Kat Eye Studio

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The Story in the Rooftops

There is a story in the rooftops of Dubrovnik. A history, there for the eyes to see. Not the history of hundreds of years ago, but of less than two decades. A story from the Croat-Serb conflict of 20 years ago.

Shortly after Croatia declared independence from Yugoslavia, Dubrovnik was beseiged for seven months as part of the conflict, in 1991-1992. The idea was that breaking Dubrovnik would break the spirit of the Croatian conflict. But Dubrovnik was never broken, and neither was the spirit of the Croats. This city survived, as it has survived for centuries, even against major powers like the Venetians. And now it is rebuilt, the damaged rooftops and streets repaired to invite visitors once again.
So Dubrovnik has an interesting look, because of all of this, with most of the centuries-old buildings sporting new rooftops. You can see the difference between the ones from long ago and the ones that are brand new. You can see the spirit of the people who survived and defended their city in modern times. You can hear it in the stories of the people you talk to… from the restaurant owner who tried to teach us to make a whistle with our hands “like they used to communicate in the war” to the owner of the apartment we rented who told us how the old aqueduct system bringing water to the town worked even during the conflict.

There is pride in these stories, pride in the rooftops. They respect the history of the town, and it becomes intertwined with these recent histories and experiences. In some places, you see where they tried to repair the roofs with as many old tiles as possible, combining them with new. It all becomes one continuous history.
And when you look out over the town, you get a visible reminder that conflict is not gone from our world. But it can end, people can rebuild and in the course of less than a lifetime go from besieged town to thriving tourist destination. Dubrovnik was a beautiful city, well worth the visit. But I think what I liked best, was hearing the story of the people who live there and reading the story in the rooftops.

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The Same but Different

Farmer’s Markets all over the world are the same aren’t they? Tables with yummy fruit and vegetables, fresh from the farm, and people who are part of their growing are selling them. In a way, the markets bring us closer together. Closer to our food, without it just showing up magically in a supermarket in the refridgerated section under flourescent lights, you get a better idea of where it’s coming from. Who is growing it. They also bring us closer together culturally, it’s a familiar experience to visit a market and see the day’s wares available to sell. It’s an equalizer, every one has to eat. And that food comes from the same place – the land, the sea.

But you also get to see the little differences. Maybe a fruit or vegetable or flower you aren’t familiar with. Maybe it’s mostly fish instead of other types of meat. The signs for the names or currency are different. Or in the case of this market in Split, Croatia, you see that each woman has a little table for their fruit and vegetables, all lined up in a row, instead of the big truckload farm stands. You see the women who look like they have worked the land for most of their life. The people who, by their existence, would ensure we would eat well here in this country.

Bringing me just a little closer to the place we are visiting. Markets are amazing things.

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Great Expectations

What a find this morning! I love this photo from Dubrovnik, Croatia. I love the amazing texture and range of subtle colors. I love all of the layers and angles. I could look at this photo for hours and continue to discover new things.

I began working with my Dubrovnik photos this morning with the idea that I wanted to let myself be surprised. To see what images would pop out that I did not expect, did not plan. There are times I create my art at the moment of taking the photos with intention and foresight, lining up a composition just so, taking multiple exposures and compositions to study and see which I like best. When one of these comes out the way I visualized it, I am satisfied, but not necessarily overjoyed. Why? Because, with the work and intention I set at the time of creation, I expected at least one of those images to come out well.

But the images that often fill me with joy and excitement are the surprise ones. Like this one. Where my inner eye saw something in the moment, caught a frame or two but didn’t dwell on it. I don’t even remember capturing this image, and so to find it so wonderful now is a joyful surprise, a little gift in my day.

I worked with a guy that said, “Expectations are premeditated disappointment.” And there is some truth to that statement. When we expect something to happen and attach to specific outcome, we can be satisfied when it does turn out but when it doesn’t happen we are disappointed. But, what if we create without any expectations for the end result – the specifics of how it looks or how it will be received? What if we let loose our inner eye and detach from the outcome? Every image can become a surprise, every outcome positive – wonderful no matter what the specific details – because we didn’t set up any expectations. By letting go of those expectations, which are all about what our minds can envision at that moment, we allow space for other new and wonderful things to happen which are beyond our current vision.

This doesn’t just apply to creating art, but all aspects of our life, our work and our relationships as well. In her book Simple Abundance, Sarah Ban Breathnach says, “I approach my work with a passionate intensity, acting as if its success depends entirely on me. But once I’ve done my best, I try to let go as much as possible and have no expectations about how my work will be received by the world. I have consciously chose to be surprised by joy. It’s a choice you can make as well.”

I’m making that same choice to be joyfully surprised by the outcome of my work, my art. From the creation of it in-camera to the reception of it by the world around me. That doesn’t mean I won’t be intentional about creation anymore, that I’ll stop visualizing an outcome and seeking to achieve it, but it does mean detaching from the end result. Because I’ve found it’s a lot more fun to be surprised than to be disappointed.

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Good Design Finds

I love it when we come across some good design in our travels. A store or brand that really has a unique look and also displays it well. The Aqua chain of stores we ran into in Croatia fits my “good design” definition perfectly. Everywhere along the Croatian coast, you find these stores where you can buy everything from pencils to tableware to bath towels with their signature design. I loved it! I add Aqua to my list that includes Pylones and Campo Marzio Design as great, unique design finds here in Europe.

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Exploring with a Camera: Dappled Sunlight

This image fills me with a sense of peace. The greens and blues, the sheltering trees, the path to follow, with the archway leading you right around the corner into the sunlight. It’s a safe, shaded place to pause before moving onward. Beautiful.

This path is part of Plitvice Lakes National Park in Croatia, where we spent one day hiking along a series of lakes with wonderful waterfalls. Just as spectacular is the path you follow, that winds you along and right up close and personal with the waterfalls or “splat” as they are called in Croat. It was an enjoyable day, a nice break from the cities we had visited to commune with nature and see something new.

I’ve often struggled with getting a good exposure in dappled sunlight images like this one because of the high contrast between full sun and full shade, a common problem in the middle of the day in the summer. Here are a couple of tips for your own explorations of dappled sunlight:
1. In the camera, underexpose. You want to make sure that the bright areas of sunlight on the leaves and the path are not overexposed or “blown out” completely. If that happens, you lose the ability to make any adjustments to those areas later in photo editing software.
2. In your photo editing software, consider two edits (I use Photoshop Elements):
– Adjust Levels to get back the “bright” areas if they were underexposed too much.
– Lighten shadows or Darken highlights to get less contrast between the light and the dark areas. I’ve found the biggest problem with dappled sunlight pictures is that the dark areas are too dark relative to the brighter area of the photo, so if you just lighten them up a bit it looks more like what your eye sees.

For this image, I underexposed a full stop in the camera and then just adjusted levels to brighten the highlights back up, because the exposure was pretty good overall. A small bit of cropping and I was done!

I also played with Pioneer Woman’s Lovely and Ethereal Action for Elements, and I like the depth of color and the dreamy quality this one gives as well. I can’t decide which one I like better!

Try your own dappled sunlight pics, and let me know how it goes! I’ve created a flickr group if you want to share your exploration results called Kat Eye View: Exploring with a Camera. Come join in!

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Evening Stroll

Wander around any European city on a warm summer evening, and you will find people out and about. Enjoying an aperitivo, window shopping, meeting up with friends, listening to street performers… tourist destination or not. There is such an energy, a feeling of shared community, to the piazzas and placas and platze no matter what country you are in, what language is spoken around you. This particular evening on the Riva in Split was no exception. This is one of the things I absolutely and truly love about being here in Europe and Italy.