Kat Eye Studio

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It Happened Among the Roses

Yesterday I found myself in a rose garden, a completely unplanned event. I had walked down to a local art exhibit of young artists, to get a little bit of creative inspiration. As I was in the gallery I looked out the window and there was a rose garden, in full bloom. It was gorgeous. I was kicking myself, I hadn’t brought my good camera! It was a hot and humid day and since I was walking, I wanted to travel light so I left my SLR at home. Strike one against me.

I did have my little point-and-shoot camera with me, which always does well in a pinch. I explored the rose garden, looking to find interesting compositions, color and light. Since I have Finding Form on my mind as the current Exploring with a Camera prompt, I noticed that roses are an amazing subject for the study of form. So much light and dark, along with intricate curving shapes, within a rose. I was happily exploring away when the “low battery” light started blinking and the camera eventually died. Strike two against me.

Finally, at a loss for photographic equipment, I pulled out a little sketch book and a mechanical pencil. I had dropped this in my bag at the last moment, thinking of my recent painting class and the instructor Flora’s encouragement to sketch nature. These roses were too beautiful, I felt the urge to continue to study them, and pencil and paper were all I had left.

Look what emerged on my page…

Now, I was wholly and completely stunned. I was just focusing on shapes and light and dark and look what happened? I tried another one…
Um. Yeah. Can I just tell you, I had no idea that I had these in me? I’m trying to figure out where these came from. I used to draw, back when I was a kid, but of course all art stopped when I went  for the “college prep” classes in high school and then studied engineering in college. I’ve done a little bit of drawing here and there, the last couple of years, but never had it click like it did yesterday. 
I’ve discovered a new love. Photography, painting, and now I’m going to have to explore drawing more too. The feel of a pencil on the paper, the drawing of shapes and shadow, was amazing. What would happen if I actually practiced? I’m going to have to find out.
It turns out, I’m glad that I didn’t bring my good camera. I would have never spent the time with pencil and paper if I had that camera, my first love, with me. You don’t often hear stories of where being unprepared pays off, but in this case it did!
(Linking in to Creative Every Day and The Creative Exchange today. Hello to all!)

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Time to Relax

I’m musing on relaxation today over at Mortal Muses, hop on over there to see the crazy photo where I actually took my camera into the bathtub to capture the shot I had in my head. Oh, the things photographers will do to get a shot! I had to think ahead and move carefully so as not to get my camera wet, but I got the image I wanted. I am quite proud of it.

I took these photos a while ago because I wanted to remember this lovely, large bathtub we have in our apartment in Italy. I’ve been totally spoiled by this tub and will miss it terribly when we move home. I’ve found there is nothing better than a soak in the tub to relax me if I’m stressed or to warm me up on a cold winter’s day. I’m scheming to someday figure out how to have one put in to our house in Oregon. 🙂

A last note: Don’t forget that you can still enter the giveaway today. Tomorrow morning I’ll announce the two winners.

Happy Monday everyone!

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Off to the Sea

I am off on holiday for the next week. It’s Easter Break for my son’s school and we are headed to Greece. Before we left Europe I wanted to photograph a place with white, white buildings and blue, blue sea, so we will be spending the week on the island of Santorini with a day or two in Athens.

To give you a taste of the sea, here is an image from the Cinque Terre, on the Ligurian coast of Italy. This region is more pink and green than white and blue, but beautiful nonetheless.

Even though I won’t be writing here this week, there is a lot going on that you can participate in:

  • There is a new Exploring with a Camera topic: Rimmed with Light. Stop over and see how to capture this beautiful type of light. You are welcome to link up or share your images in the Flickr pool.
  • I just “officially” announced the Liberate Your Art Postcard Swap yesterday and it’s open for sign up! Yay! I hope you’ll join in with sharing your artwork in the swap.
  • My first newsletter will arrive in your mailbox tomorrow! It will include a download of the Time to Blossom image I shared last weekend. If you haven’t signed up for the newsletter yet, you can at any time. Just look for the form on my blog sidebar.
  • The Mortal Muses theme right now is “Here Comes the Sun.” Share your images with “flare” with us here and you may be featured on the blog. I just mused on Signs of Spring on Thursday, come by and see the signs of spring blossoming on our blog.
I hope you have a great week! 

