Kat Eye Studio

by

It’s a Mystery

A dilapidated scooter, found in the back alleys of Ortygia. I wonder what happened? Why has this scooter been left here, to slowly decay? The tires are flat, the body is rusting and the seat is coming apart. There is a story here, what is it?

My mind jumps from the simple – the scooter stopped working and the owner couldn’t afford to fix it – to the complex: The person who owned this scooter and lived in this building disappeared under mysterious circumstances and no one to this day wants to move it. The mystery could spawn a novel.

What story do you tell for this scooter?

I’m off this weekend to find the stories in the mosaics of Ravenna and the small country-within-a-country of San Marino. I’m sure there will be some groups of three waiting for me as well. Have a great weekend, I’ll be back here on Monday.

by

Exploring with a Camera: Group of Three

Welcome to Exploring with a Camera Thursday! Today we are going to be exploring Groups of Three in photographic composition. At the end of the post there is a link up, for you to share your images using groups of three. If you want a chance for your image to be featured here on the blog next week, you can also place your photo in the Exploring with a Camera Flickr group. A big hello to Ashley Sisk’s Scavenger Hunt Sunday participants – I’m always happy to have you joining me here!

A general principle of design, in decorating or any visual art, is to use odd numbers. A composition with odd numbers is pleasing to the eye. Why? In the Visual Composition article on Wikipedia, it states the “rule of odds” works “by framing the object of interest in an artwork with an even number of surrounding objects, it becomes more comforting to the eye, thus creates a feeling of ease and pleasure.”

A group of three, versus a larger odd number, is fun to work with in photography. It is small enough that compositions are simple and uncluttered, yet also large enough to provide a lot of variation in how the group can be presented. I have found there are many ways that groups of three work compositionally. Let’s take a look…

Basic Geometry


Going back the basics, three objects can be arranged to form one of two things: A line or a triangle. There are no other options. This is great from a compositional standpoint – we can use lines and triangles!  I did some experimenting last weekend with my origami cranes. No matter how I arranged them, they are either in a line or a triangle, but the creative possibilities are endless.

Taking three objects on a simple background and arranging them into different compositions as I did is a great exercise. You can really play around with the photographic possibilities found in groups of three.

Most of the time I’m photographing in the “real world” though, which means I’m capturing what is already there and choosing my composition solely by framing. In all cases, you will see it comes back to the basic geometry: lines and triangles. For my eye specifically, I use mostly lines.

Pointing out Differences


A group of three can be a great way to compare differences. In the lead-in image of this post, a pretty little scene discovered in Cascais, Portugal, the orange buckets are flanked by the two candle holders. Even though the candle holders are different colors, the similarity of shape and size of the candle holders serves to highlight the difference of the stack of buckets. This image also has a group of three within a group of three with the stack of buckets, but you don’t notice the stack (which are similar) as much as you notice the buckets (which are different).

This image of mailboxes on a wall in Sicracusa, Sicily highlights differences in the group of three. They are all post boxes, yet the interest is that they are all different. Being slightly out of line on that fantastically textured wall adds interest too. (I also noticed the colors are the Italian Tricolore – go back and take a look at the images in that post again with an eye to groups of three.)

These lockers are framed as a group of three, but the repetition of the pink lockers serves to highlight the differences in the locks. Notice all of the lines – the locker outlines, the row of handles, and the contrasting diagonal line formed by the ever-smaller locks.



Using Similarities


Even while a group of three may be useful to highlight differences, using similarities in a group can get you to pleasing composition.  For these paperweights of Murano glass from Venice, the group of three forms a line to bring your eye to the focal point. Since the paperweights are all similar in color and shape, they don’t distract the eye.

I love this image of flower pots on the steps in Varenna, Italy. The pots are similar in color and shape, and form a line that contrasts nicely with the lines of the stairs. The contrast in color along with the intersection of lines draws the eye to look closer at the pots, where you begin to notice the subtle differences in their shape and size. 

This image from Mt. Etna in Sicily uses the similarity of the tree silhouettes to catch your eye. Since there is no “obvious” tree of the three, you begin to see the subtle detail of the landscape illuminated behind as you look closer. I love images that hold layers of detail in them like these trees and the flower pots above. Groups of three seem to be a good way to initially pull a viewer in, where they remain to explore the multiple layers.

Groups of three are also great for highlighting architectural details and spaces. In this image of the Roman Bath in Bath, England, a composition of three openings serves to highlight the structural design of the baths. You notice the details that repeat multiple times – pillars, torches, archways. The reflection only serves to emphasize the group of three and the details further.

Clustered vs. Spread


In preparing for this topic, I’ve noticed that my images with groups of three usually have the objects in the group spaced evenly. These prehistoric pots from the Orsa archeological museum in Siracusa are a good example. Even though they are presented front-to-back rather than side-to-side as many of the images above, there is still an impression of even spacing and they are spread to fill the image.

