July 20, 2012 by Kat

Sign-Inspired Art

We’re one week into this month’s Exploring with a Camera! Are you seeing signs everywhere? We are fed a constant stream of information through them, and yet we may not consciously notice them until we really start to look.

One of my favorite types of signs are the little icons of people doing various things. Every culture, maybe even every city, throughout Europe seems to have their own take on how to warn people with these little icons. This one is from the subway system in Lisbon, Portugal, warning you to not get caught in the doors. He’s a bit stiff, don’t you think?

The best part of this little icon is the art it inspired! In Lisbon, all of the subway stations have a different artistic theme. The Martin Moriz station had marble knights lining the walls, as if they were waiting for someone to say, “Charge!” But tucked at one end of the station, almost as if it was an inside joke to see if anyone would notice, one of the knights was peeking out of the wall in the same manner as the warning icon. I caught a glimpse of it out the window as we flew past one day, and had to go back and this bit of humorous art.

Sign-inspired art. I love it.

What kind of signs are you finding? Have you noticed how much they already show up in your photographs? Share your own sign-inspired art and visit the art that’s been shared so far. Lots of fun!

December 23, 2011 by Kat

Happy Holidays

Warmest Holiday Wishes to you and yours!

I’m taking a bit of blog break for the next few days, to enjoy the holiday with my family. I’ll be back here next week. I hope you have a wonderful holiday!

March 24, 2011 by Kat

Exploring with a Camera: Group of Three

Welcome to Exploring with a Camera Thursday! Today we are going to be exploring Groups of Three in photographic composition. At the end of the post there is a link up, for you to share your images using groups of three. If you want a chance for your image to be featured here on the blog next week, you can also place your photo in the Exploring with a Camera Flickr group. A big hello to Ashley Sisk’s Scavenger Hunt Sunday participants – I’m always happy to have you joining me here!

A general principle of design, in decorating or any visual art, is to use odd numbers. A composition with odd numbers is pleasing to the eye. Why? In the Visual Composition article on Wikipedia, it states the “rule of odds” works “by framing the object of interest in an artwork with an even number of surrounding objects, it becomes more comforting to the eye, thus creates a feeling of ease and pleasure.”

A group of three, versus a larger odd number, is fun to work with in photography. It is small enough that compositions are simple and uncluttered, yet also large enough to provide a lot of variation in how the group can be presented. I have found there are many ways that groups of three work compositionally. Let’s take a look…

Basic Geometry

Going back the basics, three objects can be arranged to form one of two things: A line or a triangle. There are no other options. This is great from a compositional standpoint – we can use lines and triangles! I did some experimenting last weekend with my origami cranes. No matter how I arranged them, they are either in a line or a triangle, but the creative possibilities are endless.

Taking three objects on a simple background and arranging them into different compositions as I did is a great exercise. You can really play around with the photographic possibilities found in groups of three.

Most of the time I’m photographing in the “real world” though, which means I’m capturing what is already there and choosing my composition solely by framing. In all cases, you will see it comes back to the basic geometry: lines and triangles. For my eye specifically, I use mostly lines.

Pointing out Differences

A group of three can be a great way to compare differences. In the lead-in image of this post, a pretty little scene discovered in Cascais, Portugal, the orange buckets are flanked by the two candle holders. Even though the candle holders are different colors, the similarity of shape and size of the candle holders serves to highlight the difference of the stack of buckets. This image also has a group of three within a group of three with the stack of buckets, but you don’t notice the stack (which are similar) as much as you notice the buckets (which are different).

This image of mailboxes on a wall in Sicracusa, Sicily highlights differences in the group of three. They are all post boxes, yet the interest is that they are all different. Being slightly out of line on that fantastically textured wall adds interest too. (I also noticed the colors are the Italian Tricolore – go back and take a look at the images in that post again with an eye to groups of three.)

These lockers are framed as a group of three, but the repetition of the pink lockers serves to highlight the differences in the locks. Notice all of the lines – the locker outlines, the row of handles, and the contrasting diagonal line formed by the ever-smaller locks.

Using Similarities

Even while a group of three may be useful to highlight differences, using similarities in a group can get you to pleasing composition. For these paperweights of Murano glass from Venice, the group of three forms a line to bring your eye to the focal point. Since the paperweights are all similar in color and shape, they don’t distract the eye.

