Favorites: Quiet Night

Quiet Night
Venice, Italy, 2009

A week from today we’ll be on a plane bound for the US, our time as residents of Italy will be over. This weekend I’m off to Venice, one last hurrah before all of the final appointments to cancel, close and dismantle our lives here. A last hurrah before we clean and hand over the keys, driving away from our apartment a final time.
Since I’m going to be a little bit overwhelmed for normal blogging, I’ve decided to share some of my favorite images from the last two years of living in Italy and traveling in Europe.  These are the pictures that make my heart sing. They are the ones that helped me discover that I’m an artist. They led me to find my eye, and showed me I could help you Find Your Eye too. The One Life 2011 photography contest inspired me to look closely and find my best work, and I thought it would be nice to share with you here too.

I hope you enjoy my little trip down photographic memory lane over the next week. I’ll start my favorites off this weekend with a Venice theme, since that’s where we are right now.

I’ll pop in with new stuff when I can. Have a great weekend!

A Conversation between Summer and Winter

Summer leaned in to Winter and whispered, “Watch out, I’m catching up to you.”

Winter answered, “I know, but right now, I’m still front and center. You are yet a memory of seasons past and a wish for the future.”

We discovered the Four Seasons, all together, during Venice Carnevale. I liked the side conversation captured between Summer and Winter the best. 
There is a lot going on here on my blog right now:
– Don’t miss the giveaway I have going on, hop on over to enter.
– Did you notice the square format of today’s photo? As always, my current Exploring with a Camera theme influences my work. Come visit and see all of the square format images so many wonderful photographers are sharing.
– If you missed it, I did an interview for Diana Mulder’s blog on Sunday. Stop by to say hi and see her beautiful paintings as well!

Reminiscent of Casanova

Have you ever heard of Casanova? You probably know the name, in relation to someone who is good at attracting and seducing women. Giacomo Casanova was a real person, a Venetian living in the 18th century, the height of Venice’s glory days. For some reason, this photo brought him to my mind. Can’t you just see it? The cool Venetian noble, surveying the scene, looking for his next partner.

Even though you know the truth about Carnevale, it’s still fun to imagine, isn’t it? I find that I can hold the “real” and the “imaginary” Carnevale in my mind at the same time through my images. This guy picked a perfect spot to just hang out and be photographed. Even though there is a pedestrian walkway behind him, no one lingered and I could get a wonderful full-length shot to show his costume with a truly Venetian background.

I want to share something completely unrelated with you today too. Have you ever heard of Brave Girls Club?  They have a daily inspirational email called “The Daily Truth” you can sign up for, and some days the words just click for me, arriving at a perfect time. Today’s email was one of those times, I and I want to share them with you too. You can sign up for the daily email at the link above.

Dear Joyful Girl,

Joy is good. Did you know there’s a difference between happiness and joy?

“Joy is untouched by circumstance.”

You see, happiness is sometimes fleeting. Joy is a state of mind; that no matter what happens, no matter how much we had planned on a different outcome, that we will always center our lives on what is RIGHT rather than what is WRONG. We will trust the moment and the unexpected gifts that every moment holds. We will trust the moment and the unexpected gifts that every moment holds, even the scary, strange, and unexpectedly difficult moments. Especially those moments, actually.

Even Oprah said it perfectly:

“What I know for sure is that you feel real JOY in direct proportion to how connected you are to living your truth.”

Living your truth means listening very closely to the very quiet voice that is constantly trying to get your attention. Living your truth means being very very still and seeking truth and beauty and goodness and small miracles all the days of your life. Living your truth means being exactly who YOU are, in spite of who and what others around you are. Living your truth is a joyful life, a path that no circumstances can every rip you off of.

Joy can be felt anywhere, at any time, in any situation. This is the truth.

Go forward in JOY, Brave Girl!

Here’s to finding joy and living your truth! Happy Friday!

Exploring with a Camera: Square Format

Composed

Happy Thursday! Welcome to Exploring with a Camera day, my favorite day of the week. Today we’re going to learn about composing with a Square Format. At the end of the post there is a link up, for you to share your images using a square format. If you want a chance for your Square Format image to be featured here on the blog next week, you can also place your photo in the Exploring with a Camera Flickr group.

I got the idea for playing around with Square Format from the book 150 Photographic Projects for Art Students by John Easterby. I haven’t used this format before, so I picked up another book that has become my “encyclopedia” for composition, The Photographer’s Eye by Michael Freeman, and looked at the traditional compositions for a square format. With a little bit of information in my head to guide my eye, I was off and exploring Square Format.

Let’s see what I learned…

Getting it Square

Unless your main camera is your cell phone, chances are you don’t have a square format camera. The typical frame format for digital SLR cameras is 3:2. This means that the length is longer than the height of the frame by one third. A standard size in this format is a 4×6 print. For point-and-shoot cameras the typical frame format is 4:3, where the length is longer than the height by only one quarter. It is closer to square but still not quite the same.