This example of architectural details in a stone wall is from Bologna. By their design, the blocks are evenly spaced. By presenting them as a group of three in a diminishing line spread across the frame, the repetition of the blocks and carvings is shown while highlighting the detail of the single carving in focus.

Even though I don’t seem to use them often, groups of three work fantastic in clusters. I have a classic interior design image in my head: Three vases of varying sizes clustered together on a mantlepiece. In a cluster, a group of three becomes a unique object of its own. The group is the object. In the image below, the subject is “art for sale” and the group of three paintings illuminated form that subject.



As you review the images in your archive, take new images or just go about your daily life these next couple of weeks, notice groups of three. Are they found clustered or evenly spaced? Do you see the groups in lines or triangles most often? Are they used to highlight similarities or differences? How else can you see to use groups of three in your compositions?

I can’t wait to see what you find, I always learn something new when we explore together. Link your images in below or share them in the Flickr pool. The link tool will remain open through April 5. Have fun exploring!

by

Back Alley Bliss

Oh, scooters. How I love thee. Wandering the back alleys of an old city, finding a vintage scooter amongst the texture and filtered light has become heaven to me. Do I see scooters because I love to photograph them, or do I love to photograph scooters because I see them? That is the question. Much simpler than Hamlet’s “to be or not to be” and, to be honest, I really don’t require an answer. I’m happy to both see them and photograph them, regardless of the priority order.

This lovely find was in Ortygia, the old quarter of the town of Siracusa in Sicily. We got lost in the back alleys trying to find the duomo, and it was scooter heaven for me this day. I’ll have several to share over time.

I’ve learned that is my favorite thing to do when traveling… wander. Just wander the back streets and alleys, away from the shopping zones. I don’t need long, just an hour or two. I can guarantee I’ll find interesting things to photograph when we just wander.

How about you? Where are you guaranteed to find creative inspiration?

by

Learning from the Lulls

Friday night I came home from work exhausted. I don’t know why, it hadn’t been a terribly stressful work week and I had a holiday on Thursday. Saturday morning I woke up looking forward to a morning on my own. My husband and son were heading off early to watch a bike ride and I had the house to myself. A rare treat. I sat at the computer to get into some of my creative work and what happened? Nothing. There was absolutely nothing there. No motivation, no inspiration, no creativity.

This had never happened to me before, around my creative work. This was new. This was scary. My mind quickly went from tired and unmotivated to panicked. So I took a deep breath. Centered myself. And then did something I never do: I turned off the computer.

Here’s what I did instead:

Took a bath.

Read a book in a sunbeam on the couch.

Colored a zentangle, so nicely provided to me by my blog friend Karen, only a day before. (Visit her here to download some zentangle book marks, if you have the urge to color.)

Baked popovers.
Read some more out on the balcony, finished the book. 
Ate pizza.
By the end of the day on Saturday, my creative inspiration was back. I turned on the computer, and my work was easy again. Sunday I continued my unplanned hiatus from creative projects and just let myself be. A few more things I did…
Started a new book.
Spent some time journaling.
Baked a cake with my son.
Started to color another zentangle from Karen.
Made origami cranes.
Photographed origami cranes. Multiple times.
Went for a walk with my son.
Ate gelato.
I finished the weekend refreshed. It’s Monday morning, and I’m ready to start my week. The small, unscheduled break from my creative goals turned out great. It refocused me, showed me a tiny bit of where I need to make changes to keep my inspiration flowing. I learned from this little creative lull. I know it’s not a big deal – it’s not as if I was completely blocked. It was just enough for me to get a glimpse of what could happen. To show me that I need to be careful, to listen to these moments, so I don’t get to real burnout.
Has this ever happened to you? How do did you respond, what do you do when a creative lull hits?
(The first photo is from Burano, and fills me with a sense of peace and calm. I can imagine sitting quietly in that chair, gathering my creative strength. It is a companion to another one I’ve shared previously here.)

by

Super Moon

Tonight’s full moon will be a “super moon” – the moon will be closer to the earth than it’s been in 18 years, making it appear larger and brighter. I captured this photo last night from our apartment balcony, the first time I’ve ever tried to capture a good moon image.

I followed the instructions in this wonderful Muse University post about capturing the moon, written by my friend Barbara. In addition to her tips, I also found that turning the Image Stabilization off, using manual focus and a shutter remote helped. You can use the self timer on your camera if you don’t have a remote. This image was captured at the maximum focal length (zoom) I own, 300mm, and was still not as clear as I would have liked. I had to crop quite a bit to get this composition. It’s the first time I have ever wished for higher zoom. 🙂

If you’ve never tried it, tonight is a great night to “shoot the moon.” Or, if photography is not your thing, take a moment to enjoy gazing at the super moon this evening.