I love this image of flower pots on the steps in Varenna, Italy. The pots are similar in color and shape, and form a line that contrasts nicely with the lines of the stairs. The contrast in color along with the intersection of lines draws the eye to look closer at the pots, where you begin to notice the subtle differences in their shape and size.

This image from Mt. Etna in Sicily uses the similarity of the tree silhouettes to catch your eye. Since there is no “obvious” tree of the three, you begin to see the subtle detail of the landscape illuminated behind as you look closer. I love images that hold layers of detail in them like these trees and the flower pots above. Groups of three seem to be a good way to initially pull a viewer in, where they remain to explore the multiple layers.

Groups of three are also great for highlighting architectural details and spaces. In this image of the Roman Bath in Bath, England, a composition of three openings serves to highlight the structural design of the baths. You notice the details that repeat multiple times – pillars, torches, archways. The reflection only serves to emphasize the group of three and the details further.

Clustered vs. Spread

In preparing for this topic, I’ve noticed that my images with groups of three usually have the objects in the group spaced evenly. These prehistoric pots from the Orsa archeological museum in Siracusa are a good example. Even though they are presented front-to-back rather than side-to-side as many of the images above, there is still an impression of even spacing and they are spread to fill the image.

This example of architectural details in a stone wall is from Bologna. By their design, the blocks are evenly spaced. By presenting them as a group of three in a diminishing line spread across the frame, the repetition of the blocks and carvings is shown while highlighting the detail of the single carving in focus.

Even though I don’t seem to use them often, groups of three work fantastic in clusters. I have a classic interior design image in my head: Three vases of varying sizes clustered together on a mantlepiece. In a cluster, a group of three becomes a unique object of its own. The group is the object. In the image below, the subject is “art for sale” and the group of three paintings illuminated form that subject.

As you review the images in your archive, take new images or just go about your daily life these next couple of weeks, notice groups of three. Are they found clustered or evenly spaced? Do you see the groups in lines or triangles most often? Are they used to highlight similarities or differences? How else can you see to use groups of three in your compositions?

I can’t wait to see what you find, I always learn something new when we explore together. Link your images in below or share them in the Flickr pool. The link tool will remain open through April 5. Have fun exploring!

February 24, 2011 by Kat

Exploring with a Camera: Capture the Sky

Welcome to Exploring with a Camera! Today I’m going to talk about capturing the sky. The sky is a subject that I’ve been fascinated with over the last few months, and I wanted to share what I’ve learned through observation. This post has a lot of information, and at the bottom you will find a link tool where you can link in your sky images to share too. I hope you will include any tips or personal observations you have, and increase the knowledge through the power of a community.

What is it about the sky that is so fascinating to me? I think because it is always changing, it is always interesting. The sky is never the same. The weather and clouds, the change in light from the time of day and season, and where you are located all have a dramatic impact on how the sky looks. Not only that, compositional choices, camera settings for exposure and post processing can have a big impact on the final appearance of the sky.

Here are a few things I’ve noticed…

Big Sky

The image leading this post off is an example of what I call a “big sky” image. Captured on the Oregon Coast in 2008, this wonderful sky has stuck in my mind. Why does the sky feel so big in this image? First, the photo was taken with a wide angle (short focal length), which enables the capture of a lot of space. Second, the horizon is positioned low in the image, so the the sky is dominant. Finally, you can’t ignore the effect of the cloud formation. The formation itself leads you into the distance and gives more depth. I want to mention that I did boost the color in this image, to emphasize the blue of the sky.

Here’s another big sky image, from the Amalfi Coast of Italy. This image is similar to the Oregon Coast image, not only in subject, but in the focal length, placement of horizon, and interesting cloud formations.

Big sky images don’t have to be of nature, they don’t even have to have blue sky in them. This image of London is a great example of a big sky in an urban environment. The same elements, wide angle and low horizon, apply to this image as well.

You don’t have to have clouds to capture a big sky, that just seems to be what I am drawn to when I capture the sky. I hope some of you will share some cloudless skies in the link tool to provide examples.