The first step of this exercise is getting a square format. You can always crop the photo into a square format in post-processing. This can teach you a lot, but it doesn’t help you to play around with composition at the time of taking the photo so you can make real-time corrections.

What the 150 Photographic Projects book suggests is creating a “pseudo” square format camera by blocking off part of the LCD screen so that you view only a square. Since I intensely dislike using the “live view” mode for composing with the LCD on my dSLR, I decided to modify my point-and-shoot camera (aka my “little camera”). This turned out great, because I was able to leave my little camera in this format for several weeks, even taking it on our vacation to Sicily, while not interfering with my normal photographic process using my primary dSLR camera.

To modify the LCD screen, I just taped a piece of computer paper over the LCD screen as shown below. I used computer paper because I wanted to have a similar color to the rest of the camera, to give a visually consistent border on the frame. Computer paper was not thick enough to block the light coming through the LCD, so I slipped a small piece of dark cardstock behind the taped computer paper and it worked beautifully.

I keep my camera set on center spot for focusing, so I just focus and recomposed as needed, like I do normally. With this minor modification, I was ready to go. My 9-year-old son, observing this little exercise, would occasionally take his camera and put a finger over the edge of the LCD as he composed saying, “Square Format!” In a pinch, that works too!

What follows are some of the compositions I explored. You’ll see a caption below each photo. “Cropped” means that the photo was created using the standard format frame for the camera and then a square format composition was explored using cropping in post-processing. “Composed” means that the photo was composed using my modified-LCD-screen as shown above. I still had to crop in post-processing to make the image a true square format, but the composition was decided in-camera.

Random


With the even sides, a square format is very static. This makes it a good candidate for “random” composition, where the eye takes in the whole at one time. This image of oranges on the tree from Sorrento was a good candidate for square format. There wasn’t a clear “focal point” with these oranges, it was more about the light,  shape and color of them on the tree.

Cropped

Another image I would consider to have random composition is this mountain scene from the Alps just north of where we live. There is no clear focal point in this image either, it is of the scene – sun, mountains, light, shadow – and square format works well. I actually needed to crop this one, since there was part of someone’s head on the right hand side. I was in line for the gondola down the mountain and couldn’t get a full frame image unobstructed. A square format crop allowed me to make this image something useful rather than throw it away.

Cropped

Concentric


With it’s even sides, square format provides the unique opportunity to nest a circle in the square. Coming across a pretty door in Cefal├╣, Sicily, I captured one of the elements carved in wood using square format.

Composed

This door design from Erice, Sicily, captures another circle in the square. This falls into both the concentric and centered composition categories.

Composed

What other circles can you think of that would be great to capture in square format? Flowers, something like a Gerbera daisy, come to my mind.

Centered

With square format, you can get a good effect with centering your focal point, something that doesn’t work as well in rectangular formats.  This best capture of this window in Venice using square format was centered.

Composed

The ancient Greek Temple of Concord, found in the Valley of the Temples in Sicily, is front and center in this image. It’s all about the temple here!

Composed

With square format, you can also put the horizon on the center line with good effect, unlike a rectangular format. I saw some great examples of this by American photographer Harry Callahan when I visited an exhibit of his work in Paris. Here is one of his images as an example.

Photo by Harry Callahan

Diagonal


Just like in rectangular format, diagonal lines can be very interesting compositions. The image below of Murano glass displayed in Venice is an example of both diagonal and centered composition. The thing I noticed when playing around with cropping diagonal images is that you need a different angle on the diagonal line to work in square format. If an image was composed with a diagonal line for a rectangular format, there is a good chance it is at a wrong angle to just crop into square format. In the case of this image, I had played around with different angles and happened to have one that worked for square format.

Cropped

Off-Centered


With more rectangular subjects, I found that the subject needed to be off-center using square format. A centered image works with a square or circular subject, but not so well for a person or a tree. Cropping this self-portrait of me in Venice solved the problem of too much wall on either side. Normally, I would have taken this in a vertical orientation, but you can’t really do that when you set your camera on a step. Square format solved my composition problem.

Cropped

The tree-in-the-field image below from Parco di Monza is influenced by the Rule of Thirds. It works with square format too!

Composed

Balance


Ultimately, what it all comes down to in any composition, regardless of format, is balance. The elements have to be balanced within the frame for a pleasing image. The lead-in image, another scene from the town of Cefal├╣, Sicily, is a good example of a square format image that doesn’t follow any of the specific compositions described above, but balances the elements of color and shape into an interesting photo.

This balcony with the interesting ceramic pots in Taormina, Sicily was another square format image where the composition was derived by balancing the elements of color and line.

Composed

So, how about you, do you have any experience with square format? If not, I encourage you to explore along with me here. Go through your archive and see if there are any images where a square format crop would work well. Modify your camera for a few days to create a “square format” and see what you find. Come back here to link in and share your findings with the rest of us. It will be interesting to see all of the takes on square format that you link in for this theme!