Kat Eye Studio

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The Beginnings of Something Beautiful

I was so, so lucky to have a new friend, fellow muse Suki, come and meet me in Paris for an afternoon. She took the train over from Germany and we met as the overcast skies cleared up to sunshine, for a wonderful walk around the city.

This was Suki’s first time in Paris, and since it was only my second time, neither of us knew the city well so we just walked and talked and photographed our way randomly around the sights along the River Seine for a few hours. I don’t think it mattered to either of us where we were, it was just so wonderful to find a kindred spirit, in person. To find someone else who understood and could talk about our passion for photography, for capturing the perfect moment, for hours. We talked equipment and theory and, most of all, what called to our souls. What subjects and light and ideas that made our hearts sing. What dreams we have. And while we talked, we walked and photographed what caught our eye. We traded lenses, to try out something new.

We could have talked for days, I think. I was so sad when it was time for Suki to head back to the train, one afternoon together was definitely not enough. I am so glad that she came to Paris to meet me, to have a chance to have a few hours where we weren’t interrupted by the reality of work and school and other commitments, we could just talk and dream and be who we are – artists with cameras, a passion in our soul to capture the beauty of the world around us.

The images in this post are ones I took during my time with Suki. Pop on over to Suki’s blog where she wrote about our meeting, and see her photos too. It is such a wonderful example of how we all have a unique vision of the world to share. We were side by side the whole time but saw and captured dramatically different things. She has an amazing gift, she sees the essence of beauty in everything. I like the “me” I see through her eyes. I am envious when I look at her images, they are so beautiful. But then, I look at mine and see that they just have a completely different point of view. Not better or worse, just different.

The next time you think to compare your work to someone else’s, just remember this little story of me and Suki. Two people, sharing a passion for an art form, but from a different perspective. We all have a unique vision to share with the world, whether it is photography or painting or writing or whatever your work is. The creative universe is big enough for all of us to join in.

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Today I’m on Mortal Muses, talking about the end of summer. Come by to see how the end of summer is marked in our little town of Vedano al Lambro, Italy.

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Night School

Last weekend in Paris was about gaining new experiences, seeing what I could learn by travelling on my own. Sunday night I spent time with photographer Molly S.J. Lowe, on an evening photo tour organized through Photo Tours in Paris. Molly is a freelance and fashion photographer, an American transplanted to Paris. It was fascinating to hear about what she does as a professional photographer, and to hear another ex-patriate point of view. Take a look at her beautiful black and white photography at the link above.

Molly was an exacting teacher, wanting me to get the shot right in the camera, rather than relying on post-processing in the computer. Once she learned I knew what aperture and shutter speed were, we focused on the details of composition. I learned more about shooting in manual and choosing the right settings for the look of the photo at night. I learned to look closely at the edges of the frame to see what was going on. I learned that my camera viewfinder is not very accurate as compared to what will end up in the picture – and it’s not even symmetric – so getting the shot right in the camera for framing takes some trial and error! I learned that it is difficult to use manual focus at night, but sometimes you have to. I learned the ins and outs of using the tripod to get a good shot. She made me pay attention to the little details, the things that make a difference, and take a photograph from ho-hum to great.

We spent three hours together shooting around the Louvre and Place de la Concorde. Amazingly, in that time I have very few really good shots, and that is just fine with me. We stayed with each shot for as long as it took to get it right, focusing on learning those little details first hand, which is what I needed. And while I have several beautiful shots, there are only a couple that I feel a connection to and want to share here. These are the ones where Molly said, “OK, set up here and let’s see what you come up with…” rather than directing me on setting up the shot. These are the ones, like the fountain above, where I saw the image I wanted and she just helped me make it better and get it right. These are my view. That realization – that beyond having a technically beautiful image, it needs to also be my image – is as important to me as the lessons on the technical details.

Today’s photo of La Fontaine des Mers in Place de la Concorde is straight out of the camera, no editing. I find myself itching to crop it a little bit but in honor of my lessons from Molly I am leaving it as it is, because that’s what I captured in the moment. A moment I want to remember and learn from, my night photo tour in Paris.

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The Power of Photography

On our recent travels I’ve had the opportunity to see a number of photography exhibits. Some of these were planned visits, others I just happened upon, but they all show the power of photography in different ways. I love uncovering and discovering all of the different ways that photography can impact us, deepening our experience in the world around us.

In my visit to the Rosengart Collection in Lucerne, I had the opportunity to see the photos David Douglas Duncan took of Picasso. Duncan, a photojournalist, became friends with Picasso and captured some extraordinary images of ordinary moments in Picasso’s life. The thing that struck me was the humor and zest for life that Picasso had, it just comes through in the images of him in his home, interacting with his family and his art. How powerful is that, to capture the artist that created the art, and to get a glimpse of the personality? It makes my understanding of Picasso and his work so much deeper. I don’t have any pictures of the exhibit, but you can see many images of Picasso by Duncan on the web here.

