Kat Eye Studio

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Present

Present – not as in gift, but as in being in the moment. How often are we really and truly present in our every day lives? Aware of the world around us, aware of ourselves. Not often enough, I would have to say, for me. And yet, when I am present, amazing things happen. I discover more about myself. I see the beauty around me. I see different ways to interact with others. It’s as if the world opens up as a new and wonderful place to be.

So positive, and yet so hard. One of the things that I love about photography is that it ties you to the present moment. There is nothing beyond the image you see in front of you at the moment you press the shutter button. You can’t be thinking of the photo you captured yesterday, or tomorrow, when you capture the one of today. When I first saw these seed pods, while looking for pretty leaves, I thought they were ugly. But then I went back, and studied them with my camera, and discovered their hidden beauty.

Life can be found only in the present moment. The past is gone, the future is not yet here, and if we do not go back to ourselves in the present moment, we cannot be in touch with life.”           — Thick Nhat Hanh

To live life, see the beauty in life, we have to be present. A thought I will carry with me today.

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My friend Jenny, a life coach, asked me if I wanted to share my experience in Italy and how it’s changed me with her readers. I’m writing a series of articles for her newsletter and blog, about how my time in Italy has helped me to find my passion and purpose, and how I think you can apply the lessons I’ve learned to your life. If you are interested in reading the first article, visit her blog at Rising Sun Coaching.

(By the way, does anyone know that type of tree this seed pod is from?)

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First Signs of Fall

The trees haven’t started turning much yet in Italy, but in Paris they are already colorful. I liked this glimpse of Notre Dame through the leaves, and it was perfect for some experimentation with textures. I used two Kim Klassen textures in Photoshop Elements 8, “Cinnamon” texture with Overlay blending mode followed by “Break Free” texture with Soft Light blending mode. I liked how they really emphasized the changing leaves. The original is below for comparison. Which do you like best?

You can stop by the Kim Klassen Cafe to see more of her textures and sign up for her Texture Lovin’ List for some freebies. It’s fun to experiment!

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Exploring with a Camera: Dappled Sunlight

This image fills me with a sense of peace. The greens and blues, the sheltering trees, the path to follow, with the archway leading you right around the corner into the sunlight. It’s a safe, shaded place to pause before moving onward. Beautiful.

This path is part of Plitvice Lakes National Park in Croatia, where we spent one day hiking along a series of lakes with wonderful waterfalls. Just as spectacular is the path you follow, that winds you along and right up close and personal with the waterfalls or “splat” as they are called in Croat. It was an enjoyable day, a nice break from the cities we had visited to commune with nature and see something new.

I’ve often struggled with getting a good exposure in dappled sunlight images like this one because of the high contrast between full sun and full shade, a common problem in the middle of the day in the summer. Here are a couple of tips for your own explorations of dappled sunlight:
1. In the camera, underexpose. You want to make sure that the bright areas of sunlight on the leaves and the path are not overexposed or “blown out” completely. If that happens, you lose the ability to make any adjustments to those areas later in photo editing software.
2. In your photo editing software, consider two edits (I use Photoshop Elements):
– Adjust Levels to get back the “bright” areas if they were underexposed too much.
– Lighten shadows or Darken highlights to get less contrast between the light and the dark areas. I’ve found the biggest problem with dappled sunlight pictures is that the dark areas are too dark relative to the brighter area of the photo, so if you just lighten them up a bit it looks more like what your eye sees.

For this image, I underexposed a full stop in the camera and then just adjusted levels to brighten the highlights back up, because the exposure was pretty good overall. A small bit of cropping and I was done!

I also played with Pioneer Woman’s Lovely and Ethereal Action for Elements, and I like the depth of color and the dreamy quality this one gives as well. I can’t decide which one I like better!

Try your own dappled sunlight pics, and let me know how it goes! I’ve created a flickr group if you want to share your exploration results called Kat Eye View: Exploring with a Camera. Come join in!

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The Lessons of Language and Culture

Living in another country is like walking in the fog. At times you have no idea where you are, at times you can make out shapes in the distance. At times, you can see what is right in front of you but you may not recognize anything else in the landscape.

Every time I think things are going well here in Italy, I am reminded again that culture and language is such an essential part of who you are and how you behave and react that it gets us into trouble.

Just for a moment, I would like you to pause and answer this question: What does the phrase “extremely tough” mean to you?

To me, it means it may be hard but is possible. It may be doable. We will have to work at it but could make it happen. So when we discussed a proposal at work and I got this answer, I thought that it would be difficult but was open to discussion.

To my Italian colleague, it meant no. It meant it was not possible to do, they would never agree to it, we were wasting our time. So it came out this week that he was extremely angry with me about the fact that I went forward with the proposal through formal channels at work, because he thought I was completey disregarding his feedback and intentionally causing delays. And I was frustrated when the formal channels completely, flat out rejected the proposal without discussion, feeling they had strung me along and were just delaying things. Both completely normal responses, given our understanding of the situation. And both completely wrong.

All because he said “extremely tough,” meaning “no” and I heard “maybe.”

The layers and layers of language and culture are all around us, are part of us. You don’t realize how fundamental they are, how much we operate on assumptions in every day life, until they are challenged. This is my cultural lesson for the week. Maybe you can learn from it too. Even in our home country, in our home language, we make assumptions all of the time about meaning and intention. Next time you are frustrated by a situation, check and validate your assumptions and look at it again. Those assumptions may be the problem.

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Winter in Spring

It’s become normal, each day, for me to pick a photo to post based on a random impulse. Call it my intuition. Then I just write what comes to me based on looking at that photo. While there is sometimes a plan or a “theme” week (like when I show a specific place we visited, or show several pictures with similarities), they are usually just selected based on what calls to me that day. It has worked very well, and I’m often surprised by what comes out.

It’s not intuition that makes me choose today’s photo, it’s my body. I have an icky cold, it feels like winter to me. So I’m going to drink my tea, finish this post and then crawl back into bed. Because my body is telling me to. I guess sometimes you have to listen to your body too.

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Spring Glow

A beautiful spring scene in Assisi. I love the contrast of tree practically glowing in the sunshine with the stone buildings in shadow. How the rock wall on the left turns into the rock of the hill, blending seamlessly. How, in a town made of stone and built on stone, little patches of trees and flowers bloom.