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Exploring with a Camera: Rimmed with Light

Earlier this year, as I visited art museums in Madrid, I found myself drawn to paintings with two features: Interesting skies and rim light. When that happens, it’s usually only a matter of time before these elements start showing up in my photography. We’ve already covered the sky as an Exploring with a Camera topic in Capture the Sky, so today we’re going to complete my Madrid fascination and talk about subjects Rimmed with Light.

If a subject is rimmed with light, you get an effect of glowing edges of light outlining your subject. Rim lighting is a form of backlighting, but with the light source off to the side. In my recent study I’ve found it takes some specific conditions to capture rim light:

  1. Directional light. If there is even light, you won’t have the strong light/dark contrast needed for rim light. You need directional light in order to get a strong contrast in light and shadow. The directional light doesn’t have to be direct sunlight, it can be a lamp or a window in an otherwise unlit room. 
  2. Angle of light source, subject and camera is important. To get rim light, the light source should be behind the subject but off at an angle. Low light works best, such as the sun in morning and evening, but is not always required. If the light is directly behind the subject, you will get a silhouette. If the light source is behind and only slightly off to the side of the subject, you can get rim light but you are at risk of lens flare (which you may or may not want). If the light is completely to the side of the subject, you get sidelight and will not have the “rim” effect. 
  3. Contrasting Background. What’s behind your subject matters, you need some contrast to really get the rim light to show brilliantly. The darker the background, the better the rim light will show up. A background in shadow works very well, as does converting images to black and white to highlight the get the tonal values and avoid color distractions.
  4. Exposure. The exposure you choose will effect how the rim light shows up and can significantly change the focal point of the image. For dramatic contrast with focus on the rim light, expose for the rim light with subject underexposed. To bring out more detail in the subject, overexpose the rim light.  
I created this small diagram to clarify the requirements visually. The angle of light/subject/camera in this diagram is not scientifically determined (just to warn any of you engineers out there) it’s just to give an idea to help you visualize the scenario that gives you rim light. This is a top view: 
But, a picture is worth a thousand words, right? Let’s look at some images…
This image of Stevie, my cat, is exposed to show the details highlighted by the rim light. I had all of the elements I needed to capture an image rimmed with light: sunlight coming through a window on the right, and a background in shadow. I put myself on the same level as the subject, and moved around left to right to experiment with the background that would give the best contrast while not losing the rim light. You can see how the light coming in the window curtains behind dramatically drops off and creates a dark background to contrast with the rim light. Converting this image to black and white helps keep the focus on the light and dark contrast and not the brightly colored blanket under Stevie.
This was one time that Stevie actually cooperated and sat still long enough for me to capture multiple images and study the lighting situation. Below are a couple of images straight out of the camera to show you the effect of exposure. In the first image, the exposure is set for the rim light, and Stevie’s face is very underexposed. There is not enough rim light to highlight the full outline of his head, and he gets lost in the background.
1/64, f/4, 80mm, ISO400
In this next image, the exposure is set to get more detail in Stevie’s face. I like this one with the detail better but the color of the blanket reflecting in his face is distracting to me. In my editing I would convert this to black and white to resolve that problem.

1/15, f/4, 80mm, ISO400
In studying rim light, it is good to move yourself around relative to the subject in order to see when the rim light appears/disappears and how it contrasts with the background. It is hard to do this type of study with moving subjects, so I’ve found statues can be a great way to learn. 
I loved how the sculpture below, in the garden of the Rodin museum in Paris, is outlined with light. The hedge and trees behind created a good contrasting background that allows the rim light to stand out. It helps that the subject is a dark color, to further create contrast with the rim light. In this image, there is not only rim light created by the sunlight on the right, there is also sidelight in the reflected light coming from the pavement on the left. This light is more diffuse and serves to highlight the details in the statue subtly, without competing with the outline created by the rim light. 
Another Rodin sculpture, the image below is indoors at the same museum. This was shot by looking toward a corner of a room. There is a window on the right wall, facing the direction of sunlight, and a window on the left wall, in the shade. Even though the sun is not shining directly on this statue through the window, you can see the effect of the directional light in creating rim light on the right, while the light is more diffused from the left and highlights more detail. The background is not dark, but there enough contrast for the rim light. Converting to black and white helped remove some color distraction of the background wall paneling. 
One final sculpture image shows that the light does not always need to be low in the sky, it just needs to be directional and at an angle. For the image below, it was near noon and the sun was high in the sky, but since the buildings blocked most of the direct light, only one shaft fell on the statue in the Loggia in Florence and created the rim light.  
Shafts of sunlight are great for creating rim light. This self portrait I captured in Venice is a good example of how a shaft of light can be used, along with the contrast of the other areas in shadow, to capture some rim light. 
Hair, fur, etc. all seem to be great subjects for using rim light, since so many individual details can be highlighted by the light. They can also be difficult to capture, since subjects with hair and fur are usually in motion! This image of my son is from early in the morning in Florence looking at the Baptistry doors, next to the Duomo. I loved how the individual hairs on his head were outlined along with the features of his face.You might notice the flare, I was looking a bit more into the sun than was desired. Moving slightly to the right might have eliminated the flare, while still keeping the rim light. I will never know for sure though, because my son wasn’t interested in keeping still that long for me to study him in this light. Again, I converted this image to black and white to highlight the light/dark tones and avoid color distractions from my son’s clothing.

