tree - Kat Eye Studio

February 14, 2013 by Kat

Building on Backgrounds

I’ve started playing with creating digital pieces in a new way – building the final image onto a separate background rather than creating the background as a texture added to the photograph. I’m finding the background to be a versatile element, which can be used again and again.

For my Paint Party Friday post this week, I thought I would share how easy it is to create a painterly background with mobile apps, along with a few of the pieces created from the background.

To start a background, you need some sort of images that is mostly blank but has some texture or variation. I have started looking for these types of simple images in my daily photography… brick, stone, concrete, bark. All would have interesting texture.

For this example, I started with a Kim Klassen texture, Felicity, copied over to my iPad from my computer:

My first step was to use the Glaze app, to make it more painterly AND to increase the resolution. I love that you can save higher resolution than the original out of this app!

The output still felt a bit digital to me, so I ran the image through the Artista Oil app to add some more variation. I like this app for all of its options, both in painting styles and variation of strokes, etc.

Finally, the blending. Starting with the Glaze output as the base, to give the highest resolution file, I blended the output from Artista Oil in Image Blender to get the final background below:

Now I have a nice, painterly background with high resolution (4096×4096) to use for future creating. So far, I’ve used this background for four different pieces.

First, the original piece the background was created for. This is one of those pieces I mentioned earlier in the week that I liked when I shared it but a couple of days later I didn’t like it anymore. What I was trying to create originally didn’t work out, but I discovered this whole background idea so it was worth the time invested!

Next came one of my recent favorites, called Vanishing:

The third piece was another attempt with some of the same elements as the first one. I like this one better:

And finally, this last one, entitled “The earth’s secrets are held within a seed,” is another recent favorite:

While the color is similar between these pieces, due to the starting background, you probably wouldn’t notice they were all built on the same background layer if I hadn’t told you. As you build up and blend the other layers, the background changes and shifts from where it started. I could also easily shift the color of this background, and create a whole new look for the next piece.

I’ve created a couple of different backgrounds now and will continue to create and use them. They are proving to be a versatile element that adds a new dimension to my creative process. That’s the power of playing around: In the process of creating what might turn out to be a mess, you discover new ways of doing things.

February 12, 2013 by Kat

Philosophies on Sharing

What is your philoshophy on sharing your work? Do you share ONLY your best images? Do you share only one image on a certain frequency? Or do you share multiple images, whenever inspiration strikes? Do you even have a philosophy you follow for sharing? Where did it come from?

I realized I DO have a philosophy for sharing my work yesterday, when discussing this with another photographer friend. He was talking about the idea of sharing ONLY your best work online, something that I’ve heard many times from different professional photographers. The idea is that you cull the images down to the best of the best and only share those.

There are things I agree with in this philosophy, namely the “culling” of the many to the few. I think one of our best learning opportunities is in the review and selection of our “best” photographs. Being able to distinguish them, and to be able to consciously say why, helps us to grow our vision. The next time we are out photographing we will bring the learning from the previous session’s review, helping us to create even better photographs. It’s a never-ending cycle that builds. I think of it as a spiral: Each time you come around the spiral to photograph again, you are in a slightly different, slightly better (higher) place on the spiral if you work hard to review and select your best.

In general I don’t follow the “share only the best” philosophy, though, and that’s because regular sharing has become part of my personal practice in a different way. It’s not about sharing for feedback or to grow an audience, it’s about a regular practice of creating and what I learn from it. This practice started long ago, while in Italy, when I was being badgered by a friend to update my blog. I didn’t want to write about daily life or activities, but I could get myself interested to share a favorite photograph each day and writing a little bit about it. Holy Moly, did that change everything! I learned about my photographic eye, and myself, in amazing ways. It became an essential part of my creative process. Over time, it became more and more about writing from the heart and choosing the right photograph to complement my words, than choosing the “best” photograph to share that day.

Recently, my daily creative practice has changed, but sharing is still a big part of it. Even though I write almost daily on the blog and this is an important part of my creative practice, my daily “goal” for creating has shifted to creating at least one new, edited image a day from my mobile work. Then I share. Sharing is the completion of the process; the check in the box that says I fulfilled my personal goal. In a way I’m doing sort of a 365 project, but with editing instead of photographing every day, and without strict adherence to the “365” part. Whether it’s photographing, or painting or writing every day, it’s all creating, anyway, regardless of what type it is. It’s all useful for learning and growing.

