Kat Eye Studio

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Creative Space

I come at you this morning from a blank page. No preconceived notion of what photo I will choose, what words I will write. No agenda. This is what creative space feels like. Breathe into it. Let the ideas expand to fill the space, let them go. New ideas will come to fill the space.

This weekend I spent some time being creative. Editing photos for fun rather than to get something together for a specific project. Creating a collage intuitively, to see what comes out. I need the time and space for these things, in order to maintain my balance and perspective. Do you find the same?

So I start again with a blank page. Sometimes the blank page can be frightening, but right now it feels wonderful. Maybe it’s more like sitting in an empty room than a blank page. A room where I can see the door but I’m just going to pause here and rest for a while. Breathe in, breathe out.

Photo is from Casa Batlló, by architect Antoni Gaudí in Barcelona, Spain.

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Good Medicine

Today I am not feeling so well, so I went to my photo folder with the desire to find a photo that would calm my stomach. Yes, I meant that, calm my stomach. Looking at images of beer from Oktoberfest just wasn’t going to work this morning. And I found this one, of a sculpture in Barcelona. Just lines and light and sky.

Guess what? I feel better already.

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Exploring with a Camera: Spirals

Spirals are a beautiful shape. They have marvelous curves and convey energy and motion. Not only that, they are a truly efficient form used in nature, and we see them so many places in our every day lives!

While I have captured spirals with my camera countless times, the first place I truly became aware of the spiral form explicitly was in the Barcelona Science Museum. The exhibit on forms found in nature had this to say:

The spiral is a circumference that twists away on the plane that contains it. It is the best way of growing without occupying too much space. It is frequently found in animals when there exists the contradictory need for something massive, voluminous, broad or long that does not affect mobility (horns, tails, tongues, trunks, shells, etc.) and in plants to grow something that will subsequently be unrolled. If we unrolled all the spirals we have at home (kitchen and toilet paper, audio and video tapes, adhesive tape, records, springs….) we would be forced to leave the house, as we would not all fit.

Wow! I had never thought of it that way. The typical form in nature that comes to mind for me is the shell (above, from Barcelona Science Museum), but there are so many other places you will see it. Take this photo of a gardenia, for example, from my online friend Barbara:

So gorgeous! Mother nature really knows what she is doing in these things (and so does Barbara). 🙂

Our man-made world copies nature to use the function of spirals. I don’t personally have any photos of toilet paper, but the common spiral staircase, like this one in Verona, is a good example.

And I will spare you the countless spiral staircase photos I have of lighthouses on the Oregon coast! I can’t step into one without capturing the wonderful curves and lines of them. (In prepping for this post I learned that technically, this is not a spiral because it is not all on the same plane – it’s a helix. But you’ll forgive me if I claim artistic license here, won’t you?)

Even more than function, humans copy the form of spirals in our everyday world. The Romans used them, as I discovered in this floor mosaic in the British Museum:

The Greeks used them, in their ionic columns. (Thanks to my 9-year-old son, I’ve relearned which are Doric, Ionic and Corinthian. Ionic have the spirals.) These columns are used all over in architecture, here’s just one example I caught in Bath:

And they are used all the time in wrought iron work, as I’ve noticed here in my travels in Europe. Here’s a light post in Bath:

My favorite wrought iron spiral of all time is this railing in Amsterdam. Talk about function following form! What graceful curves…

An architect who used spirals over and over in his work was Antoni Gaudí, in Barcelona. He took much of his inspiration from nature, and this ceiling detail is but one example.

We see spirals every day, even if you haven’t noticed it lately. I captured these two images of bus shelter advertisements in different cities on our recent trip to England. Spirals are used in graphic arts to denote natural beauty and to convey energy. They catch your eye and draw you in.

Keep your eye out for spirals around you. Here are a few ideas:
1. Look at home. All of those rolls of paper! And then there are spiral notebooks, springs, even toys (hello, Slinky!). What is there with spirals, sitting right next to you?
2. Look at nature. Flowers, ferns, vines, shells all show spirals. Water moves in spirals, think whirlpools and breaking waves. How can you capture them? What else can you find?
3. Look at architecture. Staircases and wrought iron are two I’ve mentioned, what others do you see?
4. Look at art and design. Artist have used spirals in their work for thousands of years, and the golden spiral or golden ratio is a fundamental compositional principle (see a short and helpful explanation here). What traditional and modern uses of spirals can you find?

I can’t wait to see your spirals! Join in and share them in the Flickr group.

PS – If you want to do more exploring with your camera, visit past posts here.

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Exploring with a Camera: Repeating Patterns

Time for another exploration! Can I tell you how much I look forward to these? I have been thinking about this post for the last two weeks, pondering today’s topic and seeing things in the world around me with an eye to Repeating Patterns.

We have repeating patterns everywhere in our lives. So much so that we don’t always notice them. We see, catalog, and sort the differences in things, that’s how our brains work. The sameness can blend in to the background. But, when we notice, we can use the “sameness” of patterns to good effect in our photography.

First, let’s explore repeating patterns as the focal point of our images. In the photo below, of a Barcelona apartment building, at first glance it might look like a photo of windows. It’s not. It’s a photo of a repeating pattern – the windows, balconies and shadows all repeat in a regular fashion. There’s no one place for the eye to look. I’ve heightened the “pattern” aspect of the photo by changing it to black and white. No pesky color to distract you from the pattern. The image becomes more about the pattern of light and dark, than what is creating the pattern of light and dark. I especially like the undulating light “stripes” that appear, where the sunlight hits the building, when you stop looking at the windows and shadows and just look at it as a pattern.


