second edition

July 7, 2011 by Kat

Exploring with a Camera: Reflections in Glass (2nd edition)

[Author’s Note: Through the summer months Exploring with a Camera will be “Second Edition” postings of previous explorations with some new images. You will find a new link up at the end of this post to share your photos, and your photos are also welcome in the Flickr pool for the opportunity to be featured here on the blog. I hope that you will join in!]

I’m so excited for today’s exploration! The “Exploring with a Camera” series is about seeing things around you in a different way. To get good photographs, you first have to see, like I discussed in this post. Today we’re looking at capturing images with Reflections in Glass.

Reflections in glass are so cool because the image you see is not a direct image of a subject. What’s behind and around the glass changes the images, and the reflection itself often softens and distorts the subject.

Below is an example from our recent stay in Lucerne, Switzerland [2010]. In this image, the only “direct” image you are seeing is straight through the walkway. The rest of the arches and store windows are reflections. See the people on the right? They are really on the left, not directly visible to the camera, but in the reflection they have a “ghost image” quality. It’s like an optical illusion, but it’s just looking down a corridor lined with glass.

To get this image I moved around and took photos from several different angles and at different times with varying amounts of people. When I took this specific shot, I didn’t even notice the people visible in the reflection on the right because I was focusing on the “direct” part of the image being free of people.

Here is another example, of my son looking out of a train window. The reflection draws your eye to his profile. Look at it for a while and you start to see the symmetric shape between the two profiles. You’ll also notice that the key areas of his face in the reflection – eyes, nose, lips – are clearly visible while the other parts are modified by what is seen out the window.

If there is something immediately behind the glass, you can get really cool effects in your reflections. The security door immediately behind the glass in this photo enabled me to get an uninterrupted scene of the reflected street in Lucerne but with a really unique texture.

A reflection can completely change a setting. Without the reflection of me and my family, the image below would be just another doorway to a modern building. Nothing of note that I would routinely photograph. With the reflection, it becomes a family portrait with a sense of place – you can see the wording above the door is in Spanish (we were in Barcelona) and the funky tube things draped across the top show part of the science museum we were entering. Notice how everything in the photograph seems to draw your eye to the center, where the reflection is. Also notice also the cool “double” effect with our reflections because the entrance had two sets of glass doors.

Here is another reflection of an entrance, a self-portrait of me at our apartment building in Italy. I love the sense of place that is achieved by what is reflected in the background, along with the tiny little suggestion of what is behind the door. Not a huge fan of my pictures of myself (who is?), I also like how the reflection softens my image so that I don’t focus on all of the things I immediately see as “flaws” in a regular photograph. Maybe I’m able to better see the real me, as others see me, because it’s a reflection.

And, just a reminder, glass is just not windows and doors! Here is a wine bottle, but in it there is a reflection of me and my family along with the buildings across the street in Nice, France. The subject here is the bottle, but the reflection adds interest.

Tips for getting your own images of reflections in glass:

1. Look for indirect light on both sides of the reflection. In reviewing pictures for this topic I realized that the most interesting reflections have indirect light as the main light source – either in shade or cloudy day or evening light. When there is a direct or strong light source on either side of the glass you will not get the kind of reflections I’m showing here.

2. Look in and Look out. Keep you eye out for reflections on both sides of the glass, whether you are indoors or outdoors. When you see the reflection, also notice what you see through the reflection. That can make or break the image! It’s easy to focus so much on the reflection that you don’t see something distracting on the other side.

3. Change your perspective. If you see a cool reflection, move around and photograph it from different perspectives and compositions. Because of the way you can often see what’s on both side of the glass, you may find a more interesting composition, or even a different reflection, if you move a few steps to the left or right than where you first noticed the reflection.

4. Look for reflections in all kinds of glass – not just windows. When you start to see these, you will notice that glass is everywhere, in all shapes and sizes and colors.

Update: The lead-in image in this post is from my latest trip to Venice. I had a prime spot at the front of the Vaporetto and loved getting a few of these reflection images. If you didn’t recognize this as the view from the Accademia bridge alone, I have the text right there to help you! Since this original post, I have been on the lookout for interesting reflections. You can get great contrasts and interesting compositions this way.

Have fun seeing all of the reflections in glass around you in a whole new way. Share your recent or past explorations on this topic, link up below or join the Flickr group to share.

FYI – Links will be moderated. Please use a permalink, ensure that your linked image is on topic, and include a link back to this site in your post through the Exploring with a Camera button (available here) or a text link. Thanks!

PS – Visit Mortal Muses today, I’m musing on Summer Fun and giving away two spots in my Find Your Eye: Starting the Journey class!

