Kat Eye Studio

  • Home
  • Portfolio
  • Books
    • Art with an iPhone
    • Digital Photography for Beginners
  • Workshops
    • Mobile Photography Workshop Series
    • iPhone Art Workshop
    • Out of the Box Composition Workshop
    • Photography & Creativity Talks
  • Free Resources
    • Mobile Tutorials
    • Exploring with a Camera
    • Liberate Your Art Postcard Swap
  • Blog
  • About
    • Artist Statement
    • Background & Experience
    • Contact

October 20, 2011 by Kat

Exploring with a Camera: Found Texture

Yay! It’s Exploring with a Camera day! After a week off exploring in Chicago I’m ready to explore with you all here on the blog. Today we’ll be diving into Found Texture in our images. At the end of the post you will find a link up to share your explorations of the topic over the next two weeks. There is a giveaway going along with this too! Keep reading to find out more.

It is no secret that I love texture in my images. I remember when I first started capturing images of texture for texture’s sake in Italy. I didn’t know what was going on, why I was drawn to capture images of peeling paint. It made no sense to me at the time! Now I know… it’s all about the texture.

In this exploration, we will be focusing on Found Texture, texture that is already existing and captured with your camera, not added texture in post-processing. Adding texture layers in post-processing is a popular and very fun way of changing your image, but that’s not the focus of this topic.

Let’s learn more about Found Texture…

What is Texture?

By my definition, a texture is found on the surface of a form. (Form is the representation of a three-dimensional object. If you’re not sure what I’m talking about, visit the past Exploring with a Camera: Finding Form post.) Here’s an example to help: Consider an object in the shape of a sphere. The sphere is the form, but the surface of the sphere may be smooth, like the tomato shown below, or rough, like the orange. If you are struggling with the concept of texture vs. form, think of this way: If you can imagine an object to have a different surface texture, but the underlying form of the object stays the same, you are distinguishing texture and form.

The surface holds the texture, and the texture gives an additional dimension to our photographs, making us want to reach out and touch. Even though we can’t physically touch the objects in an image, in our imagination we can. Texture adds a tactile nature to our experience of a photograph. We know what smooth feels like in real life, so the sensory experience of smooth is added to our experience of a photograph. The texture can draw us in as a participant in the image.

Texture is not only on the surface of forms in our images. Something large and flat serving as the background of the image, such as the wall in the lead-in photo, is also a surface that can have texture. In the case of the photo above, from Chicago, you see the texture of the brick.

How many types of texture are there? Let’s see if we can make a list… smooth, rough, gritty, sticky, crumbly, bumpy, velvety, leathery, prickly… add yours to the list in the comments below. We can capture all of this texture and heighten the sensory experience in our images.

Sources of Found Texture

When you start to notice it, texture is everywhere! Nature is a great source for random texture. Since my subjects tend to be in urban environments, I looked for natural texture while camping at the beach a couple of weeks ago. I found everything from the glass-smooth texture of the receding waves, to the rough-yet-soft texture on the trunk of a tree.

Humans have learned from nature, and covered our man-made world with texture. Some of it is purposeful and functional, to hide flaws in a wall joint or increase traction in a floor. Some of the texture comes as part of the process, such as in bricks. Some of the man-made texture in our world is purely for artistic beauty. The texture in the floor tiles below was created to be both artistic and functional.
The one thing I’ve noticed, however, is that man-made texture doesn’t have the same randomness as nature. Humans like patterns and processes, and our created textures usually have some sort of repeating pattern. Sometimes it is obvious, as in the floor image above, and sometimes not so obvious. Consider the texture that may be applied to a wall, there is a limit to the size and depth of the bumps you find. There is some randomness within the texture, but the overall texture is controlled.
When you add nature, in the form of time and weather, acting on the mad-made texture you get more natural randomness. I think that’s why I, along with so many other photographers, like to photograph “urban decay.” The added elements of time, weather and neglect increase the random texture in the images of everyday objects. It adds dimension and interest.
Capturing Texture

Now that you’re seeing texture everywhere, what is the best way to capture it? As in capturing form, texture will appear differently in different light. Bright sunlight will create stronger shadows and light/dark highlight of texture, while shady or diffused light will create more subtle highlights of the texture. This wall below, found in Chicago, is an interesting study of light and texture since it’s both in sun and shade. You can see how the sunlight enhances the texture.
You can see a similar effect in this image from Greece as well, as part of the wall is in sun and part is in shade. There are multiple textures in this image from more than just the light, however, with the texture of the wall, rope and door adding to the tactile nature of the image.

Along with light, color has a great impact on how we perceive texture in an image. Texture can be enhanced or overwhelmed by color. Color is useful to highlight texture when the light is non-directional or the texture is very subtle compared to the overall subject being photographed. In the case of the staircase in Portugal, the light is very diffuse so the texture of the wall is communicated by the color gradation. You can still “see” the texture, through the color variations.

