Kat Eye Studio

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The Elusive Landscapes

Landscapes have always eluded me. I could appreciate the awesome landscapes of other photographers but could never create them myself. So I focused in on the smaller scenes and details, and left the landscapes alone. Occasionally trying, and failing, to capture what I felt in the scene.

So it came as a surprise a few months ago when I found myself capturing more landscapes. What was going on?

With the “Blown Away” image I shared last week, I finally figured it out. The difference now is that I’m not trying to capture the “landscape.” There is no goal to fit in the entire scene or capture the grandeur.

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What I’m doing now is photographing trees, in context. I’m thinking: How do I best capture this tree and it’s surroundings? How do I best convey it’s loneliness or it’s beauty or it’s light? It all stems from that effort. That I end up with a photograph that can be categorized as a landscape is incidental.

Could it really be so simple? I think maybe it is. Landscapes may not be so elusive after all.

Thanks to Brenda’s Photo-Heart Connection post for reminding me of this “aha” moment. I love how the PHC community inspires and grows together! You can still join us this month, the Photo-Heart Connection link up is open until April 7th.

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I Will Not Take These Things for Granted

Continuing to work on A Sense of Place this weekend, this morning I’ve been exploring the big picture – landscapes and such. I love the expansiveness and peacefulness of this image, from Lake Como in Italy.

As I write this post, one of my favorite songs, I Will Not Take These Things for Granted by Toad the Wet Sprocket, is playing on iTunes. The image and the song are both a reminder to be grateful for the beauty that exists in this world around us, this day. I’ll leave you with the song today.

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Everything Looks Good

As I notice silhouettes more and more with the current Exploring with a Camera: Silhouettes theme, I’m starting to think that everything looks good in silhouette.

Consider this utility tower, captured with my point-and-shoot camera from a car window on the freeway. Who would have thought this subject, often considered an eyesore, could be so photogenic?

I swear, it’s all in the silhouette, abstracting the lines and shapes against that beautiful sky.

Have you been playing with silhouettes this week? What interesting silhouette images have you found in your archive? You have another week to look and share! Visit the gorgeous images of your fellow explorers, linked in below.


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Exploring with a Camera: Capture the Sky

Welcome to Exploring with a Camera! Today I’m going to talk about capturing the sky. The sky is a subject that I’ve  been fascinated with over the last few months, and I wanted to share what I’ve learned through observation. This post has a lot of information, and at the bottom you will find a link tool where you can link in your sky images to share too. I hope you will include any tips or personal observations you have, and increase the knowledge through the power of a community.

What is it about the sky that is so fascinating to me? I think because it is always changing, it is always interesting. The sky is never the same. The weather and clouds, the change in light from the time of day and season, and where you are located all have a dramatic impact on how the sky looks. Not only that, compositional choices, camera settings for exposure and post processing can have a big impact on the final appearance of the sky.

Here are a few things I’ve noticed…

Big Sky

The image leading this post off is an example of what I call a “big sky” image. Captured on the Oregon Coast in 2008, this wonderful sky has stuck in my mind. Why does the sky feel so big in this image? First, the photo was taken with a wide angle (short focal length), which enables the capture of a lot of space. Second, the horizon is positioned low in the image, so the the sky is dominant. Finally, you can’t ignore the effect of the cloud formation. The formation itself leads you into the distance and gives more depth. I want to mention that I did boost the color in this image, to emphasize the blue of the sky.

Here’s another big sky image, from the Amalfi Coast of Italy. This image is similar to the Oregon Coast image, not only in subject, but in the focal length, placement of horizon, and interesting cloud formations.

Big sky images don’t have to be of nature, they don’t even have to have blue sky in them. This image of London is a great example of a big sky in an urban environment. The same elements, wide angle and low horizon, apply to this image as well.
You don’t have to have clouds to capture a big sky, that just seems to be what I am drawn to when I capture the sky. I hope some of you will share some cloudless skies in the link tool to provide examples.

Orientation

How you choose to compose your image, horizontal (landscape) or vertical (portrait) orientation, has an impact on the feel of the sky. The image below, of the sky above Mt. Vesuvius in the Bay of Pompeii, emphasizes the height of the sky, rather than the width or expanse as seen in the previous images. The vertical format compresses the depth of the clouds coming toward the viewer to create height.

Here is another vertical example, above the Swiss Alps. I find it interesting how both of these images make the sky and the clouds seem so large compared to the massive mountains. Note that both also use a low horizon, to emphasize the sky.

Contrast

When capturing the sky, I like to have something to provide contrast to the sky itself, something to ground the image and provide a frame of reference. I find I ground my images with a piece of something real, even if I don’t include the horizon. The tree in this image of sky from Madrid grounds the image, giving a little bit of context without changing the focal point.

And if you can have an interesting object help ground your sky, why not? This ancient Greek temple in Paestum, on the Amalfi Coast south of Naples, both grounds and provides a point of interest to the fabulous sky on this day.