June 30, 2011 by Kat

Share Your View: Thresholds (2nd Edition)

Leaving the Gazebo by Dizzy Dress

Have you been enjoying Exploring with a Camera: Thresholds this week? Have you seen any threshold images? I loved this image from the Exploring with a Camera Flickr pool. Doesn’t it just look like a magical window into a beautiful spring day? It could be any season, but cross through this threshold and it’s spring. I love the feeling here and in the image below too. You can link your images (new or archive) on the exploration topic of Thresholds in below and put them in the Flickr pool, if you would like the opportunity to be featured on the blog next week.

Portal by Marty’s Fiber Musings

Tomorrow is the big day! I cross my own “threshold,” as we fly from Italy and start our new adventure back in Oregon. I expected to feel more sad and bittersweet at this moment, but to be honest, what I feel is relief. All of the planning and packing and getting ready is finally at an end. Our container is already on its way to Oregon, we just have to get ourselves plus eight suitcases, three backpacks, a cat and a bike box home at this point. Actually, I’m more worried about getting it all from the rental car parking to the check in desk, but we’ll manage. At 4am. Ouch.

One other thing I wanted to let you know about before heading off… I’m giving away two spaces in my upcoming Find Your Eye: Starting the Journey class through Ashley Sisk’s Rambling and Musings this week! If you are interested in getting in on that action visit her blog here to see how you can win one of these spaces. A big huge thank you goes to Ashley and all of her Scavenger Hunters for particpating in Exploring with a Camera on a regular basis. I’m so happy to have you all here!

Be sure to check back tomorrow too, when I have a great announcement of something really cool for you to do this summer. If you subscribe to my newsletter, you got a hint of it last weekend. Tomorrow is the big reveal!

June 23, 2011 by Kat

Exploring with a Camera: Thresholds (2nd edition)

Time for another exploration! This time of a subject: Thresholds. By “threshold” I’m not referring to any technical term, but a physical place. A place where you cross over, from one locale to another, whether real or imagined. Threshold images are not merely images of doors or gates, but they are of portals that transport you to somplace different in your imagination.

The photo above is an example of the type of “threshold” I am talking about. This image is from the Roman Arena in Verona. When I look at it, I get a sense of time travel. In my imagination, if I walk through that curtain, I will be transported back to Roman times. There is a magical quality of the unknown on the other side of that curtain. It beckons me to come through.

Here is another, of a gate to Parco di Monza near my home. This image gives me the feeling of looking into another world, some sort of magical winter wonderland. The gate is merely the portal, the threshold to this place. I want to explore down that path.

And here is a threshold that I captured that has become sort of an anti-threshold to me. One that I don’t plan to pass through. You see, later this year [2010] I turn 40 years old and I started looking for places with the address 40 to capture my threshold. This image is from the island of Murano in the Venetian lagoon, one of my favorite places on earth to photograph, but this is one of the most depressing images I have photographed there. After I reviewed and edited it, I realized that is not my 40 threshold at all – there is no hope, no happiness, no creativity in this threshold. It’s pretty bleak and closed off. It showed me that I have no problem with turning 40, that I reject the idea that this milestone is a bleak thing. So there is power in that too – I began to imagine what my internal 40 threshold looks like and it’s nothing like this.

To capture a special threshold image, here are some tips:

1. Look for doors or gates that have some contrast in what is behind versus what is part of the wall or structure the opening is in. This could be a contrast in light or in scenery. The greater the contrast, the greater the opportunity for the “threshold” feeling.

2. Try getting in close to the threshold. By cropping in close on the opening so you don’t see what is surrounding it, you create more opportunity for creative story telling because there is not as much physical “place” presented to distract the imagination with reality.

3. Look for openings that are not fully open, that just give a hint of what is behind them. This will give a tantalizing, magical feeling. In this case, the imagination is not distracted by the reality of what is on the other side of the threshold, but is allowed to go wild.

4. Look for thresholds that have meaning to you, whether it’s the address number or the physical place or the imagery you find there. Later, take some time to examine that image to see what meaning you find. Does the image match your imagination or feelings? Why or why not? Can this threshold be useful to you to learn something about yourself?

Photography, like any art, is symbolic. The images we capture have meaning, whether or not we know it at the time. Explore the world around you with the idea that there are magical thresholds available to you all the time, and share what you find!

Update: I am always capturing images of doors, but capturing a threshold is a different and special thing. The lead-in image is from the Do What You Love retreat I attended in May, and for me it embodies the magical feeling of creative safety and warmth found at the retreat.

I also want to share another special threshold image I captured later in 2010, after I wrote this original post. You see, I found my “40” threshold. In a small village in the English countryside, this threshold is similar to the image I created in my head for my “40” threshold: A cozy, welcoming cottage with a gate and rose garden out front. Amazing, huh?

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