Kat Eye Studio

Archives for April 2011

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Looking Closer

A small reflection of the Ponte Vecchio (old bridge) in Florence, reflected in a window of the Museum of the History of Science. At first glance, you might only see the window, the buildings and the river. You have to look closer to see the reflection of the bridge.

I haven’t shown you many pictures of our weekend in Florence, I’ve suddenly and completely been distracted by the flowers in the park. I must admit, I’m distracted by not only flowers, but a lot of other projects such as getting my newsletter launched, prepping for my next series of Find Your Eye courses, and putting the finishing touches on the Liberate Your Art postcard swap so I can announce the details. I can’t forget the time I spend on other things going on in my life, like planning out our move back to the US (plane reservations are made, final apartment walkthrough scheduled), and visiting Greece next week. Oh yeah, and the occasional soccer game with my son or with my nose buried in a book.

Sometimes I wonder where my “free” time goes, but then I look at the list – just a partial list – and I know. My time goes into things I love to do. The results of those things are not always as immediate and visible as promptly edited photos showing up on the blog, but they are real just the same. So while I don’t have a lot of photos from Florence to show you, I’m reminded today that sometimes I need to look beyond the visible and obvious marks of accomplishment. Sometimes I need to look a bit closer, maybe change my angle and see my time in reflection this way, to find that sense of achievement I seem to crave. And take a deep breath, because then it seems like a lot more than I thought at first glance.

How about you, do you like to be able to call something done, to check things off of the list? How do you personally count something as an accomplishment if it’s not clearly visible?

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Our Birds have Arrived!

Remember the cute little birds my friend, ceramic artist Makiko Hastings, is making to help Japan? Ours arrived this week! We have serial numbers 51, 52 and 53 – a nice little group of three. Each one is unique and different, made with love by Maki.

At her last update, 713 of the birds have been ordered. Do you want to help her reach her goal of 1000 birds to help Japan? It may no longer be the top news everywhere but the people of Japan are still struggling to survive, every day. Visit Maki’s blog here to learn more about her project and how you can order your cute little birds to help Japan.

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Flowers Marking Time (Two Years in Italy)

April brings these lovely flowers to Parco di Monza. They carpet the forest under the trees, and never cease to make me smile. I watch the shoots as they start to push up through last year’s fallen leaves, growing tall and strong. Then the flower stems appear, the buds hinting at what is to come and suddenly, one day, they are all bursting open like fireworks, celebrating spring.

These flowers are a marker of time for me. Two years ago today, I arrived in Italy to start my assignment, and as I took possession of our apartment that first week these flowers were in bloom under the trees. I would drive by the park in those early days, see them and smile. I had the desire to walk under the trees and to capture the beauty of the flowers with my camera, but life was a blur of craziness at the time. Just figuring out where to find items in a grocery store was a major, energy-draining event.

One year ago, as the flowers started to bloom, I was able to capture their beauty. This time last year was an amazing time for me, having made it through that first year and settled comfortably into daily life, I was really moving on my creative journey. I was able to see the world with fresh eyes, to approach my photography with an unrepressed joy. I was discovering and uncovering the creative self, the artist, that had been lurking inside of me all along. The burst of creativity I felt in capturing the images of these flowers last year resulted in the first ever Exploring with a Camera post, From a Flower’s Point of View. You may recognize these flowers in the Exploring with a Camera button and page, they are the symbol of what “exploring” really means to me: coming to the world around us with wide open arms and hearts, and finding absolute joy in what is discovered there.

This week, I went into the park with my camera once again. I wanted to capture the beauty of these flowers, but I wondered how I could possibly top last year. The excitement and joy of that outing, and the love of those images, still stays with me a year later. But as always, my art reveals things about me I wasn’t expecting. With the passing of a year, I have changed and grown. I see differently. While I may have started my outing with the leftover vision of last year’s exploration, what I saw in the flowers this year was new and revealing.

This year, I noticed the shadows.

I discovered the beauty of the flowers, revealed in new way.

I saw the leaves as the canvas upon which light painted flowers.