What I’m sharing every day this way is not necessarily my “best” work. I find it takes some time to tell what’s “best.” Sometimes I look back at the things I’ve shared and am horrified. I liked it, maybe even loved it, at the time, or I wouldn’t have shared it. The ones that are the “best” are the ones I love days, weeks, months later. Sometimes, I know that in the moment I’ve created it, that it’s one of my best. Other times, a “best” image has to grow on me. The history I build through creating and then sharing helps me to learn more about what’s “best,” while also providing a record of my development over time.

I don’t share everything I create, believe me. There is some stuff in the moment of creating I know is awful and leave it on the hard drive. I have lots of failed experiments. They serve their purpose, helping me learn what does NOT work. I also do cull significantly from my original photographs, to get to the images I use for my creations. I can’t imagine trying to creatively edit every photograph I take. Whew. I wouldn’t have the time, or the inspiration.

It was an interesting conversation, yesterday, as we discussed this topic. I was figuring it out on the fly, as I realized I had a different motivation for my sharing than he did. It reminded me that each of us will have different motivations in our art, and I can’t assume yours will be the same as mine. Each person can develop their own personal rules and philosophy for sharing, like anything else. Some may share for feedback, while others share for connection. For me, it’s primarily part of a daily creative practice that keeps me learning and growing.

What is your philosophy on sharing?

February 11, 2013 by Kat

Another take on Apologies

Over the last few days I’ve had a sneaking suspicion. I’ve felt like there is more to this whole apologizing thing, at least for me, than meets the eye. That it is about more than fear of sharing or criticism. I’ve been journaling and am starting to sort out this “other” reason. These ideas I’m sharing with you today are fresh and not completely thought through, so bear with me. I’m hopeful sharing them here will bring commentary and insight from you all, which always helps me distill them to something clearer.

How many of us carry along these little sayings in our head: Don’t brag. Don’t toot your own horn. Don’t hog the spotlight. Be humble. Keep quiet about your accomplishments, the right people will know.

I do. Somewhere, somehow, these sayings have been etched deeply into my psyche. Add to that my introverted and shy nature, which naturally leads me to want to avoid any attention, and you have a recipe for one quiet person. But then you contrast that with my desire to create, my desire to share, my desire (dare I say it) to lead… and you get quite a bit of inner turmoil.

You get someone who wants to do something really well, with all her heart, and have other people see it and join in. Without her having to say anything.

Yeah, right.

I’ve learned that doesn’t happen. To grow anything, relationships online, a following for your art, a business, you have to get the word out there. You have to share your message with confidence and heart. You have be able to say, “Here I am, and I have something GOOD to share with you.” You have to willing to talk and talk and talk about the good stuff you are doing, so the message is heard. It’s called marketing.

All the while, the inner voice is quietly reprimanding, “Don’t brag. Don’t toot your own horn. Don’t hog the spotlight. Be humble. Keep quiet about your accomplishments, the right people will know.” But they don’t always know, do they? Sometimes you have to tell them.

Hence, the apologies. The apologies sometimes come along to quiet that inner voice, I’m thinking. When I’m talking about what I create and do and have to offer others, if I apologize, I can keep that voice at bay. Sort of. I still feel it, deep down. I know this, because when I get any sort of feedback that validates this voice, even if it’s as simple as one person marking my newsletter as spam, it’s deeply felt. The voice comes back with a vengeance, “See? I told you so! Stop talking about this stuff!”

*Sigh*

I’m sorting this out. It’s a bit new and raw right now, this realization of why I might be apologizing. But like all of the things I’ve sorted through in the past that led to some sort of personal growth, it has to start this way. It starts with an inkling; some sort of clue to follow. We’ll see where it leads next.

February 8, 2013 by Kat

Playing Hooky

Today was supposed to be Exploring with a Camera day, but I’m playing hooky. You see, I’m going to for a long walk in the forest instead.

A long walk with our newest family member, Zoey, a very sweet 4.5 year old golden retriever/Australian shepherd mix dog. We brought her home from the shelter last night.