Color can also dominate to the point that texture recedes in terms of visual information. Consider the image of the oranges shown earlier in this post. What do you notice first? Likely, the complementary color is the first thing you notice. The texture of the oranges, basket, vase and table are noticed second. To highlight or study texture, working with monochromatic images can help. The image of the driftwood below, converted to black and white, further enhances the texture of the splintery wood. The range of tones from light to dark are what provide the texture information, since the light is fairly even.

The image below from Burano has color, but it still monochromatic. This allows the form and texture in the image to be the subject. While diffuse, the light is still directional and highlights the texture and form.

Using Texture in Images

Now that you are thinking of what texture is, where to find it and how to capture it, let’s look at a few different ways of using texture in images.  One way of using texture is to capture it as the subject. This wall in Bologna was so interesting, I captured it just for the texture. Layers upon layers of different textures are visible.

The same with this wall in Greece, texture is the main subject. In both cases, I’ve included an architectural element to help ground the image in reality, but that is not necessary if you are capturing texture for texture’s sake. Textures create great abstract images.

Often, I find that I use texture as the “backdrop” in the image. The lead-in photo is one example. In the case of this scene in Burano, the texture of the wall is a backdrop for the scene with the chair and pot.
This textured wall in Torcello is the backdrop against which the tree, window and architectural fragment are arranged. The wall is not the subject, but the texture enhances the interest in the image and ties the elements together.

Creating contrast with texture is a great way to increase the interest in a photo. In the image below of the sea weed at the beach, the gritty sand contrasts with the smooth, rubbery surface of the sea weed.

The worn walls and steps contrast with the smooth, round pots, both in color and texture, in the image below from Varenna. The color and texture contrast, along with the lines of the steps, draw your eye directly to the pots of pretty flowers.
Summary

It’s time to start exploring Found Texture on your own! Here’s a quick review of the topics covered:
  • What: Texture is found on the surface of form, and gives a tactile dimension to images.
  • Sources: Nature, man-made and aged-man-made objects and surfaces are all possible sources of texture.
  • How: Light along with color (presence or absence) and tone can be used to convey the texture.
  • Ways to use: Texture can be the subject, a backdrop or used for contrast in an image.
There is so much more to texture, I look forward to learning from you as you share your images! You can link in below, the link up will be open through 3-November. As an added bonus, I am giving away a set of my “Texture” postcards! When you link in your texture image, you will be entered in the drawing to win.



FYI – Links will be moderated. Please use a permalink, ensure that your linked image is on topic, and include a link back to this site in your post through the Exploring with a Camera button (available here) or a text link. Thanks!

 

Filed Under: Exploring with a Camera, The Kat Eye View of the World Tagged With: Chicago, coast, Fira, found texture, Greece, Illinois, Oregon, texture

June 15, 2011 by Kat

I’ve Found my Eye, how about you?

Here it is, a quintessentially Kat image. It’s got color, texture and is a scene that shares the spirit of place. It’s the beauty that exists in the everyday world around us with no intervention. This image is from the port of Fira, on Santorini island in Greece. It’s at the bottom of the long path that the donkeys and their handlers take, carrying people up and down the steep hillside between the town and the port. It’s where the handlers sit and chat, but they were elsewhere at this moment. Perfect for me.

So many good things have come out of my time in Italy, and one of the absolute best has been finding my “eye” or photographic style. I was never so empowered as when I finally cried, “Yes, this is me!” I realized I am an artist, I have a voice and a vision to share with the world through my photographs.

I believe we all have a voice and unique vision to share with the world in our photography, and I want to help you find yours. I’ve developed the Find Your Eye class series to do just that! Registration for the next class series will start in early July and the first course will start late July. Today I’m giving you the details on the first two classes below, and the same information is available here. If you want to be notified when registration opens, I’ll announce it here on the blog or you can sign up for my newsletter to have it direct to your inbox. I hope you’ll join me in taking the next step in your photography, to Find Your Eye. (And if you’re not interested, no worries! My blog, Exploring with a Camera and all of my normal stuff will continue on as usual. The Kat Eye View of the World will not become a forum for incessant advertising for my classes. I have too much other good stuff to share!)

The Journey to Find Your Eye
Maybe you’ve been photographing for a while and you love it, but you wonder if you have a “style” to your photography. Maybe you see glimpses of your “eye” in your images, but find it elusive. You read interviews with photographers saying you have to find your own style. But how? The Find Your Eye: Journey is here to help! Instead of teaching you the technical basics of your camera or photo processing, this course series enhances the personal expression and creative connection you find in your artistic practice with photography.
We start the series off with the two week Starting the Journey foundation class where I’ll introduce you to the basic tools and exercises used throughout the course series. You’ll set up the tools of photojournal and inspiration file, then use them for the photojournal prompts and eye development exercises which help you look within as well as explore the world around you. By the end of this short course, you’ll have a good start on recognizing your eye and you’ll have the foundation you need to take any of the other courses in the series. Starting the Journey is a low time and money commitment, why not try it out and see if you want to continue the journey to Find Your Eye?
Find Your Eye: Starting the Journey
Duration: 2 weeks
Dates: July 24 – August 6, 2011
Lesson Frequency: 2 per week
Cost: $29
Registration will open in early July. See FAQ for logistics information.