Having all of the elements required to capture rim light can be challenging, especially with moving subjects.  It is completely worth the challenges, however, when you see the end result of a subject beautifully outlined with light. I’m still on my quest for images with rim light, and now that I’ve learned a bit more about how to capture them it will be easier to see when the conditions are right.

How about you? Have you been able to capture subjects rimmed with light? Look through your archive or go out seeking the rim light, and share your images here with us. You can link in below or add your images to the Flickr pool, or both. If you have any other tips for capturing subjects outlined in light, share those too! I look forward to learning from you.

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Seeking Beauty, Finding Contrast

As I was photographing the flowers under the trees last weekend, I started to notice the graffiti on the park wall. My goal became to adequately capture the contrast in the scene, between the natural beauty and the man-made creativity. This is very nicely executed, artistic graffiti, but it doesn’t belong in this setting. That makes it all the more interesting to me.

I also couldn’t help notice the irony of the signature and the copyright symbol. Here we have an artist seeking legal protection for an illegal act. Another contrast, layered within, that made me think. Do you think artistic protection of an illegal form of art would hold up in a court of law? An interesting conversation, for sure.

I found this after the “waiting to click” shot I envisioned, of a bicyclist riding the path through the flowers, just didn’t work out. There were no bicyclists coming by at the time I was in the park. Actually, there were a couple of men who rode by on mountain bikes, but I was looking for a dressed-up Italian woman on a city bike. Never happened. I gave up on waiting to click and went seeking something else to shoot, when I found this image.

Has your “waiting to click” shot worked out? It’s not too late to link in to Exploring with a Camera: Waiting to Click. Today is the last day to link in, and tomorrow I’ll share some new images from the Flickr pool.

Remember: If you don’t find the shot you are waiting for, that’s ok too. I’m sure you’ll find something else interesting to photograph. As this image reminds me, I always do. 🙂

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Looking Closer

A small reflection of the Ponte Vecchio (old bridge) in Florence, reflected in a window of the Museum of the History of Science. At first glance, you might only see the window, the buildings and the river. You have to look closer to see the reflection of the bridge.

I haven’t shown you many pictures of our weekend in Florence, I’ve suddenly and completely been distracted by the flowers in the park. I must admit, I’m distracted by not only flowers, but a lot of other projects such as getting my newsletter launched, prepping for my next series of Find Your Eye courses, and putting the finishing touches on the Liberate Your Art postcard swap so I can announce the details. I can’t forget the time I spend on other things going on in my life, like planning out our move back to the US (plane reservations are made, final apartment walkthrough scheduled), and visiting Greece next week. Oh yeah, and the occasional soccer game with my son or with my nose buried in a book.

Sometimes I wonder where my “free” time goes, but then I look at the list – just a partial list – and I know. My time goes into things I love to do. The results of those things are not always as immediate and visible as promptly edited photos showing up on the blog, but they are real just the same. So while I don’t have a lot of photos from Florence to show you, I’m reminded today that sometimes I need to look beyond the visible and obvious marks of accomplishment. Sometimes I need to look a bit closer, maybe change my angle and see my time in reflection this way, to find that sense of achievement I seem to crave. And take a deep breath, because then it seems like a lot more than I thought at first glance.

How about you, do you like to be able to call something done, to check things off of the list? How do you personally count something as an accomplishment if it’s not clearly visible?