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Exploring with a Camera: The Color Wheel, Part 2


I found I could say things with color and shapes that I couldn’t say any other way–things I had no words for. 
— Georgia O’Keeffe


It’s time to explore more color! This week in The Color Wheel, Part 2, we’re looking at some of the more dynamic color schemes you can create using the color wheel. When you place colors that are not directly adjacent on the color wheel together in a composition, you get a fantastic burst of contrast and energy.

To review the concept of the color wheel* and the adjacent color harmonies, visit The Color Wheel, Part 1.

Let’s dive right in to these new combinations!

Complementary

When you combine colors that are directly opposite on the color wheel, you have a complementary color scheme. This includes the primary-secondary complementaries (Blue with Orange, Red with Green or Yellow with Violet) as well as the tertiary complementaries (i.e., Green-Yellow with Red-Violet).  This color scheme has a lot of visual contrast, and can serve to pull your eye directly to a point in a photo by a pop of complementary color.

The lead in photo of the post, the purple and yellow painted wall I found in Hood River, Oregon last weekend, is an example of a complementary color scheme. Where does your eye go first? Mine goes to the yellow among the purple, then moves through the image to take in the other line and form.  The image below, captured in colorful Burano, is another example. The complementary blue is what draws your eye, out of the expanse of orange.

Here’s an opposite… the orange flowers draw your eye immediately in the mostly blue image. Again, this is from Burano, Italy, one of my favorite places to capture color. The people who live here know and use color to great effect! It makes me wonder if they have a class on it in school, or if it’s just lore learn over time in their local culture.

The chromatic contrast from the opposites on the color wheel is one of the easiest ways to give your images a “pop” with color.

Triadic


You can create a color harmony with three colors equally spaced along the color wheel. This is called a triadic color scheme. The most typical would be the primary colors, Red-Yellow-Blue. Often seen is also Green-Orange-Violet (especially around Halloween, in the US). There are two tertiary color triads as well. These equally spaced colors on the wheel can create a wonderful balance.

Again in Burano, this primary triadic color scheme was found. The primary colors play nicely together, the image has both energy and balance.

Another primary triadic image is found in these boats in the marina of Rio Maggiore, Cinque Terre. The jumble of nautical equipment is harmonized by the primary color scheme.

Triadic Variation


When you use two of the three colors from a triad, you have a triadic variation. Think Red-Blue from the primary triad, or Green-Orange from the secondary triad. This color scheme is very common and I found many examples in my images.

A particular favorite of mine is Orange-Green. Just take a look at my blog colors! I love the dynamic contrast these two colors have with each other. I gain a lot of energy from this combination.

An example of a Red-Blue triadic variation is below. Do you see how the red draws your eye immediately, in the sea of blue? There is much to look at on the blue wall – pipes and peeling paint – but you see that after zooming in to the red in the blue.

Tetrad


When you combine four colors from the color wheel, either equally spaced as a square or unequally spaced as a rectangle, you have a tetrad harmony. A square tetrad incorporates two complementary pairs. Surprisingly, these color combinations are balanced and create a lot of depth in an image.

When reviewing color schemes to prepare for this post, I did not think I would have examples for this complex harmony. As I looked closer though, I found they are in my images to great effect. Consider this recent favorite from the Corvallis Farmer’s market. It’s a rectangular tetradic combination: Red, Violet, Green and Yellow (well, yellow-orange). No wonder it works so well! What seemed like a random jumble of color was actually a color harmony.

Here is another color combination I always thought a bit crazy, but I loved how it worked in the image. The Orange-Violet-Blue color scheme is three colors of a square tetrad. Nothing I would have noted at the time of capture, but it helps to understand why these colors work together. In the future I will be better able to see and use these complex schemes in my images.





Proportion of Color


As you get into more complex color schemes with 3 or more colors, it is important to discuss proportion of color. Typically, a pleasing color combination will have unequal amounts of each color. When working with three colors, there is the “gallon-quart-ounce” rule. In non-US language, think of it as 60-30-10. You want a “gallon” (60%) of your image to be the main color, “quart” (30%) to be the supporting color and “ounce” (10%) to be an accent color.

This colorful boat (again, from Burano) is a great example. Mainly blue, with red as a supporting color and just a pop of yellow. I couldn’t have set up a better example if I had tried!

Take a look at the examples in this post with the idea of proportion in mind. Do you see the different proportions in each, and how proportion and color scheme work together with the composition of the image? Considering color along with other factors in your compositions can be a powerful tool for creating interesting images.

Summary


This week we’ve covered some of the more dynamic color schemes you can set up with the color wheel:

  • Complementary – Two colors, opposite on the color wheel.
  • Triadic – Three colors, equally spaced apart on the color wheel. Using only two of these three colors is a triadic variation.
  • Tetrad – Four colors, either equally spaced on the color wheel (square) or unequally but consistently spaced (rectangle).
  • Proportion – Unequal proportions of color are more pleasing to the eye. Think “gallon-quart-ounce” or 60-30-10 for the relative proportions of color in more complex color schemes.
Are you ready to try it on your own? Go through your archives and go out and look for these color schemes, see what you can find and then share it with us (link in below or share in the Flickr pool). You might even look back at what was linked in last time for Part 1, there were definitely some of these more complex color schemes found in the images shared last time. I’m looking forward to seeing what you find!


    ');FYI – Links will be moderated. Please use a permalink, ensure that your linked image is on topic, and include a link back to this site in your post through the Exploring with a Camera button (available here) or a text link. Thanks!

    *The basic color wheel image is by Eyoungsmc and is used here by creative commons license. All notations added to the color wheel image are mine.

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    Time

     

    Time is the coin of your life. It is the only coin you have, and only you can determine how it will be spent. Be careful lest you let other people spend it for you.
     ~Carl Sandburg

     

    How will you spend your time today?

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    Authentic Imagery

    In my type of wandering photography, I have a general rule that I follow: Find the beauty in what already exists in the place. I look for scenes that are there, capturing them as they are presented to me. I see my job as the photographer as capturing the beauty without interference. My challenge is to frame the image so that you can see it too, without being distracted by whatever else may be going on around.

    I wandered by this lovely display of flowers on Saturday in Hood River, Oregon. Tucked back behind a table along the sidewalk, the texture of this pot, the pop of color and the interesting contrast of the sea shells and succulent plants caught my eye. Much to my son’s chagrin (Mom, can we go yet?),  I studied it for a while with my camera trying to find the best way to capture it. This early image is one of my favorites.

    After playing with it for a while from different angles, I did something I normally don’t do… I actually moved the pot slightly. I straightened it up and moved it back so I could get the purple flower along the blue of the wood. You know what? In viewing my images, the ones where the pot had been straightened fall flat. They’ve lost their “found” charm. Their authenticity.

    Maybe it is just me, but I find that this is one of my values in photography and in life: Authenticity. I have had strong negative reactions in the past to images that I find inauthentic. Particularly fashion photography, where reality is not the goal. For each artist, there is a different view and a different goal. Each artist brings different values to what they create. My reactions are not saying any type of photography is “bad,” but they help me to zero in on what I value.

    I like to find the beauty in reality, with all of its imperfections. The beauty that exists in the everyday, tucked along the sidewalks of the towns we live in. The beauty that exists in the hearts of each and every one of us imperfect beings. It doesn’t matter if we don’t live up to our culture’s narrow definition of beauty, as prescribed by the mass media. It only matters that we are ourselves, and that we are sharing ourselves authentically.

    Oh, look, I’ve found myself hidden amongst my photography again. Funny how that always takes me by surprise.

    Yes son, we can move on now.

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