent home in Scotland and her temporary home in Holland, so getting a few days with her was fantastic. She and I spent much time wandering Hebden Bridge with our cameras, discussing art, life and our respective creative journeys. I have always loved her painterly photographs created from Polaroids, and enjoyed watching her capture images with her iPhone while we were together. Now that I look back at it, I’m pretty sure our time together had a strong influence on my sudden adoption of mobile photography and editing. Seeing Rhiannon work and hearing her talk about her process planted a seed that burst free a week or two later.

And that, truly, is the beauty of creative connections. They plant seeds. They nurture growth. They encourage us and influence us, maybe sending us in new directions than we otherwise would have gone. I am glad that I heeded the call of my soul and spent the time to renew these connections. My heart is full and my journey is better as a result.

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What a Scooter Sighting can teach about the Process of Elimination

Oh, how heavenly it was, to be back in the land of scooters! I didn’t spot any scooters in my excursions around Yorkshire, but London had a nice selection of scooters to photograph. I’ve come to realize that my little scooter photography obsession is as much about place as it is about scooters. Usually when I’m capturing a scooter sighting, I try to find out if I can find an interesting composition that tells you about the place the scooter was parked, through the context I choose to include. Interesting scooters and interesting places, a perfect combination!

When I have a scooter sighting, it’s the perfect opportunity to use the Process of Elimination, which we’re studying this month in Exploring with a Camera. This wonderful scooter was spotted on the Hampstead workshop photowalk, just off Brick Lane. I thought it might be interesting to share my Process of Elimination for this image. All of the images shared are straight out of the camera except for the final edit.

The first sighting was from walking down the sidewalk behind the scooter. It’s an interesting scooter, not your usually cute one, but I thought the chairs would be great to include. It wasn’t a busy street (thankfully) so I stepped out across/into the street to explore the scene. The first shot I tried was vertical, going with the lines of the scooter.

The vertical orientation doesn’t include enough of the chairs, which really add interest to the scene. The background becomes more of a distraction with this framing, with bits and pieces of too many things. So, the next step was to try horizontal.

Better! Got the chairs, the interesting window with the reflections, the graffiti. But the scooter is too high in the frame. The foreground of the road is doing nothing for this image. I want more of the interesting background. As I framed up the next image, this guy walked buy. Quick, catch him in a good spot!

OK, I like where he is in the frame but this image is not really what I was looking for in the scooter sighting. He’s a distraction. So I capture essentially the same frame without the guy.

You will note that I included the car on the right in the frame. That was intentional. I had the framing mostly the way I wanted it, but including a little extra would give me the most to work with later for cropping since I didn’t have time to work the scene further. I needed to move on, as the rest of the participants in the class had moved way up the street and I was lucky I hadn’t been run over by a car by this time.

Into Lightroom for crop and edit when I got back home, and here’s the final image again:

An interesting scooter in an interesting place — I couldn’t ask for more in a scooter sighting! I’m going into scooter withdrawal now that I’m home. The only one I see is in my garage, and believe me, that’s not a place you want to see! If you sight a scooter, please share it with me on Instagram or Twitter using #scootersighting. I need to get my fix one way or another. 🙂

Have you been thinking about the Process of Elimination this last week? How has the idea of eliminating what is not essential to your message affected your capture or edit of images? Please share with us! You can link your exploration into the comments on the original post here. There are a couple of folks already linked in, so be sure to visit to see what they’ve found. And how do you like the process of linking into the comments? Would you rather have a linky? Let me know! I’m on the fence myself. I kind of miss the linky.

PS – I’m off to the Vancouver Gathering with David duChemin this weekend. Yay! I’ll be away from the blog for a few days, but I’ll tell you all about it next week!

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