I’m heading out for a few days, and my presence here will be a bit sporadic while I’m gone. Unfortunately, not to the Greek Isles this time (isn’t this place dreamy?) but I’ll find some equally interesting things to show you while I’m gone.
I hope you all have a wonderful weekend, see you soon!
[Author’s Note: Through the summer months Exploring with a Camera will be “Second Edition” postings of previous explorations with some new images. You will find a new link up at the end of this post to share your photos, and your photos are also welcome in the Flickr pool for the opportunity to be featured here on the blog. I hope that you will join in!]
Time for another exploration! This time of a subject: Thresholds. By “threshold” I’m not referring to any technical term, but a physical place. A place where you cross over, from one locale to another, whether real or imagined. Threshold images are not merely images of doors or gates, but they are of portals that transport you to somplace different in your imagination.
The photo above is an example of the type of “threshold” I am talking about. This image is from the Roman Arena in Verona. When I look at it, I get a sense of time travel. In my imagination, if I walk through that curtain, I will be transported back to Roman times. There is a magical quality of the unknown on the other side of that curtain. It beckons me to come through.
Here is another, of a gate to Parco di Monza near my home. This image gives me the feeling of looking into another world, some sort of magical winter wonderland. The gate is merely the portal, the threshold to this place. I want to explore down that path.
And here is a threshold that I captured that has become sort of an anti-threshold to me. One that I don’t plan to pass through. You see, later this year [2010] I turn 40 years old and I started looking for places with the address 40 to capture my threshold. This image is from the island of Murano in the Venetian lagoon, one of my favorite places on earth to photograph, but this is one of the most depressing images I have photographed there. After I reviewed and edited it, I realized that is not my 40 threshold at all – there is no hope, no happiness, no creativity in this threshold. It’s pretty bleak and closed off. It showed me that I have no problem with turning 40, that I reject the idea that this milestone is a bleak thing. So there is power in that too – I began to imagine what my internal 40 threshold looks like and it’s nothing like this.
To capture a special threshold image, here are some tips:
1. Look for doors or gates that have some contrast in what is behind versus what is part of the wall or structure the opening is in. This could be a contrast in light or in scenery. The greater the contrast, the greater the opportunity for the “threshold” feeling.
2. Try getting in close to the threshold. By cropping in close on the opening so you don’t see what is surrounding it, you create more opportunity for creative story telling because there is not as much physical “place” presented to distract the imagination with reality.
3. Look for openings that are not fully open, that just give a hint of what is behind them. This will give a tantalizing, magical feeling. In this case, the imagination is not distracted by the reality of what is on the other side of the threshold, but is allowed to go wild.
4. Look for thresholds that have meaning to you, whether it’s the address number or the physical place or the imagery you find there. Later, take some time to examine that image to see what meaning you find. Does the image match your imagination or feelings? Why or why not? Can this threshold be useful to you to learn something about yourself?
Photography, like any art, is symbolic. The images we capture have meaning, whether or not we know it at the time. Explore the world around you with the idea that there are magical thresholds available to you all the time, and share what you find!
Update: I am always capturing images of doors, but capturing a threshold is a different and special thing. The lead-in image is from the Do What You Love retreat I attended in May, and for me it embodies the magical feeling of creative safety and warmth found at the retreat.
I also want to share another special threshold image I captured later in 2010, after I wrote this original post. You see, I found my “40” threshold. In a small village in the English countryside, this threshold is similar to the image I created in my head for my “40” threshold: A cozy, welcoming cottage with a gate and rose garden out front. Amazing, huh?
This light says to me, “Welcome home.” It doesn’t matter that I wasn’t actually staying at this hotel in Inverness, Scotland, I still found myself welcomed by the warm light shining out into the evening. This is a favorite time of day for photographs for me, with the contrast of cool blue outdoor light and warm yellow indoor light. It always makes me feel like there is a warm, safe place to go.
Yesterday I was on Mortal Muses, with a companion “square format” version of this same door, asking the question, “What light welcomes you home?”
I would love to hear your answer today.