Getting a dog again was a big decision for us. Our beloved golden retriever Tasha passed away at age 14 while we were in Italy. It left such a huge whole in our hearts, we didn’t think another dog would ever measure up. (I’m tearing up just writing this. You would think more than two years later, that would go away.)

But slowly, slowly the idea of a new dog was creeping up on us. As my husband said, “No dog could ever replace Tasha, but there are other good dogs out there.” Now that I’m out hiking more, I’d love a dog companion with me in the forest. My husband loves to play fetch and frisbee. Our son is almost 12 and is excited and responsible enough to help. We aren’t traveling nearly as much as we did in Italy. So we were ready.

The search began.

We didn’t want a puppy again. Been there, done that, more than once. It would be nice to get a dog already house trained. But we didn’t want a senior dog either. After losing Tasha we didn’t want to open that whole can of worms up too soon. I really wanted to adopt a dog from a shelter if at all possible, although that can have it’s own set of challenges. But there are so many animals that need homes, it made sense to start there.

Good luck, right?

Enter Zoey. My husband found her listing in the neighboring county’s humane society last Sunday. He emailed me the link, asking what I thought. “She sounds sweet,” I answered, “But when can we get over to meet her?” Their hours were 12-5 or 6 and that didn’t work for any of our work schedules. Until yesterday, when my husband had the day off. Zoey was still there, so he went over to meet her, and fell in love.

We all went back at the end of the day, hurrying over there before they closed, to meet this dog who was seemingly perfect for us. And we brought her home.

Here’s the amazing thing… Zoey fits all of our dream dog criteria. She’s 4.5 years old, sweet and well-trained. She is spayed, house trained (already whined at the door to go out), crate trained (went right in at bedtime), doesn’t jump (although does like to give kisses, if you get your face down close enough to hers), doesn’t bark (as of yet) and rode well in the car. She sits, waits and drops items on command. She loves to fetch and wants to play. She seems ok on the leash, but I’ll check that out further this morning. We’ll have to be careful with her around other dogs, it sounds like she can be over-excited/nervous, and keep her from small children. That’s why she was in the shelter: The couple who had raised her from a puppy had a baby and she never adjusted well. She likes adults (especially women) and older kids. She is great with Brandon.

She’d been there a little over a week, and we were amazed she was still there, after we met her and saw how sweet and well-behaved she was. The people at the shelter thought it was the issue with young children… A lot of the families who want to adopt dogs have young kids. We don’t have any very small children in our life, so that’s not an issue for us. Somehow, I get the feeling she was just waiting there for us to bring her home.

So I’m out of here… Off to go on a hike with Zoey. Exploring with a Camera can wait until tomorrow. I’ve more pressing matters to attend to.

February 7, 2013 by Kat

Liberate your Art 2013 & Watercolory Goodness

It’s time! It’s time! If you haven’t heard the news yet, it’s time to sign up for the Liberate Your Art 2013 postcard swap. The postcard receipt deadline is April 6 so you have plenty of time to create your postcards and get them mailed. Visit the swap page and sign up to get all of the details and helpful resources via email.

We are going to have a fantastic time this year! There are already 232 artists signed up. Yay! If the previous year’s participation rate holds true, I’m going to need more than 350 signed up to meet my goal of beating last year. I could use your help! Join us, and help me get the word out. Blog it, share the Facebook event, whatever the best way to contact your creative peeps.

For my Paint Party Friday post this week, I wanted to share a bit about a new app I’ve been playing with the last couple of weeks: Aquarella HD. This is a very cool watercolor app and I’m loving it!

First off, here’s a quick example of what the app can do… Original photo at left, painted version at right:

This app has lots of options. You can “paint” with the colors of your photo, or you can use two-tone effects as I’ve used for this one. It is amazingly customizable… you can change the colors used in the tones, the intensity of the color and the watercolor edge effects, the paper texture, the wash and background bloom. I love all of that control, as it allows me to create something I really love.

As always, I’ve been experimenting with combining it with other layers and apps to create an original piece. I’ve found I use the Aquarella HD app slightly differently than the other painting apps I have. For most other apps, I shift colors prior to adding the painterly effects. For this app, I’ve been creating the layers without worrying about color, because I’ll pick colors in the Aquarella HD app itself at the end.