I completely and utterly lost track of time, I was so engrossed in my exploration of light and shadow. I immersed myself in the rediscovery of these flowers, and along the way, had the sad realization that this is my last year of seeing them bloom. Two years in Italy are gone, a little over two months left. I shed a tear or two, there amongst the flowers, holding my camera.

How can I not be wistful, as I contemplate leaving a place that’s given me so much? I know it’s not Italy itself that has changed me, it has been my response and willingness to take every experience that comes my way, living life to the fullest and seeking growth. As I photographed the shadows of these flowers I realized: Italy is the canvas upon which life has painted me. It is here I learned to look closer, and I discovered myself in the light and shadow.

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Share Your View: Waiting to Click

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by Dina @ 4 Lettre Words
Today I am sharing a few images from the Flickr pool, for the current Exploring with a Camera theme: Waiting to Click. As I’ve looked through the photos linked in so far, I’ve realized that I missed a whole category of photography where patience is paramount: Wildlife! I’m so glad that I have you all to participate and show me that gap. I don’t really photography wildlife so I loved seeing this interpretation and I thought I would share a few wildlife images with you.
How is it going this week, have you been seeing opportunities where you might want to wait to click? There is plenty of time to link your images in below and to add them to the Flickr pool. I’ll do one more wrap up post next Wednesday before we move on to the next topic, and I would love to see what you have to share.

Little Friend
Little Friend by Deanna Jinjoe
I also want to thank you for the great response to the newsletter, and I’m happy that so many people love the Camera Companion! If you want to what the Camera Companion is, go here. You can sign up for the newsletter any time on the blog sidebar and your Camera Companion will magically arrive in your inbox after you complete the signup process.

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by drolwa


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Creating Art with your Whole Heart

Yesterday I read a wonderful blog post from Karen Walrond, author of The Beauty of Different. In it, she talks about heartbreak, and a philosophy that comes from another author, Brené Brown. Brené, she says, tells her she can’t be selectively numb. We have to feel both the good and the bad. We need to lead wholehearted lives.

Wholehearted.
Whole hearted.
Whole heart.

I’ve written before about following my heart. The only way I know how to truly create, is from my heart. My best work, whether it’s writing or photography, starts in the heart. It’s a feeling I’ve learned to recognize and follow. Like this morning, with this post. It came from that place of heart.

I didn’t always recognize this feeling or know how to follow it. That has come over time, as I’ve unmuffled the feelings of my heart along my creative journey. You see, in order to avoid facing any pain or darkness in my life, I had numbed myself to the good as well as the bad. It makes so much sense looking back now, that when I was willing to accept both the light and the dark in me, I was also finding and owning my voice as an artist.

We can’t have wholeness without dimension. In art, that means light and shadows on a surface, which create a three dimensional form out of two dimensional shapes. In our lives, that means light and shadows in our soul, which create the depth and dimensions of a person. For our best work, we have to come to our art with a whole heart. In order to do that, we have to come at our lives with a whole heart first. We have to unmuffle the tiny voice inside ourselves, so that we can hear both the good and the bad messages. We have to be willing to accept what we hear, no matter how uncomfortable it may be, so that we can learn from it and bring it to our art.

As I think through this, I’m realizing that living with a whole heart is an important key to claiming your artist. When you claim yourself an artist, you put yourself out in a public way, saying, “Here I am world, look what I create!” You open yourself up to the possibility of criticism or rejection. You open yourself to the bad stuff, the stuff you might want to avoid. In this way, not claiming your artist is a form of self-protection. A way to shield your heart from any pain. But in doing so, your heart is muffled and numbed. You won’t be able to hear the good messages either. Your art and your ability to create your best work will be affected.

Today, take a quick look at the status of your heart. Are you living with a whole heart? Do you allow the dimension that comes from light and shadow? Are you protecting yourself from potential hurt and pain and in the process numbing yourself to your heart’s good messages? If you’re having trouble claiming your artist, maybe this is a good place to start. It’s certainly been an important point for me to ponder, to reaffirm the desire and acceptance of living with a whole heart, because I want to hear that little voice inside that leads me to create from my heart.

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