    Here’s another image that is of repeating pattern, of a rooftop in Murten, Switzerland. You see the shingles, all repeating at regular intervals vertically and horizontally. There is a difference in this photo, however, from the image above. In this photo, the repeating pattern serves to highlight another aspect – the fact that the shingles are different. The pattern repeats, but what makes up the pattern does not, so this image is about the differences. Differences in color, size, shape. You notice them all more because of the pattern.

    In thinking about repeating patterns and how I use them in my photography, I find that this second use, using a repeating pattern to highlight some third aspect, is my primary use. This image of shadows on the street in Bolzano, Italy is a good example. Imagine the image of the shadows without the contrast of the pattern, or the pattern without the shadows. Either way, in my mind’s eye, it falls flat. But when you combine the two, and use the repeating lines and shapes of the pattern as a backdrop for the irregular and solid shapes of the shadows, you get a great image. The repeating pattern really sets off the subject, the shadows. Again, in this image I converted to black and white to highlight the lines, shapes, patterns.

    The pattern of the edges of the floor tiles, of this Gaudi design in Barcelona, serves to contrast and enhance the flowing nature of the art that is impressed into them. The angle of the photo, with the pattern growing smaller and blurring toward the back, serves to enhance your awareness of the dimension, how the light and shadow is showing you the impressed elements. The pattern of straight lines provides a structured frame that the flowing curves reside in and move through. You also get hints that the natural, curvy figures impressed into the tiles are a repeating pattern of their own, when you look at it closer. All that in one picture of a floor!

    Here the repeating pattern of the balconies serves to enhance the feeling of height in the skyscraper in Barcelona. You see this in many “looking up” skyscraper shots, but this one is very dramatic because of the horizontal lines and angles jutting out on each floor.

    This image, from Milan, shows how the pattern of the light and shadow on the unusual bricks of this building serve to show the curve and size of the building. You see the bricks, but the repeating pattern of them immediately leads your eye along the curve toward the edge. What happens after the edge of this picture? The crop of the image, which doesn’t show you beyond the building, leaves you with the impression that the pattern continues indefinitely.While all of the examples so far have been of architecture, I also find store displays a wonderful source of repeating patterns. In this image,you have repeating patterns in three dimensions. An image of a single chocolate bar, while showing the design of the wrapper, color, etc., would not be as interesting as this one with the repeating pattern. The pattern of multiple bars repeated, as well as the repetition in the third dimension, gives depth and a feeling of abundance. You see the chocolate bar wrapper just as clearly as if that were the only thing in the photo, but you also see more.

    So, how can you use repeating patterns in your photography? Some ideas and tips…
    1. Look for repeating patterns, they are everywhere around us. Architecture is one of the best sources, because it takes lots of little, repeating pieces to build something big. Elements of architecture with repeating patterns can be found in the facades – windows, doors, trim, bricks, blocks of stone – or inside – steps, beams, flooring. Our modern world is built with repeating patterns! Stores are also a good source of repeating patterns, because they have a lot of the same thing to sell. Look for creative store displays that use that to good effect.
    2. Look for opportunities for the pattern to be the subject. Choose your composition and angle such that you see the pattern repeat several times at the same size and there is no “perspective” effect. This will often be looking straight at, or very close to straight at, the subject pattern. Try converting to black and white to enhance the pattern aspect, removing color as a difference that may distract from the pattern itself.
    3. Look for opportunites for a pattern to enhance or contrast with a subject. Use angles that show the dimension – distance, height, depth. Use compositions that capture differences in the pattern – whether it be color or shape. Use a pattern as a backdrop for the subject. Use post-processing, like selective color, to have one element of a repeating pattern pop out.

    What other ideas do you have for capturing images with repeating patterns? I’d love to see what your eye sees! Share here in the comments or join in the Flickr group.

    (Want to explore some more? You can find all past explorations linked in one place here.)

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    The Means or the End?

    A stairway is a means to an end, a way to get from one level to another. But sometimes, the “means” can be separated from the “end.” It becomes important in itself, like this stairway in the attic of Casa Battlo in Barcelona. Yes, it’s a stairway. That’s the obvious and practical “end.” But it is a beautiful work of art, nicely framed and ready to be enjoyed, in it’s own right. The “means” develops an identity on its own, a purpose of its own, without considering the intended “end.”

    I’ve been thinking a lot about the process of creating art, creating my photography. The process of creating – of noticing and seeing and capturing and playing – is as important as the end result. The photo that I present here each day is just the obvious and practical end of my art, like the purpose of a stairway to get you from one level to the next. But the fact is that the process, the means, is probably more important to me, the creator. That’s why I continue to create, why all artists continue to create. If it wasn’t, we’d all be done with the first work of art we are really happy with, especially if we aren’t doing this for a living. (Getting paid for art is another kind of wonderful “end” for the artistic process.)

    Ursula K. LeGuin said, “It is good to have an end to journey towards; but it is the journey that matters in the end.”

    The journey, for me, is the creation of the photograph. The beauty of this “means” being it’s own “end” is that process of creating is not finite, is an ongoing, never-ending, renewable resource. Infinite. Regardless of what I created or shared yesterday, I have more to create today and tomorrow.

    Isn’t that an incredibly positive and exciting way to think about it? I encourage you to think of your art, whether it’s photography or writing or cooking or yoga, in the same way. The end is not the purpose of the creative process, the means is!

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