Kat Eye Studio

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The Birth of a Series

Walking down a side street in Parma a couple of weekends ago, I happened on this lovely scooter. Of course I had to stop and photograph it, trying out several angles and compositions. Good thing it was a pedestrian zone, as I kneeled in the street for quite some time waiting for people to walk by so I could have an empty sidewalk. Every so often a scene like this will grab me, and not let go until it has its way with me. I’m always content to just follow the photographic muse when that happens.

When I got home, realization dawned on me. This image is the second in a series. Even though I didn’t plan it, the photo is a perfect complement to Where Fiats Retire, an image from Sorrento I shared a couple of months ago. Similar processing (read below for details) and I was good to go.

I’ve never had this happen before, an image come along months later that so perfectly pairs with an earlier shot. And not just any previous shot, a favorite. I loooooove that Fiat shot. Guess what? I looked through my images and there is another shot in the series, which I’ll share tomorrow. I wonder how many more are hidden there? Will they start appearing to me more often?

I guess this is how a series is born. I had no idea!

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A quick reminder – today is the last day to link in to Exploring with a Camera: Breaking the Rule of Thirds. Tomorrow morning I’ll draw for the winner of my giveaway as will Tammy at Bliss and Folly. Take a look at all of the wonderful images shared and be sure to link yours in too!

Photo processing in Photoshop Elements 8:
1. Cropped out some distracting info on the right edge.
2. Ran Pioneer Woman Seventies Action.
3. Added a Hue/Saturation Layer, and increased Hue to +5 and Saturation to +16 to increase the color of the  scooter back a little bit brighter.
4. The wall behind the scooter was too similar in color to the scooter, competing for attention. I added another Hue/Saturation Layer with Saturation set to -27, and used a layer mask to only apply this change to the red wall.

Here’s the original, straight out of the camera, for comparison:

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Choosing your Context

Meet Stevie, my cat. You don’t see him much on my blog because he’s hard to photograph. He’s either sleeping buried under a pile of blankets or moving non-stop following us around. If I see Stevie in an interesting spot or in good light and leave the room to get my camera, it is likely he follows me as I leave the room. Occasionally I get a good photo of him, like this one yesterday when I already had my camera in hand for other reasons. I got two shots, and then he was gone.

Yesterday I talked about context, and how photographers, or any artists really, choose the context they share in their art. Nothing is a reproduction of reality, it is always influenced by the artists point of view and what they wish to convey.

This photo is no exception. I could have focused in tighter on Stevie, but I wanted the context available around him. It is not just a portrait of Stevie, it is also a portrait of Stevie in our apartment in Italy. The green pot shows one of the colors of our kitchen, the radiator shows how we get our heat. The windows are typical Italian – simple glass and wood frame, with the turn handle to open. There are no screens on the window but you can see the wood bar, which we’ve guessed is to prevent small children or things on the window sill from spilling out the window when it is opened. Stevie sits on the window sill, made of marble. All of these things tell more of the story, not only “who” but “where” Stevie is.

I find it interesting to think about this concept of context. Some of the context in my photographs comes from split second decision making, some of it comes later with cropping and post-processing. How, and when, do you decide the context in your art?

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Mystery Revealed

As I went back in time in my photo file to find an image that would reveal yesterday’s mystery, I came across this photo of the ceiling in the Gaudí designed Casa Batlló. Actually, I came across two photos of this ceiling, and I remember them well. At the time I was editing, there were two different compositions I processed similarly and liked, but I couldn’t decide between them. Since I couldn’t decide, I just left them in the file and didn’t do anything with them. As I reviewed these images yesterday, this specific composition jumped out at me as being the more interesting of the two. It was absolutely, crystal clear in my mind. Why had I had such a debate long ago?

This is a great example of how we grow and change over time. My style and eye has been refined since I worked with these photos eight months ago, and I have a different response to the images from that time. I see the world from a new place, a shifted perspective. Have you ever gone back in time, and discovered wonderful things in your old photos? There are many gems for you there, I guarantee it.

No one was able to guess what yesterday’s image was, and I’m not surprised. It was a bit abstract, and requires a little bit of a history lesson around architect Antoni Gaudí. Gaudí was inspired by observing the world around him, and the catenary arch is one example of this philosophy that you can see in many of his designs. A catenary arch is the shape that a chain or rope will make when at rest, the forces perfectly balanced. When you turn this shape upside down, you have the shape of a very strong arch for building.

The image I showed yesterday is the mirror reflection of a grouping of chains that Gaudí used to design a cathedral. The hanging chains form a series of loops that become arches and domes when viewed in reflection. The whole set up of this exhibit was very neat, with the mirror and the shadow on the wall to help illustrate the concept. Here are is an image of the chains “right side up” to help you see what you were looking at.

Here is yesterday’s image of the view in the mirror, in color. A little more context helps you understand what you are seeing, doesn’t it? It’s amazing how we as photographers can manipulate reality, just by including or excluding context. That’s what makes this medium art. We, as the artists, get to decide.

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Artists and Art

From Seth Godin‘s blog yesterday:

Art is what we call…

the thing an artist does.

It’s not the medium or the oil or the price or whether it hangs on a wall or you eat it. What matters, what makes it art, is that the person who made it overcame the resistance, ignored the voice of doubt and made something worth making. Something risky. Something human.

Art is not in the eye of the beholder. It’s in the soul of the artist.

I loved his words so much I wanted to share them here with you today.

Today’s photo is from Barcelona. Can you guess what this is?

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Set in Stone

A last little bit of love graffiti, this time from Murten, Switzerland. In Switzerland, you don’t find much graffiti, so these little declarations of love are a bit harder to find than in Italy. I loved the messages etched into the sandstone, in this little hideaway above the town. I wonder how long it took to create this heart?

I guess no matter the rules or the laws or the culture, the need to publicly commemorate feelings remains and is acted out in different ways. Whether it’s ink on a wall, a lock on a railing, initials carved into a tree trunk or hearts etched in sandstone, love finds a way to speak. I hope you enjoyed these images, this Valentine’s week.

Yesterday I was musing on street scenes at Mortal Muses, so come by if you would like to see the street personality of Lisbon and Chinatown in San Francisco.

Today I have one last message of love to share! Ashley at Ramblings and Photos has challenged us to write Love Letters to Kitty Paw, her cat. So, I dusted off my digital scrapbooking skills to help our cat Stevie send a letter. Didn’t he have a sweet message for Kitty Paw?

Click the image below see all of the fun love letters linked in! You might just be inspired to join in too.

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Share Your View: Breaking the Rule of Thirds

What have you discovered in the last week since the Exploring with a Camera: Breaking the Rule of Thirds post? Do you follow or break the rule of thirds most often? Link in below and let’s take a look! I saved this image from Via dell’Amore for today because it was a perfect illustration of the rule of thirds along with the love-lock tradition I talked about in yesterday’s post.

When you link in your examples of following and breaking the rule of thirds in the link below, and you have two chances to win. I’m giving away the “C is for Camera” notebook below and Tammy Lee Bradley of Bliss and Folly has joined in to giveaway a Vintage Camera trio – head over to her blog here to see how to enter for her fabulous giveaway. Thanks so much Tammy for sharing the love with us!

So, without further ado, please share your view! Link in below or click the thumbnails to see the other great examples shared so far. Thanks so much for participating! You can find the code for the Exploring with a Camera button here, if you want to share the love on your blog too.