Once you’ve started the journey, you are ready to explore new horizons and deepen the understanding of your style. The four week Find Your Eye: Journey of Recognition class continues with photojournal prompts and eye development exercises, all designed to help you dive more deeply into experiencing the environment around you as well as understanding what calls to you. By the end of the four weeks you will have developed a much greater sense of your own unique photographic style. Along the way you’ll have a fun, nurturing community of classmates from around the world to help you learn, share and grow your creative expression. 
Find Your Eye: Journey of Recognition
Duration: 4 weeks
Dates: August 14 – September 10, 2011
Lesson Frequency: 2 per week
Prerequisite: Starting the Journey
Cost: $69
Registration will open in early July. See FAQ for logistics information.
You will be able to register for both Starting the Journey and Journey of Recognition together for $83. That’s a 15% savings over registering for each course individually.
Your registration gives back! 10% of all registration fees will be donated to a great cause. I’m excited to once again support Nest, which has the wonderful mission of helping women in countries around the world make a living wage through traditional arts and crafts. Not only do you get to learn something new, you get to support others. How great is that!

Have questions? Drop me a note kat [at] kateyestudio.com and I’ll answer them for you.

Here’s what past students, just like you, have said about the Find Your Eye course:
I really enjoyed this course so much! There was a convivial, friendly tone that made it easy to feel a part of the group and to share photos, knowing there would be no negative judgment. Instead, there was such kind, positive support. In addition to your photographic expertise, […] what stands out for me in this course is your accessibility and personal interest in each of your students.– Christianna Pierce
I felt like I was face-to-face even though we were all miles apart. Your course was of high quality and you engaged with your participants so we were encouraged to participate and could learn from each other. It was a like a real classroom not online material we had to muddle through on our own. — Terrill Welch  
It’s a fantastic, amazing, beautiful, enlightening process… [The photojournal prompts] gave me a lot to think about in regards to my work. I loved the eye development exercises. They really broadened my view of what I see through the lens and life in general. — Annie Kelleher
I loved the photojournal prompt section. It was enjoyable looking at everyone’s different perspectives and styles and made me think more about why I take photos and what I look for when I aim my camera. The eye development exercises were a great opportunity to consider the way I see the world through my lens. I liked that I could work through exercises at my own pace and alter them however I want to.– Stephanie Sadler
[The photojournal prompts are] not something I would have done on my own, but now it’s something I look forward to doing. I think journaling and writing is an important part of learning about ourselves as artists. I liked how [the eye development exercises] got us looking at different things and trying new subjects. I can tell a lot of effort went into this on your end. It was well thought out and well structured. — Marji T.
My favorite thing about the course was seeing the photos and reading the words of teacher and participants. It was helpful to see different styles, interests, perspectives… and to know a bit about the photographer (at this time in her life/photo journey). I felt encouraged… never ignored… even though my experience was limited and my equipment less advanced than others. — Sharon B.
See more student comments here.
Sign up for the blog newsletter (on the sidebar) to be the first notified when registration opens! 

Filed Under: The Kat Eye View of the World Tagged With: blue, chair, door, Find Your Eye, Fira, Greece, Santorini, texture

May 2, 2011 by Kat

First Image from Greece

Ah, Greece. How I loved it. How hard it was to choose what to share with you as my first image back. I debated, should it be the wonderful curves of the unique architecture, the houses spilling down the hillside in Santorini? Maybe a blue-domed church with the sea behind? How about the temples of the Acropolis, to show what survives of Ancient Greece? Or the graffiti of Athens, painting the city multiple colors?

This simple image, from the port of Fira on the island of Santorini, stuck in my mind. It’s not characteristic of the architecture of the island, except for the color blue. Oh, the blue!! It is characteristic of my photography, however, and one of the little scenes that brought me the most joy during our week in Greece. Even though much of Santorini island is so beautifully painted and cared for, I managed to find some great texture down by the docks. A little slice of my photographic heaven, to share with you on my first day back from vacation.

Today I’ll be hopping around, seeing all of the entries for Exploring with a Camera: Rimmed with Light submitted so far. I can’t wait to see what you’ve linked in! If you haven’t linked an image in yet, there is still time. The link up is open through Tuesday.

I’m also excited to see the all of the people signed up for the Liberate your Art Postcard Swap in the last week. I’ve updated the participant list with all of those who wanted to share their links so far. We’ve got a great group of artists from around the world already. Thanks to all of you who have been helping me to reach my goal of 200 participants, through blogging and putting the button on your sidebar. The swap is currently at 75 participants thanks to you! Yay!

(Linking in to The Creative Exchange and Creative Every Day today.)

Filed Under: The Kat Eye View of the World Tagged With: blue, door, Fira, Greece, Santorini, texture

  • Email
  • Facebook
  • Instagram
  • RSS
  • Twitter

Upcoming Events

Books Available

  Digital Photography for Beginners eBook Kat Sloma

Annual Postcard Swap

Online Photography Resources

search

Archives

Filter

  • Email
  • Facebook
  • Instagram
  • RSS
  • Twitter

Upcoming Events

© Copyright 2017 Kat Eye Studio LLC