As we explored the Swiss countryside around Gruyere, we stopped at the Musee Gruerien folk museum, where they just happened to have an exhibit of the photography of Emmanuel Gavillet, a modern Swiss photographer. The subject was Gastlosen – the Swiss “Rocky Mountains.” All black and white, shot with an 8×10″ film camera, the images were beautiful in their capture of contrast and texture. The display also showed some elements of the 8×10″ camera, which were helpful to explain aperture and film to Brandon, who is fascinated by the workings of my camera and the idea of “film” is completely foreign to him. The images, printed large and on the wall, were powerful. They were images full of quiet grace, showing the timelessness of nature. A reminder that photographs are at their best when viewed large, they are truly art.

The city of Lausanne has one of the first museums in Europe dedicated to photography, the Musee de L’Elysee. The current exhibit is reGeneration2, an exhibition of 80 young photographers (in art school) from 30 countries in North America, Asia and Europe. I was struck by the sheer variety of it all… from people to architecture, from candid moments to studio, from black and white to color, from film photographs to digital collage, even shape (see round photos, in image shown above). Some of the photography I loved, some I didn’t like, but it all reaffirmed my belief that we all have a unique vision to show the world. Art is personal, so for every person that doesn’t like our art, there is someone who will. We need to keep showing our personal vision, developing our own style. Regain the irrepressible confidence of youth, the belief that you can do anything, that these photographers show.

While wandering the waterfront in Geneva, we ran into a photography exhibit called “Chernobyl: 25 Years After the Catastrophe.” Powerful images from Guillame Briquet, showing the area surrounding Chernobyl today. He captured the decay of the human creations and the rebirth of nature left to itself, even in the wake of such a damaging event. What a contrast, against the backdrop of the festive carnival also happening along the lakefront. The most striking images for me were the ones that showed the evidence of lives interrupted. Just left behind. And the saddest part? It was too late for most of the people in the town of Pripyat to survive, since they were evacuated a full day after the accident because of the extreme radiation to which they were exposed.
This exhibit showed the power of photography to teach us about history, to remind us of events of the past and the longer term ramifications. To teach us about what the human ego can do, when left unchecked. Photography has the power to keep the world honest.

Finally, last weekend back in my home area of Milan, Italy I found the exhibit of Alberto Bortoluzzi‘s 24+1 Cinema Chairs Project. What a delightful find this was! Finding an old movie theater chair in the dump, Bortoluzzi was struck by the disappearance of these chairs for their cushy, higher tech cousins. He began wondering about the stories that old movie theater chairs might tell, and started to find and document these chairs. He then contacted filmmakers for their memories of the cinema and the result is a powerful essay on the history of film, through the images of these chairs and the words of the people who helped create the films. A first for me, I actually made a beeline to the bookstore and purchased the book of the project so that I could enjoy the images and stories at my leisure. Bortolozzi’s work shows the power of photography, when paired with stories, to capture something greater than the image itself. To create something wonderful and new.

Photography is amazing, isn’t it? We need to move it from the computer screen and onto the wall. We need to experience it larger than life, as a part of our physical environment. If you can, take the opportunity to go see an exhibit in person soon, and share what you learn! As for me, I think I’m going to figure out how to view some of my photos, live and in person.

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The Means or the End?

A stairway is a means to an end, a way to get from one level to another. But sometimes, the “means” can be separated from the “end.” It becomes important in itself, like this stairway in the attic of Casa Battlo in Barcelona. Yes, it’s a stairway. That’s the obvious and practical “end.” But it is a beautiful work of art, nicely framed and ready to be enjoyed, in it’s own right. The “means” develops an identity on its own, a purpose of its own, without considering the intended “end.”

I’ve been thinking a lot about the process of creating art, creating my photography. The process of creating – of noticing and seeing and capturing and playing – is as important as the end result. The photo that I present here each day is just the obvious and practical end of my art, like the purpose of a stairway to get you from one level to the next. But the fact is that the process, the means, is probably more important to me, the creator. That’s why I continue to create, why all artists continue to create. If it wasn’t, we’d all be done with the first work of art we are really happy with, especially if we aren’t doing this for a living. (Getting paid for art is another kind of wonderful “end” for the artistic process.)

Ursula K. LeGuin said, “It is good to have an end to journey towards; but it is the journey that matters in the end.”

The journey, for me, is the creation of the photograph. The beauty of this “means” being it’s own “end” is that process of creating is not finite, is an ongoing, never-ending, renewable resource. Infinite. Regardless of what I created or shared yesterday, I have more to create today and tomorrow.

Isn’t that an incredibly positive and exciting way to think about it? I encourage you to think of your art, whether it’s photography or writing or cooking or yoga, in the same way. The end is not the purpose of the creative process, the means is!