Orientation

How you choose to compose your image, horizontal (landscape) or vertical (portrait) orientation, has an impact on the feel of the sky. The image below, of the sky above Mt. Vesuvius in the Bay of Pompeii, emphasizes the height of the sky, rather than the width or expanse as seen in the previous images. The vertical format compresses the depth of the clouds coming toward the viewer to create height.

Here is another vertical example, above the Swiss Alps. I find it interesting how both of these images make the sky and the clouds seem so large compared to the massive mountains. Note that both also use a low horizon, to emphasize the sky.

Contrast

When capturing the sky, I like to have something to provide contrast to the sky itself, something to ground the image and provide a frame of reference. I find I ground my images with a piece of something real, even if I don’t include the horizon. The tree in this image of sky from Madrid grounds the image, giving a little bit of context without changing the focal point.

And if you can have an interesting object help ground your sky, why not? This ancient Greek temple in Paestum, on the Amalfi Coast south of Naples, both grounds and provides a point of interest to the fabulous sky on this day.

Contrast that with a slightly wider angle crop, below, and you can see the difference in the focal point of sky versus temple. The sky is still an important feature, but the temple becomes the primary focal point.

Slice of Sky

You don’t always have the luxury of having a broad view of the sky to capture. You can create equally interesting sky images by catching a slice of the sky. These images are trickier for exposure, since you have a bright sky behind often significantly darker surroundings. My camera light meter will always choose an exposure in this situation that results in an overexposed sky, so I deliberately underexpose. This will make the foreground darker, but the correct exposure on the sky will make it the focal point.

Here is an image from an early morning walk in Parco di Monza. The slice of sky is the dominant feature in the image, but there is context in the foreground.

The image below comes from an especially frustrating evening walk in Lisbon. I could tell the sky was gorgeous with the clouds and golden light, but I couldn’t get anywhere I could capture the broad vista I wanted. There were buildings all around, everywhere I walked. Instead of the big sky, I focused on a slice of sky. I like this image for the subtle details of the city in contrast with that gorgeous sky.

This slice of sky, the view when exiting from a Paris Metro station, gives me an interesting feeling of emerging. The looking-up perspective and escalator provide the context that changes the image from a standard sky shot to something more unique.

Reflections

The sky in reflection is gorgeous. Water reflections are a great tool to expand the impact of the sky in an image. In this image of the Venetian Lagoon, the reflected rays of light and colors of the sky continue the effect of the sky through more of the image.

Using selective color processing on a reflection of the sky can completely change an image. In this image of my son from 2007, I loved how revealing only the sky in color gave me a feeling of springtime hope and moved the focal point to the sky in reflection.

I like this sky reflection from a modern Vespa for a couple of reasons. First, you can see that it has just rained from the drops on the mirror but the sky is reflected blue – things are clearing up. Second, a modern silver Vespa, while unique if you are from the US, is not all that interesting on its own. This sky reflection provides significantly more interest to the photo.

Backdrop

Finally, I want to explore the sky as a backdrop. Sometimes an image just doesn’t work without the backdrop of the sky. It may not be the focal point, but an interesting sky in concert with other elements make a great image. This Parco di Monza sunset image needs both the sky and the tree in silhouette to work.

The focal point in this image is the life boat on the Ferry from Italy to Croatia, but the light in the sky is what makes it interesting. Can you imagine this without that light? I can, and it’s not anything special in my mind’s eye.

I have taken lots of images of church steeples and domes and monuments, and I can tell you this: the sky makes or breaks the shot. This evening sky in Split, Croatia makes all the difference between a ho-hum church steeple and a marvelous evening shot.

So, what skies attract you? Is it cloudless skies of blue? Stormy, threatening skies? I would love to see your images. Let’s see how you capture the sky.

You can link in your images below, link will stay open until March 9. All images, recent or archive, are welcome. If you viewing this post in a reader, click here to come to the blog to see the link tool. I would love it if you would include an Exploring with a Camera button with your image, you copy and paste the button code from here.

Sign-Inspired Art

Happy Holidays

Warmest Holiday Wishes to you and yours!

Exploring with a Camera: Capture the Sky

What’s the Story?

Just the Outline

Sign up for the Kat Eye News

Upcoming Events