Here it is, a quintessentially Kat image. It’s got color, texture and is a scene that shares the spirit of place. It’s the beauty that exists in the everyday world around us with no intervention. This image is from the port of Fira, on Santorini island in Greece. It’s at the bottom of the long path that the donkeys and their handlers take, carrying people up and down the steep hillside between the town and the port. It’s where the handlers sit and chat, but they were elsewhere at this moment. Perfect for me.
So many good things have come out of my time in Italy, and one of the absolute best has been finding my “eye” or photographic style. I was never so empowered as when I finally cried, “Yes, this is me!” I realized I am an artist, I have a voice and a vision to share with the world through my photographs.
I believe we all have a voice and unique vision to share with the world in our photography, and I want to help you find yours. I’ve developed the Find Your Eye class series to do just that! Registration for the next class series will start in early July and the first course will start late July. Today I’m giving you the details on the first two classes below, and the same information is available here. If you want to be notified when registration opens, I’ll announce it here on the blog or you can sign up for my newsletter to have it direct to your inbox. I hope you’ll join me in taking the next step in your photography, to Find Your Eye. (And if you’re not interested, no worries! My blog, Exploring with a Camera and all of my normal stuff will continue on as usual. The Kat Eye View of the World will not become a forum for incessant advertising for my classes. I have too much other good stuff to share!)
I really enjoyed this course so much! There was a convivial, friendly tone that made it easy to feel a part of the group and to share photos, knowing there would be no negative judgment. Instead, there was such kind, positive support. In addition to your photographic expertise, […] what stands out for me in this course is your accessibility and personal interest in each of your students.– Christianna Pierce
I felt like I was face-to-face even though we were all miles apart. Your course was of high quality and you engaged with your participants so we were encouraged to participate and could learn from each other. It was a like a real classroom not online material we had to muddle through on our own. — Terrill Welch
It’s a fantastic, amazing, beautiful, enlightening process… [The photojournal prompts] gave me a lot to think about in regards to my work. I loved the eye development exercises. They really broadened my view of what I see through the lens and life in general. — Annie Kelleher
I loved the photojournal prompt section. It was enjoyable looking at everyone’s different perspectives and styles and made me think more about why I take photos and what I look for when I aim my camera. The eye development exercises were a great opportunity to consider the way I see the world through my lens. I liked that I could work through exercises at my own pace and alter them however I want to.– Stephanie Sadler
[The photojournal prompts are] not something I would have done on my own, but now it’s something I look forward to doing. I think journaling and writing is an important part of learning about ourselves as artists. I liked how [the eye development exercises] got us looking at different things and trying new subjects. I can tell a lot of effort went into this on your end. It was well thought out and well structured. — Marji T.
My favorite thing about the course was seeing the photos and reading the words of teacher and participants. It was helpful to see different styles, interests, perspectives… and to know a bit about the photographer (at this time in her life/photo journey). I felt encouraged… never ignored… even though my experience was limited and my equipment less advanced than others. — Sharon B.
I am in love with locks lately. I seem to have quite a few from our visit to Greece a few weeks ago. But, seriously, who could resist this color and shape? And those little embossed dots? The square bolts? Could you have resisted?
I’m considering this as one of the images in my next postcard order. We are so, so close to my goal — 195 people are currently signed up for the Liberate Your Art postcard swap! Isn’t that awesome? If we hit my goal 200, I promised that everyone signed up with get a postcard from me in addition to 5 postcards they will receive from other participants. I’m so excited to be this close to the goal, and it’s time for me to think about my postcards too! Especially since I liberated most of my current stock at the Do What You Love retreat last week. Postcards were a great way to give people something a little bit “more” of my art than a business card. Everyone seemed to really like looking through them and choosing their favorite too.
There is still time to help me get the word out or to sign up for the swap yourself! I’m going to close sign up on Saturday, 4 June, so that I can be sure that everyone gets the final details I send to the list in June. Go here for the rest of the details, to get a button for your blog or to sign up.
I’ve added tons of new links to the participant link list this week. That means it’s time to go visiting again. Can you find the artist who paints on rocks? How about an artist who lives in Australia? They are in there, and so, so many more amazing artists. Pick two or three links, go and visit, and leave a note letting them know you stopped by from the postcard swap!
Here are the new links added this week:
