- The current Exploring with a Camera theme is The Color Wheel: Part 2. Check out the post and join in the exploration.
- Registration is open for Digital Photography Basics! Class starts October 16. Visit here for the details.
- Want to know what’s going on in the studio? You can subscribe to the Kat Eye News to stay up-to-date on all the happenings.
The Fruits of our Creative Labor
All life moves in cycles. Whether we notice the cycle of the seasons, where the earth transitions from growth to dormancy across the months, or the cycle within a day, as the sun rises and sets. Our lives are bound by cycles.
It is easy to forget this, as we look at the results of a cycle. In harvest time, we may see the results of the farmer’s efforts in the piles of fruits and vegetables in the market, but we don’t see all of the time and energy spent to get there. Preparing the soil, sowing the seeds, tending the growth, picking the fruit – all happen outside of our realm of vision. We only see the end result, the tomatoes sitting on the table, ready to eat.
Creativity is like this too. I am revisiting my concept of the Spiral of Creativity lately. I have had to remind myself that creativity is a cycle. I remind myself that creating something new and launching it into the world is not as easy as the end result would suggest. Shiny, delicious tomatoes don’t just end up on tables without a lot of someone’s time, spent in the dirt. That time in the dirt is when you “go dark” to the outside world. The time of the spiral where you are acting on and finishing an idea, doing something to make it real. No one else can see the effort you are putting in, to get things launched. They will only see the final result. It may look like nothing is going on for a while, as you create something new, even to you.
It is so much easier to be in the starting phases of the spiral, absorbing, processing and practicing. It’s fun, and takes less time and energy to keep things moving. You can have multiple things going at once. My recent experience suggests it takes a lot less energy to jot down a few ideas about what you would like in a website, than to clearly articulate the details to a web designer. It takes less energy to sketch out layouts and envision them in your mind than it does to populate something real.
When a project is in the “finishing” phase of the spiral, there may not be much energy for anything else. All focus narrows to that one item that needs to be launched into the world. I was reminded of this fact on Tuesday, when I had no words to write here. I had images, lovely images, but no words would come. The creative energy I use for writing on my blog was being used in other ways.
For a short while I thought something was wrong, until I remembered how all things cycle, including creativity. Until I remembered the spiral and how I’m nearing the launching edge with my new website and new classes. At least this time in the spiral, I’ve been through the process before. The first time, as I was creating Find Your Eye, the final parts of the spiral were hard because I hadn’t completed a full cycle before. Now I know how wonderful it is to launch something new and real into the world. All of the time and energy is worth it.
Whether it’s vegetables or classes or websites or art, I’m reminded the Spiral of Creativity applies. You can’t bring something new into the world without an expenditure of time and energy. You don’t get those delicious tomatoes without some digging in the dirt.
- This weekend is the Scott Kelby Worldwide Photowalk. Are you participating? I am!
- Don’t miss out on this great, free source of inspiration: World’s Biggest Summit. It starts tomorrow, and I’m a sponsor – yay!
- The current Exploring with a Camera theme is The Color Wheel: Part 2. Check out the post and join in the exploration.
- Registration is open for Digital Photography Basics! Class starts October 16. Visit here for the details.
- Want to know what’s going on in the studio? You can subscribe to the Kat Eye News to stay up-to-date on all the happenings.
Exploring with a Camera: The Color Wheel, Part 2
It’s time to explore more color! This week in The Color Wheel, Part 2, we’re looking at some of the more dynamic color schemes you can create using the color wheel. When you place colors that are not directly adjacent on the color wheel together in a composition, you get a fantastic burst of contrast and energy.
To review the concept of the color wheel* and the adjacent color harmonies, visit The Color Wheel, Part 1.
Let’s dive right in to these new combinations!
Complementary
When you combine colors that are directly opposite on the color wheel, you have a complementary color scheme. This includes the primary-secondary complementaries (Blue with Orange, Red with Green or Yellow with Violet) as well as the tertiary complementaries (i.e., Green-Yellow with Red-Violet). This color scheme has a lot of visual contrast, and can serve to pull your eye directly to a point in a photo by a pop of complementary color.
The lead in photo of the post, the purple and yellow painted wall I found in Hood River, Oregon last weekend, is an example of a complementary color scheme. Where does your eye go first? Mine goes to the yellow among the purple, then moves through the image to take in the other line and form. The image below, captured in colorful Burano, is another example. The complementary blue is what draws your eye, out of the expanse of orange.
The chromatic contrast from the opposites on the color wheel is one of the easiest ways to give your images a “pop” with color.
Triadic
You can create a color harmony with three colors equally spaced along the color wheel. This is called a triadic color scheme. The most typical would be the primary colors, Red-Yellow-Blue. Often seen is also Green-Orange-Violet (especially around Halloween, in the US). There are two tertiary color triads as well. These equally spaced colors on the wheel can create a wonderful balance.
Again in Burano, this primary triadic color scheme was found. The primary colors play nicely together, the image has both energy and balance.
Another primary triadic image is found in these boats in the marina of Rio Maggiore, Cinque Terre. The jumble of nautical equipment is harmonized by the primary color scheme.
Triadic Variation
When you use two of the three colors from a triad, you have a triadic variation. Think Red-Blue from the primary triad, or Green-Orange from the secondary triad. This color scheme is very common and I found many examples in my images.
A particular favorite of mine is Orange-Green. Just take a look at my blog colors! I love the dynamic contrast these two colors have with each other. I gain a lot of energy from this combination.

Tetrad
When you combine four colors from the color wheel, either equally spaced as a square or unequally spaced as a rectangle, you have a tetrad harmony. A square tetrad incorporates two complementary pairs. Surprisingly, these color combinations are balanced and create a lot of depth in an image.
When reviewing color schemes to prepare for this post, I did not think I would have examples for this complex harmony. As I looked closer though, I found they are in my images to great effect. Consider this recent favorite from the Corvallis Farmer’s market. It’s a rectangular tetradic combination: Red, Violet, Green and Yellow (well, yellow-orange). No wonder it works so well! What seemed like a random jumble of color was actually a color harmony.
Proportion of Color
As you get into more complex color schemes with 3 or more colors, it is important to discuss proportion of color. Typically, a pleasing color combination will have unequal amounts of each color. When working with three colors, there is the “gallon-quart-ounce” rule. In non-US language, think of it as 60-30-10. You want a “gallon” (60%) of your image to be the main color, “quart” (30%) to be the supporting color and “ounce” (10%) to be an accent color.
This colorful boat (again, from Burano) is a great example. Mainly blue, with red as a supporting color and just a pop of yellow. I couldn’t have set up a better example if I had tried!
Take a look at the examples in this post with the idea of proportion in mind. Do you see the different proportions in each, and how proportion and color scheme work together with the composition of the image? Considering color along with other factors in your compositions can be a powerful tool for creating interesting images.
Summary
This week we’ve covered some of the more dynamic color schemes you can set up with the color wheel:
- Complementary – Two colors, opposite on the color wheel.
- Triadic – Three colors, equally spaced apart on the color wheel. Using only two of these three colors is a triadic variation.
- Tetrad – Four colors, either equally spaced on the color wheel (square) or unequally but consistently spaced (rectangle).
- Proportion – Unequal proportions of color are more pleasing to the eye. Think “gallon-quart-ounce” or 60-30-10 for the relative proportions of color in more complex color schemes.
*The basic color wheel image is by Eyoungsmc and is used here by creative commons license. All notations added to the color wheel image are mine.


