Let me show you what I mean, with this finished piece, Moonrise:

I started with a photograph from several weeks ago, captured on a foggy morning:

I wanted the evergreen tree alone, so I used TouchRetouch to remove the tree and ground to the right:

I was also playing with the ArcMachines app last week, which is free app that creates circular geometric patterns. I had captured a couple of different images off of that:

Next, I played around with blending the circles with the tree image in Image Blender. When you are blending black and white images, the blending modes do interesting things. In this case, I think I was using either the Difference or Exclusion blending modes, which I don’t use with color. I moved the arrangement of the circle layer around until I liked where the circles were in relation to the tree:

The three circles weren’t packing the visual punch I wanted, so I added the large circle over the top one in Image Blender. I will note that for both of these steps, I needed to mask out the branches of the tree, so that the circles would appear to be behind the tree branches:

I played around with painting this version in Aquarella HD for a while, and while I got the colors and effect I liked painting-wise, the composition was not working out. So I went back to Image Blender and played with enlarging the layers. After several tries, I got a composition I liked:

Since I already had the painting effects set in Aquarella HD from my previous experimentation, I pulled this image in and processed it. As long as you don’t close out the app, your settings will stay the same when you pull in a new image. Very nice!

I named the piece “Moonrise” because my husband said it looked like the moon rising behind the tree with a couple of extra moons along for the ride.

Moonrise

My favorite thing about this painting is the light-in-dark effect happening within the circles. The watercolor edges really make that contrast pop. I’ve also discovered, or maybe rediscovered, that I really like combining geometric shapes with natural shapes like this, and this new app has created all sorts of possibilities. You can see a few more in my Flickr photostream.

It’s great to add one more painting app to my toolbox, and Aquarella HD is chock full of watercolory goodness. I just love creating art this way!

February 6, 2013 by Kat

Apologies: Continuing the Conversation

Today, I want to continue the conversation on “apologizing” we started on Monday. This seemed to touch a chord with many of you! It is clearly a topic many of us could explore further. I was especially struck by this comment from Sue Fox:

I try not to apologize for anything unless it hurts another person in some way, then my apologies are profuse. My art, however that may be expressed ~ photography, writing, dressing myself or my house are all extensions of my persona so to apologies for any of your artistic expression would be a rejections of self!

She touched on a couple of very important points I want to discuss further…

First, we should not hesitate to apologize when apologies are truly due. A true apology is a powerful thing. It is you going to someone else, humble, saying you were wrong. A true apology is a moment of extreme vulnerability. You offer yourself up to them and ask forgiveness. Whether or not they accept, an apology is a form of growth.

It is hard for us to give true apologies, isn’t it? You often hear, “I’m sorry, but…” Whatever follows the “but” is the explanation for the action. That’s not really an apology; it’s a justification. I’ve tried, more and more, to listen to how I’m apologizing. It’s amazing how much the “but” comes in there for me. True, sincere apologies are important and are something I’m continuing to work on personally. It’s hard work.

Now we come to the second point of Sue’s comment, on apologies for our art being apologies for our self. This is a powerful point, so let’s stop and read that again:

When we apologize for our art we apologize for our self.

Art is expression of self. When we create, it comes from some place deep inside us. When we follow our inspiration and our intuition, we are connecting with our truest selves. We are often expressing the part of our self we keep hidden from the world, maybe even hidden from ourselves. That’s why it’s often so hard to share our work, because it puts our true self out in the open. We are naked, vulnerable, and any comment or criticism can cut deeply. So we aim to protect our self, creating a tough, outer shell through any means possible. One of which is apologies.

When we apologize for what we create, we are apologizing for our expression and, by extension, apologizing for our truest self. Apologizing for our preferences or our beliefs does the same thing. It’s as if we are saying our opinions, our creations, our very self, is not worthy of expressing itself to the world.

That is So. Not. True.

We all have worth. Our creations have worth. For me, they bring me joy. They help me understand my place in this world. They give me a way to connect with others, when my introverted, shy self would otherwise hide in the house with a book. That is all worthwhile for me. And for you, too.

Whatever the reasons you create, your creations are worthy. YOU are worthy.

Now, I want you to sit up tall. Take a deep breath, and repeat after me:

I will stop apologizing for my art.
I will stop apologizing for who I am.
When I do apologize, I will really, truly mean it.

It’s a tough mantra to live up to, but I believe we all can do it. I believe we need to do it. Are you with me?

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