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Exploring with a Camera: Reflections in Glass

I’m so excited for today’s exploration! The “Exploring with a Camera” series is about seeing things around you in a different way. To get good photographs, you first have to see, like I discussed in Monday’s post. Today we’re looking at capturing images with Reflections in Glass.

Reflections in glass are so cool because the image you see is not a direct image of a subject. What’s behind and around the glass changes the images, and the reflection itself often softens and distorts the subject.

Below is an example from our recent stay in Lucerne, Switzerland. In this image, the only “direct” image you are seeing is straight through the walkway. The rest of the arches and store windows are reflections. See the people on the right? They are really on the left, not directly visible to the camera, but in the reflection they have a “ghost image” quality. It’s like an optical illusion, but it’s just looking down a corridor lined with glass.
To get this image I moved around and took photos from several different angles and at different times with varying amounts of people. When I took this specific shot, I didn’t even notice the people visible in the reflection on the right because I was focusing on the “direct” part of the image being free of people.

Here is another example, of my son looking out of a train window. The reflection draws your eye to his profile. Look at it for a while and you start to see the symmetric shape between the two profiles. You’ll also notice that the key areas of his face in the reflection – eyes, nose, lips – are clearly visible while the other parts are modified by what is seen out the window.

If there is something immediately behind the glass, you can get really cool effects in your reflections. The security door immediately behind the glass in this photo enabled me to get an uninterrupted scene of the reflected street in Lucerne but with a really unique texture.

A reflection can completely change a setting. Without the reflection of me and my family, the image below would be just another doorway to a modern building. Nothing of note that I would routinely photograph. With the reflection, it becomes a family portrait with a sense of place – you can see the wording above the door is in Spanish (we were in Barcelona) and the funky tube things draped across the top show part of the science museum we were entering. Notice how everything in the photograph seems to draw your eye to the center, where the reflection is. Also notice also the cool “double” effect with our reflections because the entrance had two sets of glass doors.

Here is another reflection of an entrance, a self-portrait of me at our apartment building in Italy. I love the sense of place that is achieved by what is reflected in the background, along with the tiny little suggestion of what is behind the door. Not a huge fan of my pictures of myself (who is?), I also like how the reflection softens my image so that I don’t focus on all of the things I immediately see as “flaws” in a regular photograph. Maybe I’m able to better see the real me, as others see me, because it’s a reflection.

And, just a reminder, glass is just not windows and doors! Here is a wine bottle, but in it there is a reflection of me and my family along with the buildings across the street in Nice, France. The subject here is the bottle, but the reflection adds interest.

Tips for getting your own images of reflections in glass:
1. Look for indirect light on both sides of the reflection. In reviewing pictures for this topic I realized that the most interesting reflections have indirect light as the main light source – either in shade or cloudy day or evening light. When there is a direct or strong light source on either side of the glass you will not get the kind of reflections I’m showing here.
2. Look in and Look out. Keep you eye out for reflections on both sides of the glass, whether you are indoors or outdoors. When you see the reflection, also notice what you see through the reflection. That can make or break the image! It’s easy to focus so much on the reflection that you don’t see something distracting on the other side.
3. Change your perspective. If you see a cool reflection, move around and photograph it from different perspectives and compositions. Because of the way you can often see what’s on both side of the glass, you may find a more interesting composition, or even a different reflection, if you move a few steps to the left or right than where you first noticed the reflection.
4. Look for reflections in all kinds of glass – not just windows. When you start to see these, you will notice that glass is everywhere, in all shapes and sizes and colors.

Have fun seeing all of the reflections in glass around you in a whole new way! I would love to see your explorations in this topic, post a link here in the comments or join the Flickr group to share.

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The Zebra in Switzerland

“I really believe there are things nobody would see if I didn’t photograph them.” – Diane Arbus

Perhaps you were thinking that upon my return from Switzerland, you would see grand vistas of the alps? Snow capped peaks and high alpine meadows? Yes, those are somewhere in my pile of files. But what I wanted to share first is the zebra bench. This is something that stuck in my head. I loved this bench, and the plants around it, that I found wandering in Unterseen and Interlaken. I had a great time photographing it, studying it from different angles and compositions while Patrick and Brandon waited for me. There is nothing like a scene like this to give me a wonderful creative burst, and I knew I would love at least one of the photos I took.

But almost as interesting, is the conversation I had afterward with Patrick. I mentioned something about loving the zebra bench, and he said, “What zebra bench?” He hadn’t even seen it. Wow. I spent 10 minutes photographing something that someone else didn’t even see. Now, I doubt that I’m the only person to have photographed this little scene, I’m sure there are many others who have done the same. But the idea that there are many more that didn’t see it at all, makes me realize, once again, that I have something to share with the world. I can show people what I see, from the Kat Eye View.

“The camera doesn’t make a bit of difference. All of them can record what you are seeing. But, you have to SEE.” – Ernst Haas

So, so true.

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