Kat Eye Studio

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Reflecting Inspiration

Do you know how much fun it is, to meet up with someone who has the same passion as you? It’s amazing and exhilarating. We had a great weekend with my fellow muse Kirstin and her family in London. It’s funny, I took fewer pictures than normal, but it was a creative boost just to be around Kirstin with her enthusiasm, love of photography, warm personality and great sense of humor.

On Saturday, Kirstin took me with her to the dance center where her kids have lessons. She thought I would love the building – and she was right! It was great fun to wander the building for an hour seeking out interesting images. We discovered some new things, like this repeating reflection at the exit shown above. (Many thanks to Kirstin for “modeling” for me – that’s her in the image.)

We also found this fabulous ramp, a little nook Kirstin had never seen before. She thought her son would love it, so we brought him back after the lesson to show him. That’s when Kirstin discovered the fabulous light, and set up to take a few portraits. I had fun capturing the moment as well, with the dramatic contrast of light and dark.

Here is Kirstin’s image of her son from that mini session, isn’t it fabulous?
The boy

I love that we can share this image from two points of view – Kirstin’s and mine. I love that we both discovered something new, in that one hour together at the dance center, even though she goes there every week. Inspiring things happen when you get people with a shared passion together, reflecting that energy back and forth. Don’t you agree?

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Share Your View: Linear Perspective

So, after last week’s Exploring with a Camera: Linear Perspective post, have you been seeing diminishing lines everywhere?  I have! As I was going through photos of our recent trip, this one from the Centro de Arte Reina Sofia in Madrid caught my attention. Art museums are so wonderful for their lines and wide open spaces. Many museums do not allow photography, but I love it when they do. I have to laugh at the memory of taking this picture. As I was shooting it, a guy walked by and gave me the weirdest look. I could practically read his thoughts, “You are surrounded by all of this famous art and you are taking pictures of a hallway?” What he must not have realized, is that I’m creating my own art.

As I was editing this image, I found it interesting from a compositional perspective because it was not symmetric even though it initially appeared that way to me. There is a top to bottom symmetry in where the vanishing point is placed, but that is it. The walls in the foreground, the windows on the right wall, and even the track lighting on the ceiling create a little more visual interest than if it were perfect symmetry.

But enough about that, it’s time to Share Your View! Did you take any new shots using linear perspective this week? Did you find any in your archive you could share? There are so many different ways to use linear perspective, I’m looking forward to seeing what you’ve captured.

Link in below!

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Exploring with a Camera: Linear Perspective

I am so excited to share a new Exploring with a Camera today! The topic of Linear Perspective has been rolling around in my head since December for a new exploration, and I’m happy to let it free this morning.

Perspective is such a cool compositional concept! It takes advantage of how we see, the optical effects of lines over a distance. I remember learning the concept of perspective way back in my early art classes: Lines, when viewed across a distance, will converge to a vanishing point. Below is an example, from the Barcelona subway. If you were to continue all of the light lines in this photo, they would all meet somewhere at the edge of the tunnel. The perspective of the converging lines brings your eye right through the photo toward the vanishing point in this case.

When drawing, you need to make sure that your lines converge correctly or the drawing will look odd to the eye. In photography, we don’t have to worry about “making” the lines converge – they do that already – we can just take advantage of the effect. I’ll give you a few examples and variations on how to use linear perspective in your photographs.

Distance


To use perspective bring a sense of depth, include a long distance in the photograph so that the lines can converge more dramatically. This often means using a wide angle (smaller focal length, i.e. 24mm) instead of a zoom (longer focal length, i.e. 100mm), so that you capture the length of the diminishing lines. In the photo below from the Italian Alps, the diminishing lines of the fence give a sense of dramatic depth even though my depth of field (how much is in focus) is actually quite shallow. If I were zoomed in on the fence without the long lines moving into the distance, the photo would have a completely different feel.

Orientation


The orientation of your photograph, horizontal (landscape) versus vertical (portrait), will change how perspective effects the image. In the two examples below from Parco di Monza, note how the horizontal image emphasize the lines of the path while the vertical image emphasizes the height of the trees. Both use the diminishing perspective of the path and the trees, but in different ways. Placing a figure just about in the vanishing point makes for an interesting place for your eye to rest as it moves through the photo.

Composition


You can use linear perspective in so many different ways to get good composition – this is the really fun part! You can move the vanishing point in a photo to get dramatically different effects. Look closely at the examples above and below to see how the diminishing lines are used compositionally.

The photo below is from the Royal Palace in Madrid. The composition is very symmetric, with the lines converging in the center between the left and right. It is not symmetric from top to bottom, however. The focal point of the end of the hall is around the bottom third of the photo.

Here is another photo, this time from Amsterdam, with a left to right symmetry of the linear perspective.

This image from Parco di Monza is interesting – the perspective is symmetric left to right, but the leaf (the real subject) is not centered. The perspective here is not the focal point of the photo, it’s the backdrop for the leaf, but it certainly makes the photograph more interesting.

While a symmetric perspective can certainly bring a sense of peace and order to a photograph, linear perspective certainly doesn’t have to be used symmetrically. This image from the Berrardo museum in Lisbon, Portugal is more asymmetric in it’s lines.

Putting the vanishing point at the edge or corner of an image can make it very dynamic. I love the way all of the lines converge in the corner of this photo from Paris. The contrast of the repeating pattern of the fence provides an interesting counterpoint to the linear perspective. I’ve noticed in many of my photographs using perspective I also use repeating patterns, a topic I covered in an earlier Exploring with a Camera post.

You can also vary the point of view and effectively use converging lines. The lead in photograph of windows in Madrid or the skyscraper from Barcelona below are two examples of linear perspective looking up. The skyscraper below has an asymmetric composition while the Madrid window image at the top of the post is symmetric left to right. (I seem to like that composition!)

Isn’t this fun? Take a look at the world and your photos this next week with an eye toward linear perspective. You can come back next Thursday to link in and Share Your View. I can’t wait to see what you find!

If you would like a button to put on your blog to show your participation, you can find the code to copy and paste here. If you are participating in a 365 or 52 project, I hope you will also share Exploring with a Camera in these groups. A little creative inspiration can really help in a long haul project over the course of the year.

See you all soon!

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Radiating Lines

In the Avigunda Tibidabo station in Barcelona, the Line 7 subway comes in. I loved the radiating lines and emptiness of the station. The black and white really draws your eye to the lines. The chairs, the walls, the lights, the tracks. I love the station signs on the wall that tell you the location, the city and location within the city if you know enough, but it could be any station, any where. The radiating lines that are echoed in the subway map of the city, spreading outward to the edges.

The funny part is, this train came into the station, sat there for a few minutes and then left without letting anyone board. During that time the station filled up with people and the opportunity for this shot disappeared. It was as if the train came down the runway, posing for the beauty shots with perfect timing like a good model would. Thanks!

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Angles and Lines

I love all of the angles and lines that were in this corner, and the little bits of stucco that were left off to show the old building underneath. Just a little taste of what the building truly is on the inside. You see this quite often in Italy, and a lot in Brescia, just an arch of bricks here, a corner there to show the original stone or brick work. Enough to know that this really is an old place, without letting the entire building sit out in the elements to eventually crumble to the ground.

As an added bonus today, I share this quote I read this morning in Maya Angelou’s Letter to My Daughter:
The ship of my life may or may not be sailing on calm and amiable seas. The challenging days of my existence may or may not be bright and promising. Stormy or sunny days, glorious or lovely nights, I maintain an attitude of gratitude. If I insist on being pessimistic, there is always tomorrow.
Today I am blessed.

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