Contrast that with a slightly wider angle crop, below, and you can see the difference in the focal point of sky versus temple. The sky is still an important feature, but the temple becomes the primary focal point.

Slice of Sky

You don’t always have the luxury of having a broad view of the sky to capture. You can create equally interesting sky images by catching a slice of the sky. These images are trickier for exposure, since you have a bright sky behind often significantly darker surroundings. My camera light meter will always choose an exposure in this situation that results in an overexposed sky, so I deliberately underexpose. This will make the foreground darker, but the correct exposure on the sky will make it the focal point.
Here is an image from an early morning walk in Parco di Monza. The slice of sky is the dominant feature in the image, but there is context in the foreground.
The image below comes from an especially frustrating evening walk in Lisbon. I could tell the sky was gorgeous with the clouds and golden light, but I couldn’t get anywhere I could capture the broad vista I wanted. There were buildings all around, everywhere I walked. Instead of the big sky, I focused on a slice of sky. I like this image for the subtle details of the city in contrast with that gorgeous sky.
This slice of sky, the view when exiting from a Paris Metro station, gives me an interesting feeling of emerging. The looking-up perspective and escalator provide the context that changes the image from a standard sky shot to something more unique.
Reflections

The sky in reflection is gorgeous. Water reflections are a great tool to expand the impact of the sky in an image. In this image of the Venetian Lagoon, the reflected rays of light and colors of the sky continue the effect of the sky through more of the image. 

Using selective color processing on a reflection of the sky can completely change an image. In this image of my son from 2007, I loved how revealing only the sky in color gave me a feeling of springtime hope and moved the focal point to the sky in reflection.

I like this sky reflection from a modern Vespa for a couple of reasons. First, you can see that it has just rained from the drops on the mirror but the sky is reflected blue – things are clearing up. Second, a modern silver Vespa, while unique if you are from the US, is not all that interesting on its own. This sky reflection provides significantly more interest to the photo.

Backdrop

Finally, I want to explore the sky as a backdrop. Sometimes an image just doesn’t work without the backdrop of the sky. It may not be the focal point, but an interesting sky in concert with other elements make a great image. This Parco di Monza sunset image needs both the sky and the tree in silhouette to work.

The focal point in this image is the life boat on the Ferry from Italy to Croatia, but the light in the sky is what makes it interesting. Can you imagine this without that light? I can, and it’s not anything special in my mind’s eye.

I have taken lots of images of church steeples and domes and monuments, and I can tell you this: the sky makes or breaks the shot. This evening sky in Split, Croatia makes all the difference between a ho-hum church steeple and a marvelous evening shot.

So, what skies attract you? Is it cloudless skies of blue? Stormy, threatening skies? I would love to see your images. Let’s see how you capture the sky.

You can link in your images below, link will stay open until March 9. All images, recent or archive, are welcome. If you viewing this post in a reader, click here to come to the blog to see the link tool. I would love it if you would include an Exploring with a Camera button with your image, you copy and paste the button code from here.

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Into the Sunset

We returned late last night from our trip to the Bay of Naples and Amalfi Coast area of Italy. My head is a-jumble with all sorts of images and experiences that will take some time to sort out, not to mention the gazillions of photos I took that will need to be sorted through. For today though, this image stuck out in my mind to share. I knew I would love it from the moment I saw it in the viewfinder and it didn’t disappoint. This is from our day on the Amalfi Coast, we were coming down the hillside from the small town of Ravello at the perfect time for an evening sunset silhouette.

I am happy to be back and getting into the routine again. Vacations are wonderful but “normal” is wonderful too. So glad to be back here with you all! If you’ve taken any holiday lights photos, don’t forget to head over and Share Your View. My linky is looking a little bit lonely… 🙂 I would love to see the lights in your part of the world.

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Visiting Home

Today I am heading to Oregon for a two week business trip, probably my last one before we move back next summer. I am soooo looking forward to some good Mexican food and visits with friends. It is always a whirlwind trip of work and socializing and shopping, since I’m there for such a short time. I’ll be here on the blog off and on, a few scheduled posts, a few live posts, whatever I can squeeze into my frantic schedule.

Today’s photo is of the wreck of the Peter Iredale, on the northern Oregon coast near Astoria, taken in early 2008 before there was any inkling we would ever have the opportunity to move to Italy. For all that I love the travel and the unique places we have visited in Europe, along with the photographic inspiration that it has given me, this image is a reminder that beauty is everywhere around us. No matter where we live, we just have to seek it. It is there for us to find.

I have sometimes thought that I “found my eye” here in Italy, but when I look back at a photo like this I realize that’s just not true. I already had the vision and the passion, long before this move. What has happened during my time in Italy, is that I have recognized it as my own. I have learned to see myself as the artist I am. The artist I have been, unknowingly, for quite some time.

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